사우스림부르크 주변 최고의 도시 하이킹 & 워킹 코스

De Blauwe Boulevard는 Quartier Bleu라고도 알려져 있으며, Hasselt에서 가장 역동적인 지역 중 하나입니다. 2016년에서 2024년 사이에 완료된 이 지역의 대규모 재개발은 현대 건축, 녹지 공간 및 고급 편의 시설의 조화로운 통합을 가져왔습니다. De Blauwe Boulevard는 400개의 아파트와 주택으로 구성되어 있으며, 고급스러운 마감과 Kanaalkom의 멋진 전망이 특징입니다. De Blauwe Boulevard의 상업 중심지는 Quartier Bleu 쇼핑 지역으로, 패션 부티크부터 전문점, 슈퍼마켓까지 다양한 상점들이 있습니다. 물가를 따라서는 카페, 레스토랑, 바가 즐비한 산책로가 있어 방문객들이 마리나를 바라보며 미식의 즐거움을 누릴 수 있습니다.

요트나 보트로도 하셀트(Hasselt)에 오신 것을 진심으로 환영합니다. 마리나의 선착장은 2021년에 완전히 새롭게 단장되었습니다. 항구에는 전기, 식수, 와이파이와 같은 편의 시설을 갖춘 아름답고 넓은 부유식 선착장이 마련되어 있습니다. 모든 정보는 www.jachthavenhasselt.be에서 확인하실 수 있습니다.

하셀트의 마르텔라렌란에 있는 옛 감옥은 1859년에 파놉티콘 원칙에 따라 지어졌습니다. 2013년부터 이 상징적인 별 모양 건물은 하셀트 대학교의 법학부로 사용되고 있습니다.

현재 공사장으로 둘러싸여 있어 안타깝습니다. 새로운 시청과 멋진 대조를 이룹니다.

Borrelmanneke는 벨기에 하셀트 중심부에 있는 분수이자 청동 조각상입니다. 이 조각상은 도시의 진 문화 전통을 상징하며 주민과 관광객 모두에게 랜드마크입니다. Borrelmanneke는 Maastrichterstraat에 있습니다.

The oldest center of Hasselt lies on the banks of the Helbeek/Hellebeek, a small watercourse that enters the city from the south to the southeast, continuing north via Sint-Jozefstraat (formerly Beekstraat), skirting the choir of St. Quentin's Cathedral and continuing past Zuivermarkt and Paardsdemerstraat. It leaves the city via the Kattegat and joins the Demer. During the 13th century, a branch of the Demer was brought to the city from Diepenbeek to supply canals and at least one mill with water. This branch, the Nieuwe Demer, entered the city from the northeast and, before crossing the Kattegat and the Molenpoort gate, took over the Helbeek's bed, joining the Oude Demer in a northwesterly direction. The Helbeek, having become an open sewer, was covered over in the 19th century. From the 13th century onward, the entire center was surrounded by a rampart and wall, equipped with towers and four gates: the Maastricht Gate, the Sint-Truider Gate, the Kuringer Gate or Diest Gate, and the Kempen Gate. As early as the mid-15th century, parts of the walls were forcibly demolished and the moats filled in (Gerits 1989). Reconstruction followed, and subsequent political and military conflicts led to further demolition work. A pen and ink drawing of the Maastricht Gate from 1687 shows the massive gatehouse with its ravelin or fortification in front. Nothing of this remains visible on the map of Count de Ferraris (1771-1778). After 1820, the decision was made to sell the ramparts and gates, which ultimately resulted in their complete dismantling between 1846 and 1850. Inventory of Immovable Heritage: Historic city center of Hasselt, https://id.erfgoed.net/erfgoedobjecten/140049

About the wall paintings discovered in the cathedral. On the northwest crossing pillar in the nave, near the Cornelis Chapel, are the depictions of Saints Cornelius and Anthony. Cornelius, as a bishop, is dressed in an alb, dalmatic, cope, and miter. In his right hand, he holds the episcopal crosier; in his left, he carries his personal attribute, the horn; first half of the 15th century (143 x 69 centimeters). Anthony is depicted as a hermit in a brown robe and cowl, the habit of his order, the Antonites. In his right hand, he carries the abbot's crosier; in his left, a prayer book and a bell, with which the Antonites announced their arrival to plague victims. At his feet are visible flames, which refer to the Saint Anthony's fire, a formidable contagious disease; first half of the 15th century (150 x 66 centimeters). On the second column on the south side, the martyr Saint Lucy is depicted. She wears a robe and a wide cloak, holding a book in her right hand. She stands between two executioners dressed in short tunics and pointed shoes; the inscription reads: SAN[C]T[A] LUCIA, 15th century (120 x 124 centimeters). Discovered during plaster removal work in 1887. Restoration probably by Cornelis Leegenhoek in 1936. Godfried Guffens designed the static figures of saints in the choir and the murals in the baptistery, depicting the Baptism of Christ, the Crucifixion, the Expulsion of Adam and Eve from Paradise, and finally, the figures of the first eight bishops of the diocese of Liège (1876-1879). Inventory of Immovable Heritage: Murals of St. Quintinus Cathedral, https://id.erfgoed.net/erfgoedobjecten/301476

St. Quintin's Cathedral is known, among other things, for its carillon (which includes a carillon museum and numerous steps for a magnificent view), several murals, the unique Niehof organ, the oldest known monstrance, and a wealth of religious heritage. For me, the reliquary treasure housed in the cathedral from the former Herkenrode Monastery (near Hasselt) is unmissable. It's a very old treasure that brings together everything: the legend of Saint Ursula, the County of Loon, Herkenrode Abbey, the medieval relic trade, pilgrimages, and much more. The treasure—which contains 114 objects, including 47 skulls—was donated to Herkenrode Abbey (where his cousin was abbess) in the thirteenth century by Willem Van Rijckel, Abbot of Sint-Truiden. A long story, but above all, some truly special masterpieces for enthusiasts.