마리아포싱 최고의 라이딩 경로

바이에른의 ‘성스러운 산’으로 자주 불리는 보겐베르크는 도나우 강가의 단순한 언덕 그 이상입니다. 이곳은 역사가 깃든 순례지이자 중요한 자연 기념물이며, 가장 유명한 바이에른 상징 중 하나의 ‘요람’입니다. 1242년 가문이 멸망한 후, 그들의 소유물과 문장이 비텔스바흐 가문에 넘어갔습니다. 그리하여 보겐의 마름모 문장이 바이에른의 국가 상징이 되었습니다. 더 자세한 내용은 산 바로 위에 위치한 보겐베르크 지역 박물관에서 알아보실 수 있습니다.

The Catholic Parish Church of the Assumption of Mary in Deggendorf stands on truly historic ground: rising on the foundations of three of its predecessor churches, it is the spiritual center of the city's Catholic parish and its members. Located between Regensburg and Passau, in the small town of Deggendorf, the Parish of the Assumption of Mary looks back on almost a thousand years of history. Incorporating the previous, late-Gothic choir, the present church was built in the 17th century. After a devastating fire 100 years later, reconstruction had to begin again. Since another renovation in 1889, the magnificent church can be entered via a sweeping open staircase. Its interior exudes a bright atmosphere: artistic stucco work is illuminated by the sunlight streaming through the large windows. An elaborate Rococo pulpit with numerous golden ornaments adds splendor to the Assumption of Mary, and the ceiling and wall paintings also contribute to the festive atmosphere. A relief depicting the Flight to Egypt, dating back to the 13th century, has been preserved from what was probably the first Romanesque church. Television has also discovered this wonderful atmosphere, broadcasting a ZDF television service from the parish church. https://www.reservix.de/deggendorf/venue/katholische-pfarrkirche-mariae-himmelfahrt/v14698

Best pit stop in the area - the Radler is hard-earned after the climb ;-)

At the moment, renovations and sprucing up are underway...

beautiful bike path next to the main road

Beautiful view of the Bogenberg with St. Marien from the Danube old arm.

Monastery Church of St. Peter and Paul The first church building, which was part of the Oberaltaich Abbey, founded around 1102, was consecrated in 1129 and was a three-aisled Romanesque basilica without a transept, with a flat roof inside. At the beginning of the Thirty Years' War, the medieval monastery church was demolished in 1621 and rebuilt from 1622 to 1630 - using the two western towers again. This was done under Abbot Veit Höser, who was also responsible for the planning, while the construction management was in the hands of the Graubünden master mason Ulrich Walchner. The church was consecrated in 1630 in the presence of Emperor Ferdinand II and Elector Maximilian I. In 1632, the church and monastery were plundered and devastated by a Swedish army led by Bernhard von Weimar. The current baroque church complex is a three-aisled hall church with a five-bay floor plan, surrounded by galleries on all sides. The unusual spatial form without excluding an actual choir building is further articulated by the fact that a two-storey chapel extension with a three-quarter circular floor plan is attached to the church building on all four sides. The vaulting of the church space is achieved by an unarticulated groin vault in the central nave, groin vaults in the side aisles and lancet vaults in the galleries. The principal piece of the church furnishings is the baroque high altar from 1693 with its six-columned structure, the altarpiece of which with the crucifixion of St. Peter by Johann Georg Knappich could be lowered by a mechanism on holidays in favor of the stage-like staging of the handing over of the keys to Peter, which was created around 1730. In the south-west corner of the church is the tomb of the founders of Counts Friedrich and Aswin von Bogen with a red marble cover plate from 1418, and in the northern Albertus Chapel is the high grave of Blessed Albert with a red marble cover plate from 1395. In 1727-1730, Abbot Dominicus II. Perger had the abbey church, built in 1630, refurbished on the occasion of the monastery's upcoming millennium celebrations. Joseph Anton Merz from Straubing carried out the extensive fresco work on the vaults according to the prelate's precise instructions, which are among the top achievements of southern German ceiling painting. Source: Excerpts from www.wikipedia.de

👍