가장 멋진 명소 20곳

Lots of things to visit and the place to take a break and drink a good glass of wine from the cellars of the town

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The church tower of Saint-Etienne was once an integral part of the fortifications. Easily recognizable by its solid construction and the loopholes on the sides. In the tower passage there is an interesting information board stating that Wolfgang Amadé Mozart and his family stopped in Moudon in 1766 on their journey through Switzerland.

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The city wall must have been huge if such a gate is so far away from the city...

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THE EAST GATE - A MONUMENTAL BUILDING IN A DOMINANT LOCATION High above the town center on the plain is the East Gate - one of the two monumental entrances to the city wall of Aventicum. The construction of the city wall around 72 AD created new entrances to the city. The one on the east side is controlled by a gate building. This square building measuring 28 x 20 m is flanked on the outside by two octagonal towers. Two wide passages, which cross a round open-air courtyard, were intended for vehicles and two narrower side passages were reserved for pedestrians. Two openings on the city side allowed access to the two side towers and to the upper floor of the gate building. The preserved architectural elements testify to the magnificent and richly decorated character of the facades. In this way they announced the political power and economic prosperity of the Aventicum colony both internally and externally. LA PORTE DE L'EST - UN OUVRAGE MONUMENTAL - EN SITUATION DOMINANTE Au-dessus du center-ville situé dans la plaine se trouve la porte de l'Est - l'une des deux entrées monumentales du mur d'enceinte d'Aventicum. Avec la construction du mur d'enceinte vers 72 apr. J.-C., de new accesses to the ville sont créés. The oriental access is controlled by a porte, édifice quadrangulaire de 28 x 20 m wide on the exterior of two octogonal tours. Deux larges couloirs cen-traux traversant une cour circulaire à ciel ouvert sont réservés aux véhicules et deux passages lateéraux, plus étroits, aux piétons. On you can enter the two lateral tours and access the upper level of the porte property for two outer tours on the other side of the city. The architectonic elements preserve the appearance of the ostentatious character and rich decoration of the façades. Ils annonçaient ainsi, tant à l'intérieur qu'à l'extérieur, la puissance politique et la prosperité économique de la colonie d'Aventicum. THE EAST GATE - A MONUMENTAL STRUCTURE - ON A DOMINANT LOCATION Above the city center located in the plain is the East Gate - one of the two monumental gates of the city wall of Aventicum. With the construction of the city wall around 72 AD, new entrances to the city were created. The eastern one was monitored by a 28 x 20 m quadrangular gate flanked by two external octogonal towers. Two wide central passages crossing a circular open-air courtyard were reserved for vehicles, and two more narrow lateral passages served for pedestrians. One could enter the two lateral towers and reach the upper floor of the gate proper through two openings on the city side. The preserved architectural elements suggest that the facades were richly adorned, thus boasting the political power and the economic prosperity of the colony of Aventicum to both the local population and the outer world.

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The Théâtre romain du Selley in Avenches is a remarkable Roman theater that was part of the ancient city of Aventicum. Built in the 1st century AD, the theater could accommodate up to 8,000 spectators and served as a venue for theatrical performances, gladiator fights and other public events. Today, the well-preserved ruins of the theater are a fascinating historical monument that attracts visitors from all over the world. With its imposing architecture and rich history, the Roman Theater is an important part of Avenches' cultural heritage and a symbol of the ancient Roman city's former splendor.

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The Sanctuaire du Cigognier in Avenches is a significant archaeological site that houses the remains of a Roman sanctuary. The sanctuary was dedicated to the god Mars Caturix and was built during Roman rule in what is now Switzerland. The ruins, including parts of a temple and an altar, provide insight into the religious practice and cultural significance of the region during the Roman period. Visitors can explore the remains and learn more about the history and archaeology of Avenches.

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The Roman theater was probably built in the 2nd century AD. Today you can tour the historic site and even have a picnic there. Further information at https://www.aventicum.org/de/monumente/theater

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The small museum is highly recommended.

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Even the children can play around here!

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Whether on foot or by bike, the central area of the old town is closed to other traffic and is therefore ideal for seeing the sights (castle and church as well as adjacent streets, etc.). Allow enough time. https://www.myswitzerland.com/de-ch/reiseziele/payerne/

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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia

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Payerne Abbey or Notre-Dame de Payerne Abbey Church is a religious building located in the town of Payerne, in the canton of Vaud, Switzerland. Built in the 11th century, it was the abbey church of a Cluniac Benedictine monastery, closed during the Protestant Reformation. Classified as a historic monument, the building has been restored and transformed into a museum dedicated to the history and architecture of the abbey. SourceWikipedia

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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia

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A visit to Payerne Abbey is a must. Enjoy.

Worth a short stop, further up there is a great espresso above the theaters!

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The Roman theater must once have been an imposing structure. You can walk around and see everything up close. Further promising excavations are still taking place at the site today. A kind of permanently mounted binoculars shows the viewer an overlaid image of the ruins, in which one can see the former building. Incidentally, from here you have a wonderful view of Avenches' medieval ski line.

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The amphitheater of Avenches is certainly one of the most impressive legacies of Roman culture. The medieval bishop's tower at the entrance houses the Roman museum. The amphitheater and tower are within shouting distance of the castle entrance. Right next door, visitors can use a large paid parking lot. The amphitheater is also the starting point for the other Roman sights in the Avanches area.

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Nice tour, there is a lot to see 😁

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The Reformed Church of Saint-Étienne, also known as the Temple of Saint-Étienne, is a Protestant church in the commune of Moudon in the canton of Vaud, Switzerland. It is a parish church of the Evangelical Reformed Church of the canton of Vaud

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In 2007 a major restoration project was launched. The abbey church restoration project goes hand in hand with the transformation of the market square into a cobbled pedestrian area and the opening of a new discovery circuit. The roofs will also be restored, as will the facades and some of the vaults and interior paintings. The largest Romanesque church in Switzerland has been open to the public again since 2020.

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