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St. James Parish Church The oldest part of the Catholic parish church of St. James is a Gothic structure dating from the 15th century (at the current high altar). The high altar was consecrated in 1696 by the Bishop of Regensburg, Count von Wartenberg. Relics of St. James are kept in the altar table. Around 1735, the already dilapidated tower was renovated. In 1738, the church underwent a major reconstruction, primarily involving the extension of the nave and the addition of foliage, strapwork, and Rococo shells. The surviving ceiling fresco in what was then the chancel depicts the beheading of St. James and was painted by Otto Gebhard around 1750. The design is housed in the City Museum in Regensburg. Another version of this design can be admired in St. James Church in Cham. In 1884, the parish church was thoroughly renovated and restored. In 1952, the church was redesigned by architect Hanns Beckers: It was rotated 90 degrees and significantly enlarged. The original high altar was moved to the newly created chancel. The altarpiece depicts the glorification of St. James. Experts admire the excellent reproduction of the original stucco work on the ceiling of the extension. The ceiling painting in the nave was altered to reflect the new orientation and depicts the calling of the Apostle James as well as two other scenes from his life. The altarpiece on the side altar, featuring the motif "The Seven Holy Refuges" (Trinity, Cross, Monstrance, Virgin Mary, Guardian Angels, All Saints, and the Deceased), is particularly noteworthy. The angel on the left, with his finger to his lips, also alludes to the depiction of St. John Nepomuk (at the very top) – the seal of confession. The Romanesque baptismal font from the 13th century with its Gothic base is also of interest. It is the oldest piece in the church. The parish church contains historically valuable gravestones. The most significant gravestone is that of Hademar IV of Laaber: a red marble stone to the left of the high altar, depicting the deceased in full knight's armor in high relief. This knight of Laaber Castle was twice elected mayor of Regensburg (d. 1420) and the son of the minnesinger Hademar III. Next to the east entrance stands the St. James Bell, dating from 1786. Due to damage sustained in 1976, it was replaced in the spring of 1982 by the "Peace Bell." Source: www.pfarrei-laaber.de

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Laaber Castle Ruins A Wernherus de Labere witnessed the founding of Reichenbach Abbey in 1135. In 1166, the Lords of Laaber are listed in a document among the free nobles who were directly subject to the Holy Roman Empire. The Lords of Laaber oversaw the important royal road in the Black Laber Valley and thus controlled key traffic junctions in the region. Wernher IV was an ardent supporter of the last Hohenstaufen emperor, Frederick II, in the first half of the 13th century. Hadamar III, born around 1300, was a famous minnesinger; his best-known work is "The Hunt." His descendants reached the height of their power, providing several mayors in the major imperial cities of the region: Ulrich in Nuremberg in 1366, and Hadamar IV in Regensburg in 1367. In 1389, Laaber Castle was damaged in an attack by the imperial city of Regensburg because Hadamar IV had been in constant conflict with the city after the end of his mayoral term. In the 15th century, the Lords of Laaber increasingly encountered financial difficulties. In 1435, the castle had to be sold to the Wittelsbachs, but remained a fief of Ulrich von Laaber. When he died around 1469, his castle in Laaber finally passed into the Wittelsbachs' possession. In 1597, the dukes had Laaber expanded into a palace. As the complex fell into increasing disrepair in the 18th and 19th centuries, the original Romanesque structures began to reappear. The castle complex was separated from the ridge by a deep dry moat, which in the Middle Ages featured a wooden bridge with a drawbridge. It was protected by a semicircular tower followed by a gatehouse with a Gothic barbican. The second and third gates, which lead through a curtain wall several meters thick, exhibit massive rusticated ashlar masonry. The imposing stump of the rectangular keep, with the castle chapel behind it, displays large, precisely hewn ashlar masonry typical of the period around 1200. To the south and east of the complex, the walls of residential buildings with Romanesque windows still stand. A cistern was located in the castle courtyard. Several residential buildings, some of which also occupy former castle structures, are integrated into the complex. The castle chapel south of the keep is therefore not accessible. The coat of arms of the Lords of Laaber, a crowned lion's head in profile, can be seen on this gate tower. Source: Excerpts from www.wikipedia.de / www.burgenseite.de

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St. James Parish Church The oldest part of the Catholic parish church of St. James is a Gothic structure dating from the 15th century (at the current high altar). The high altar was consecrated in 1696 by the Bishop of Regensburg, Count von Wartenberg. Relics of St. James are kept in the altar table. Around 1735, the already dilapidated tower was renovated. In 1738, the church underwent a major reconstruction, primarily involving the extension of the nave and the addition of foliage, strapwork, and Rococo shells. The surviving ceiling fresco in what was then the chancel depicts the beheading of St. James and was painted by Otto Gebhard around 1750. The design is housed in the City Museum in Regensburg. Another version of this design can be admired in St. James Church in Cham. In 1884, the parish church was thoroughly renovated and restored. In 1952, the church was redesigned by architect Hanns Beckers: It was rotated 90 degrees and significantly enlarged. The original high altar was moved to the newly created chancel. The altarpiece depicts the glorification of St. James. Experts admire the excellent reproduction of the original stucco work on the ceiling of the extension. The ceiling painting in the nave was altered to reflect the new orientation and depicts the calling of the Apostle James as well as two other scenes from his life. The altarpiece on the side altar, featuring the motif "The Seven Holy Refuges" (Trinity, Cross, Monstrance, Virgin Mary, Guardian Angels, All Saints, and the Deceased), is particularly noteworthy. The angel on the left, with his finger to his lips, also alludes to the depiction of St. John Nepomuk (at the very top) – the seal of confession. The Romanesque baptismal font from the 13th century with its Gothic base is also of interest. It is the oldest piece in the church. The parish church contains historically valuable gravestones. The most significant gravestone is that of Hademar IV of Laaber: a red marble stone to the left of the high altar, depicting the deceased in full knight's armor in high relief. This knight of Laaber Castle was twice elected mayor of Regensburg (d. 1420) and the son of the minnesinger Hademar III. Next to the east entrance stands the St. James Bell, dating from 1786. Due to damage sustained in 1976, it was replaced in the spring of 1982 by the "Peace Bell." Source: www.pfarrei-laaber.de

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The tree is so big that the chapel behind it "almost" disappears.

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Opening Hours Summer Season 2025 Stubn & Beer Garden: Thursday - Saturday 3:00 PM - 11:00 PM Sundays & Public Holidays: 10:00 AM - 10:00 PM Sundays and Public Holidays: 10:00 AM - 10:00 PM Sundays and Public Holidays: 10:00 AM Morning Pint 11:30 AM Lunch Monday to Wednesday: Closed

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More information at: https://www.muenchsmuehle-laaber.de/

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There's no menu. The waitress simply tells you what dishes are available that day. The list is short, but everyone found something they liked. There's no website; I've added a picture with the opening hours as a highlight. A great place to stop by!

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The Gleiselmühle was first documented in the 11th century. It was formerly a grain mill, a sawmill, and later an inn. It has been generating electricity since 1949. Unfortunately, there's not much going on here anymore. The mill hiking trail ends here.

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