알라노 디 피아베‬에서 가장 멋진 ‪6‬개의 동굴

요새의 순찰로에서는 평원, 언덕, 산(전경의 그라파 산) 및 아솔로까지 360°의 멋진 파노라마를 즐길 수 있습니다. 요새에 도달하려면 마을 성벽 주위를 도는 길고 인상적인 포장 계단을 올라야 합니다. 토요일, 일요일 및 공휴일에만 개장합니다. 입장료: 5유로 (전망 좋은 짧은 산책로는 조금 비쌉니다). https://www.asolo.it/cosa-vedere-asolo-rocca/

Nice view on the plane. It's short uphill (50mt stones floor), but isn't ridable with a road/gravel bike. For roadies and gravellers it's a portage section, for sure (roadies, pay attention when walk on stones with stiff shoes). An MTB and a real good fitness are required to achieve the top of the hill.

Castello Pretorio is a hidden gem in the idyllic town. Free access gives you the opportunity to delve into the long, special history of the fort. It is an early medieval fortress that has had different inhabitants and interpretations over the centuries. Take your time to press your pause button and enjoy a beautiful panoramic view from the Belevedere della Specola.

The symbol of the city stands on the top of Monte Ricco (310 meters) as a solid military fortress. Built between the end of the 12th and the beginning of the 13th century, it served as the city's garrison. From the stands it is possible to admire the entire surrounding landscape with a view that stretches from the Dolomites to Venice. Opening: Saturday, Sunday and public holidays: from April to October 10am - 7pm; from November to March 10am-5pm. July and August: 9am-1pm/4pm-8pm More info at https://www.asolo.it/cosa-vedere-asolo-rocca/

The symbol of the city is at the top of Monte Ricco (310 meters). To reach the Rocca, take into account a steep climb (so to speak). Opening: Saturday, Sunday and public holidays: from April to October 10am - 7pm; from November to March 10am-5pm. July and August: 9am-1pm/4pm-8pm. Entrance prices and more info: check https://www.asolo.it/cosa-vedere-asolo-rocca/

Symbol of the city of Asolo, the Rocca is a solid military fortification that stands on the top of Monte Ricco (310m). It was built between the end of the 12th and the beginning of the 13th century by will of the Bishop of Treviso with the function of garrison for the city. Previous visits to the fortress can be dated from the 7th-8th century, when a Christian chapel was built on the hill with a mosaic floor preserved in the museum, but a copy of which is placed in situ. In the following centuries the area was used for the establishment of production structures and necropolises; in particular between the 10th and 12th centuries the sources mention this settlement as loco Bragida, a toponym of Lombard origin which came to indicate the countryside or peri-urban areas. The mighty structure, made of local stone, has crenellated walls approximately 15 m high and between 2.5 and 3.5 m thick. Inside are the tower, the remains of the round cistern-well for collecting rainwater and part of a small quadrangular cistern preceding the cistern-well. The fortress was abandoned after the 15th century and the structure was then used sporadically. There is news that Venice attempted to sell the fortress in 1650, but in extremis the city's pleas prevented this sale; in fact the fortress became an inalienable part of the monumental heritage of Asolo. From its stands it is possible to admire the entire surrounding landscape with a view that passes from the Dolomites to Venice. Opening: Saturday, Sunday and holidays: from April to October 10.00am-7.00pm; from November to March 10.00-17.00. July and August: 9.00-13.00/16.00-20.00

Villa Barbaro di Maser The Villa di Maser was conceived around 1550 by the architect Andrea Palladio as a prestigious location for the agricultural estate of the Venetian noble brothers Daniele and Marcantonio Barbaro, who commissioned the painter Paolo Veronese and the sculptor Alessandro Vittoria to decorate the building. Text / Source: VILLA DI MASER (Villa Barbaro) - Patrimonio dell'Umanità UNESCO https://www.villadimaser.it/visit-the-villa/?lang=en

The Villa di Maser was conceived around 1550 by the architect Andrea Palladio as a prestigious location for the agricultural estate of the Venetian noble brothers Daniele and Marcantonio Barbaro, who commissioned the painter Paolo Veronese and the sculptor Alessandro Vittoria to decorate the building.