4.1
(34)
127
등산객
23
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마지막 업데이트: 3월 26, 2026
3.0
(3)
6
등산객
18.7km
04:50
110m
110m
3.0
(1)
9
등산객
초급용 하이킹. 모든 체력 수준에 적합. 실력과 관계없이 누구나 쉽게 갈 수 있는 길.
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5.0
(2)
2
등산객
9.20km
02:29
120m
120m
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3.0
(1)
8
등산객
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3.5
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6
등산객
8.35km
02:09
50m
40m
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The Church of Santa Maria la Veterana is an ancient and fascinating medieval church, considered the oldest place of worship in the city. Although the exterior may appear simple and sober, its true treasure lies within: the walls are decorated with precious frescoes that once covered the entire structure. Many of these paintings, dating back to various periods (including a 13th-century "Virgin of the Platythera"), were rediscovered during restoration work. The church has very ancient origins, likely dating back to the 9th or 10th centuries, and is thought to have been built on the ruins of an early Christian church and, even earlier, a pagan temple dedicated to the goddess Demeter. This makes it an important testimony to the historical and cultural stratification of the area.
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Impressive now abandoned complex built on terraces of "cut stones". There are stone fences for livestock and residential shelters. Very beautiful
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Trulli - or trullo when you’re talking about just one dwelling - were initially built to provide temporary field shelters and storehouses. Over time they also became permanent dwellings for agricultural families and labourers of smallholdings. The simple traditional lime whitewash that decorates the trulli’s exterior complements the local geology and pastoral landscapes. To protect against the elements and balance the temperature all year round, the trulli walls are incredibly thick, made up of a double skin filled with rubble. Similarly, the doorways and windows are small. These iconic rural dwellings began appearing as early as the 14th century, and their popularity originated because of a 15th century decree that made urban settlers pay taxes to the crown under feudal rule. If the king’s inspectors came collecting, the villagers could easily demolish these inexpensive buildings into a pile of stones and hide in the forest, and then rebuild them once they’d gone.
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Trulli - or trullo when you’re talking about just one dwelling - were initially built to provide temporary field shelters and storehouses. Over time they also became permanent dwellings for agricultural families and labourers of smallholdings. The simple traditional lime whitewash that decorates the trulli’s exterior complements the local geology and pastoral landscapes. To protect against the elements and balance the temperature all year round, the trulli walls are incredibly thick, made up of a double skin filled with rubble. Similarly, the doorways and windows are small. These iconic rural dwellings began appearing as early as the 14th century, and their popularity originated because of a 15th century decree that made urban settlers pay taxes to the crown under feudal rule. If the king’s inspectors came collecting, the villagers could easily demolish these inexpensive buildings into a pile of stones and hide in the forest, and then rebuild them once they’d gone.
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Trulli - or trullo when you’re talking about just one dwelling - were initially built to provide temporary field shelters and storehouses. Over time they also became permanent dwellings for agricultural families and labourers of smallholdings. The simple traditional lime whitewash that decorates the trulli’s exterior complements the local geology and pastoral landscapes. To protect against the elements and balance the temperature all year round, the trulli walls are incredibly thick, made up of a double skin filled with rubble. Similarly, the doorways and windows are small. These iconic rural dwellings began appearing as early as the 14th century, and their popularity originated because of a 15th century decree that made urban settlers pay taxes to the crown under feudal rule. If the king’s inspectors came collecting, the villagers could easily demolish these inexpensive buildings into a pile of stones and hide in the forest, and then rebuild them once they’d gone.
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The "Torre del marchese Arcamone" is a fortified two-storey farmhouse whose last phase is certainly from the modern age, which has on the ground floor rooms for stables, warehouses and an oil mill. But what is its history and why is the district called this way? In 1399 the king of Naples, Louis, ceded the barony of Bitetto together with the fief of Ceglie and Bari, for having fought bravely in a war near Taranto, to Marcello Arcamone. Since 1382, during the reign of Charles III, he had come to Puglia with his brother Lionello, who had been given the Lordship of Ceglie. The Arcamone family lived in Bitetto for a long time. In 1407 Pope Martin V transferred Bishop the son of Marcello, Carlo Arcamone, from his seat in Venafro to Bitetto. The farm had many changes of ownership and in 1806, already belonging to the Noja family of Mola, it was confiscated for the abolition of the feudal regime.
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Located at the end of Corso Garibaldi (formerly Via Santa Maria la Veterana), the Church of Santa Maria La Veterana (or Vetere), originally Santa Maria la Vetrana, is one of the churches in Bitetto located outside the walls, as well as one of the oldest. The oldest evidence of this building dates back to a document from 959, which speaks of a church consecrated to Santa Maria, while reading the coat of arms on the facade, if belonging to Mons. Scicutella, would allow us to date the reconstruction of the church to a period between 1294 and 1300. Having belonged to the Conventual Fathers with alternating fortunes , today there is no longer any trace of the annexed monastery. The church has a bare facade, softened only on the right side by the bell tower erected on the main portal and leaning against later buildings. Internally, the church is divided into three naves by heavy arches: round in the first span and pointed in the other two. The latter are lower than the first, while the supporting pillars are thicker; furthermore, a moulding frame runs along the walls above the arches and stops at the first span. All this testifies to the fact that the building went through at least two construction phases. The frescoes along the internal walls of the church are of fine workmanship, regarding the "Stories of the Virgin" (on the left side), the "Stories of Christ" (on the back wall) and the "Last Judgement" (on the right side). In the niche of the main altar there is a polychrome wooden statue depicting the Virgin; it also houses, after a recent restoration, an antependium with paintings on leather presumably of Cypriot origin, an 18th century wooden tabernacle and a finely crafted statue depicting Saint Ignatius of Loyola. In the square in front of the church, Icarus is on display , a work by the American sculptor Greg Wyatt.
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Located in front of the church of San Michele Arcangelo, the Sedile, the ancient seat of the Municipality, was the point of reference for the Universitas regarding administration, justice and economic activities. Inside were kept the units of measurement for comparison with those used by foreigners. Here resided the Market Master, who regulated the holding of markets, fairs and auctions. Initially it was cubic in shape, with three large pointed arches facing the square that gave access to the offices for cases involving small crimes and for the drafting of documents related to public life. In the 18th century the first floor was raised and a bell tower was built. In the 19th century, the Bourbon gendarmerie was housed on the first floor . One of the rooms was probably used as a prison for criminals awaiting transfer. On the façade there is a lion's head , used as a pillory for the condemned, and a sundial with a gnomon , transformed into a clock face.
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