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In the Pontesanto neighborhood, street art complements everyday transportation. Murals and artistic interventions created in recent years enhance underpasses, walls, and green spaces, transforming a transit area into a recognizable and vibrant space.

This evocative square dedicated to Ayrton Senna is one of the symbolic spaces of the Enzo and Dino Ferrari Autodrome area. The square is home to the MAICC – Checco Costa Imola Autodrome Multimedia Museum, whose façade features a large mural dedicated to Ayrton Senna, created in 2019 by Brazilian street artist Eduardo Kobra as part of the RestArt Urban Festival.

the center of Imola's nightlife

Beautiful view of Dozza and with clear skies you can also see the Alps.

brisk walk

Porta Montanara was one of the four entrance gates to the city of Imola when it was still surrounded by walls, built by the Manfredi rulers. Originally known as ‘Pusterla’, meaning secondary entrance, it was later given the name Montanara because it faced the hilly region. Although the fortifications were largely demolished in the 20th century, the gate is still recognizable by its square shape and the Ghibelline battlements on three sides. (c) https://visitareimola.it/porta-montanara/

The Convento dei Cappuccini has a rich history dating back to the 16th century. The Capuchin monks settled here after some difficulties and built their current monastery in 1592. The monastery has had various functions over the years, including a philosophical and theological study center and a novitiate. After the suppression by Napoleon and later the Italian government, the monks returned in 1880. Today the monastery serves as a center for missionary activities and hosts groups for retreats and community weeks.

In the place where it is said that on 27 March 1483 the effigy of the Virgin with Child, placed on a small masonry pillar, worked a miracle, Girolamo Riario and Caterina Sforza, Lords of Imola, had this Sanctuary built, allowing the Franciscan friars to take care of the sacred image. The construction of the church began in 1491 and over time it was expanded several times to accommodate the large number of pilgrims who came to venerate the image. The building, clearly Renaissance in style, has a rectangular plan, a small portico preceding the entrance and an imposing sixteenth-century bell tower 35 meters high. (Source: https://visitareimola.it/basilica-santuario-della-beata-vergine-del-piratello/ )