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The church of Saint-Germain-des-Grois, dedicated to Saint Germain, is a charming church in the canton of Rémalard in the heart of Perche. Built in the Romanesque style with its 12th-century choir, it was considerably enlarged during the 15th and 16th centuries, the periods in which the construction of the side aisles took place. The church was under the jurisdiction of the abbey of Saint-Lomer-de-Blois for its presentation to the parish priest. Its curious exterior volume attracts even more attention as the right wing of a building adjoining the church largely obscures the left side of its façade, in line with the aisle; this construction, moreover, resembles that of an old priory. The building consists of a nave of three bays, flanked by side aisles opening onto the central nave through large arches with a broken profile resting on large circular piers and a choir of one bay in the extension of the central nave ending in a flat chevet. A modest sacristy adjoins the building to the southeast. Outside, the side aisles are covered with successive gables, with the exception of the first bay of the north aisle covered by a square-plan, squat bell tower whose exterior volume, close to that of a bell tower, barely dominates the roof of the building which leans against its base. The three gables covering the right aisle do not follow an identical profile, the slope of the framework and the roof of the first of them, to the west, having been the subject of a significant restoration in the 19th century. At the same time, the two gables of the north aisle were also restored. As for the choir, of smaller volume, it has retained on its north and south sides a cornice with modillions; it constitutes the oldest part of the building. Inside, the nave is covered with a recently restored paneled vault, while the side aisles are vaulted on ribbed vaults, the ribs of which are received by ornate corbels. The church is lit thanks to the large bays with radiating tracery pierced in the walls of the side aisles. Among the notable elements of the furniture, it is worth mentioning the two monumental stone altarpieces which adorn the side altars, works of the 17th and 18th centuries; that of the south aisle houses statues of Saint Sebastian, Saint Joseph and Saint Germain and a finely worked gilded wooden tabernacle from the 17th century, with a dome and small columns. For drainage, the restoration of the masonry, particularly the buttresses, and for the restoration of the lower roof of the bell tower, the Sauvegarde de l’Art français granted a grant of 70,000 F in 1999.

Superb castle in the Perche!

Built on an old feudal motte, which is still visible and was completely destroyed during the Hundred Years' War, it was replaced in the second half of the 15th century by the castle, the remains of which can still be seen today. The Saint-François Tower remains as it was, with its Grisons base and rows of white stone. Halfway up the circle is the Cord of Saint Francis of Assisi, with its coils and knots. A Renaissance building was added in the 16th century, and new buildings were constructed in the 17th and 18th centuries.

Occupying mainly a hill dominated by a curious dome-shaped bell tower, the territory of Brunelles has a rich historical past, sometimes even bordering on the marvelous. If the very ancient occupation of the place is attested to in Bois-Jahan, the disappearance of the village of La Ferrière and its church of La Madeleine during the Hundred Years' War (14th-15th century), give the hamlet of Vieux Murs a legendary air... A fortified castle and a chapel below probably stood here. Furthermore, because the lords of Brunelles who were the vassals of the Rotrou, were required to guard the Saint-Jean castle, one of the towers of the Nogent castle still bears the name of the village today. Situated on a rocky peak, the Saint-Martin church is visible from afar. Built in the 15th century, most of it, including the spire, was unfortunately destroyed by fire, and only the stone choir with a semi-circular vault is original. The nave is lit on each side by three flamboyant-style windows, and in the choir you can admire the beautiful stone altarpiece that has recently been restored. You will also notice an oculus on the south face, found during the 1998 restoration campaign, and enriched with a recent stained glass window illustrating the Creation. Finally, visitors should not fail to stop by the relics of the young Alexander, tortured for refusing to renounce his faith in Christ, as were other saints called martyrs for this, from the Greek "witnesses". There are thus many relics in our churches: they can be found at the first origin of basilicas, often built on ancient funerary areas on the outskirts of ancient cities. The relics of the saints are to be considered as the very humble signs of what their bodies were, the evocation of their human condition: it is with their bodies that the saints acted, thought, prayed, worked, suffered and experienced death. The monastery of the Val d’Arcisses was the first foundation of the monk Bernard d’Abbeville, later called Bernard de Thiron, because the monks of St.-Denis de Nogent-le-Rotrou would not let him do it! Bernard had to settle nearby, in the parish of Gardais, under the protection of the bishop of Chartres, Saint Yves and de Rotrou, Count of Perche. He had been established in a manor located between Brunelles and Ozée. The Notre-Dame-du-Val-d’Arcisses abbey welcomed Benedictine nuns during the 17th and 18th centuries. Destroyed during the Revolution, all that remains is the gatehouse, a beautiful arch embedded in a façade. One of the monks' major works was to dig the Arcisses canal, a diversion from the Cloche: it irrigated the abbey's lands and supplied the fountain which flowed near the Notre-Dame church in Nogent-le-Rotrou.

The church has a Latin cross plan. It has a single nave and a flat chevet. A small building is attached to the chevet. A bell tower flanks the building. Buttresses support the drip walls and the gable wall. Pointed arch bays with tracery illuminate the building. The portal, in a low arch, has its external arched voussure.

Church built in the 12th and 16th centuries. Listed apse from the 12th century. 4-storey bell tower. Corner buttress bell with staircase turret. Renaissance portal. Large Gothic window above the portal. 16th century roof and nave. Stone statue of a bishop, 16th century paintings.

The Saint-Martin church, listed as a Historic Monument, is located in Nocé, Normandy. It was probably built in the 12th century near the ruined and abandoned Nocé castle after the Hundred Years' War. Originally, the church was surrounded by a cemetery that was moved in the 18th century. In the 15th century, the walls were razed and the Romanesque framework of the nave replaced by a new paneled framework. In the 16th century, after the troubles of the Hundred Years' War, the building was modified: a single large roof was built in place of the various previous volumes and the framework was transformed, a new chapel was added against the south facade and a stone bell tower was built to the right of the nave. This tower, square from base to top, stands twenty meters high. The church is composed of a rectangular nave, three bays and a choir with a Romanesque semicircular chevet. A succession of three chapels opens a side aisle separated from the nave by pillars. The chapels are covered with ribbed vaults. A sacristy is fitted out behind the church. Note the altarpiece and the tabernacle in painted and gilded wood with steps, installed in the choir and lit by two bays with tracery, a painting presenting the disciples of Emmaus and one of the Annunciation, as well as a polychrome terracotta statue and a stone statue of Saint Madeleine without forgetting a stone statue of Our Lady of Pity.