아르멘티에르 쉬르 아브르 주변 최고의 그래블 라이딩 코스

The original Marian shrine "La Salette," which is referred to in this patronal feast, is located in the French Alps (Grenoble district) and is an important Marian shrine, even if it has not achieved the same level of fame as other pilgrimage sites honoring the Mother of God—such as Lourdes in the French Pyrenees or Fatima in Portugal. The hiking highlight "La Salette" can be found on komoot at the following link =>> https://www.komoot.com/de-de/highlight/1861054

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https://www.brasserieduperche.com

A beautiful place for a hoppy break! Beautiful trails lead to the brewery.

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A great place for a hoppy break!

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very beautiful section of greenway in very good condition and shaded thanks to a beautiful forest.

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The church was built in 1865 by Father Migorel, who supposedly had three visions of a church to be built on a hilltop at the junction of three roads. It was consecrated in 1867 and opened for worship. The octagonal tower, erected in 1871, is decorated with polychrome bricks and topped with four turrets housing statues of archangels.

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Located in the center of the village, it is dedicated to two twin brothers, Saint Gervais and Saint Protais, who were martyred in the 2nd century in Milan. Its construction dates from the 12th century. At that time, it included the flat-saddle nave and the choir. In the 15th and 16th centuries, it was completed by the south aisle and the ceiling covering. The south aisle was listed in July 1932, and the entire church has been listed since September 2011.

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Église Saint Madeleine is a church where beautiful various statues of Saints, famous and less famous. The reason for so many different statues is that the school of sculpture was established here.

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With a very simple plan, with its tiled nave and its small slate bell tower on the ridge, the church surrounded by its cemetery, set back from the road, overlooks the countryside planted with trees. The river is nearby, and its flowing water evokes that of the baptism of Jesus in the Jordan, as soon as we see the statue of the patron, Saint John the Baptist, in the choir. His arm raised towards the sky reminds us of his preaching in the desert of Palestine: "Prepare for the coming of the Messiah...". On the thin banner attached to his staff are written the words: "Ecce Agnus Dei", by which he already announced that he saw in Jesus the victim freely offering himself as a sacrifice for the Redemption of all men. Placed on the ground against the wall, a 17th century painting. depicts Jesus immersed up to his knees in the waters of the river, leaning with his hands crossed on his chest to receive the baptism of penance from the hand of John kneeling on the bank. We see “the Spirit descending on him like a dove” and we recall the words of John reported in the Gospel: “I am not worthy to bow down at his feet… I have baptized you in water; he will baptize you in the Holy Spirit.” Beside him, the angel wearing Jesus’ clothes turns his face towards a young child whom he guides with a hand placed on his shoulder, as if to teach him the profound meaning of baptism. Above the arch through which the nave opens onto the choir, the group of Christ on the cross surrounded by Mary and Saint John the Evangelist is a fine example of 16th century religious sculpture, faithful to traditional iconography. Similarly, at the back of the nave is the charming naive statue of Saint Fiacre: this young monk from Ireland loved to cultivate the vegetable garden of his monastery, near Meaux. Patron saint of gardeners, he holds his spade, and in the Perche region he was also invoked to cure various illnesses. More unique in style, the large Renaissance chest serving as a central altar was the former “work bench of the factory” reserved for the administrators of the parish’s resources and expenses. Let us admire the skill and imagination of the cabinetmaker who carved this series of full-length figures in oak under the arcades separated by “terms” inspired by Roman antiquity. Their distinctive attributes make us recognize Saints Christine, Barbara, Madeleine and Catherine on the front, and on the sides Saints Peter and Paul on the right, John the Baptist and Bartholomew on the left. Their silhouettes are more reminiscent of fairy tale characters…

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Located in a green setting, this chapel of Romanesque origin has preserved all of its 16th century painted decor. An excellent overview of the artistic production of the period. Romanesque in origin and then remodeled in the 12th and 15th centuries, the chapel of Réveillon is one of the rare churches that have preserved their wall paintings. The richness of its treatment and themes is exceptional. We can still read on these walls a profusion of details such as a frieze of arabesques where birds, fruits and flowers are intertwined. Its varied themes represent, among others, The Dict of the Dead and the Three Living, the Passion, the Temptation, the Lives of the Saints and Martyrs, Saint Christopher, etc.

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A flowery village, Moussonvilliers takes particular care of the surroundings of its church. By walking along flower beds, you can access it via the covered porch, off-centre with respect to the axis of the gable, the corners of which are reinforced with double buttresses. The church has two naves of unequal width, gathered under the same roof. Built in the 16th century, its poor condition probably required the alterations carried out in the 19th century. From the outside, you can see in particular the use of bricks for the repair of the windows and the cornices of the roof. Inside, between the two parallel naves, the four stone pillars cut into a prism, dating from the construction, carry a wide horizontal band along the entire length of the building (probably made of large beams covered in plaster, replacing the old stone arcades). This band reinforces the beams on which the "tie beams" of the exposed framework rest, and at the same time supports the fall of the two plaster vaults. These structural modifications nevertheless respect the general appearance of the building. At the central altar, the tabernacle evokes the parable of the Good Shepherd who carries the lost sheep on his shoulders. Above, the classical style altarpiece in wood with decorations enhanced with gold, is decorated in the center with a large painting of the Assumption of Mary taken up to heaven by angels. The landscape placed very low accentuates the upward movement of the composition. This painting, of a certain artistic quality, dated 1855, is signed by Claire Hombcrg. Two statues frame it in the niches: on the left, a pretty Virgin in polychrome stone from the 16th century. Crowned with fleurs-de-lys and draped in a blue cloak, she holds the infant Jesus, who stretches out his arm towards the object she is presenting to him (an apple or a bird? We do not know because the right hand is broken). On the other side, in polychrome wood from the 18th century, Saint Catherine of Alexandria reading a book, was once invoked as the patron saint of schools because of her in-depth education. She had in fact publicly and successfully refuted the erroneous theses of several philosophers whom she converted to the Christian faith. She suffered martyrdom in the 4th century. Other statues deserve particular interest. Leaning against a pillar, the 16th century, in stone, of Saint John the Baptist, his cloak raised over his bare legs, presenting the Mystic Lamb placed on the large book of the Bible. And also, from the same period, the small polychrome stone sculpture depicting the education of the Virgin Mary by Saint Anne. It is difficult to see the details because it is placed in a niche above the door. But it is a precious ancient testimony of the devotion to the patron saint of our parish Sainte-Anne-du-Perche. Finally, to the left of the door, the polychrome wooden statue of Saint Paul. The expression on his face reflects somewhat the ardor of his vocation as an apostle of Christianity. Converted by his vision of the road to Damascus, he devoted himself entirely to preaching the doctrine of Christ the Redeemer, traveling through the countries of the Hellenized East to found and lead new communities of baptized people. Thanks to him, the evangelical message was not limited to populations of Jewish culture, but was addressed to people throughout the world. His writings are an ever-current and living source of the doctrine of the Church, the body of Christ.

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Town hall of the small village of Lande sur Eure with its small war memorial

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The Madeleine Tower overlooks a beautiful square, surrounded by numerous terraces where it is good to quench your thirst after your exercise!

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Between Longny and Moutiers-au-Perche, the town of Mage extends along a central street lined on both sides with old houses. The village is completed by several hamlets and farms scattered throughout the countryside. Quite eventful, its territory is divided into two very distinct parts: a mountainous and wooded part, and a cultivated part made up of various small fresh and fertile valleys, separated from each other by sandy hillsides whose nature is less suitable for cultivation. . In the heart of the village, from the small square between the old presbytery and the church, the view extends between large trees towards the valley. You have to go down the slope below the church to admire the old Romanesque porch with arches, resting on columns whose capitals worn by time retain their interlacing decoration in places. It is the remains of a first church from the 12th century. The current building was rebuilt on the foundations, probably in the 15th century. Inside, the eye is drawn to the altarpiece in a beautiful classic style, enhanced with colors and gilding. On the right side, matching Saint James, the statue of a bishop wearing the crosier and the miter, reminds us that The Magus is honored to have Saint Germain of Paris as his patron. A side chapel was created in 1646 in which several lords of the neighboring castle of Feillet were buried. The interior decoration is from the 18th century, notably thanks to the attentions of Claude-Adrien Helvétius, farmer general and lord of Voré and Feillet, but also poet and philosopher of the Age of Enlightenment.

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Embedded in a beautiful pond, the ruins of Gannes castle offer absolutely delightful views.

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A beautiful spot to visit to have a little freshness.

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A beautiful spot to visit.

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Medieval heritage of the town of Verneuil which preserves numerous traces of this past and its former flourishing activities: first of all, the market square, just opposite the imposing and sumptuous Madeleine church (12th century). This “enormous and graceful stone flower”, in the words of the painter Maurice Vlaminck, underwent numerous embellishments in the medieval period to become one of the great jewels of flamboyant Gothic in Normandy.

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Château des Bois Francs, in Normandy, is a 19th century castle surrounded by 310 hectares of forest and 15 hectares of lakes. You can admire the architecture of the castle, the French gardens and the wildlife that inhabits the region. Château des Bois Francs is an ideal place to relax and discover the beauty of the Normandy countryside.

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This greenway is a former railway line that has been converted into an asphalt path for cyclists, roller skaters and walkers. It extends for approximately 9 km from Verneuil-sur-Avre to the Center Parc des Bois-Francs, a leisure resort with a lake and spa. Along the route, you can admire views of fields, forests and villages, and learn about the history and culture of the region thanks to the information panels.

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