아르멘티에르 쉬르 아브르 최고의 MTB 라이딩 경로

인라인 스케이트나 롤러블레이드 타기 좋은 길 (아이들과 함께)

아주 멋지네요

사진 찍기 아주 좋아요

사진 찍기 정말 좋지만 안에는 들어갈 수 없습니다

벨르가르드 성은 군사 주둔지가 있었을 수 있는 고대 로마 도로 근처에 있습니다. 15세기에는 투루브르 영주인 로베르 드 라 보브의 차남 클로드 드 라 보브의 소유였습니다. 이 가문에 18세기까지 속해 있다가 퀘벡에 정착한 피에르 트렘블레의 사촌이자 제철소 주인인 뒤 트렘블레 가문으로 넘어갔습니다. 오퇴유 교회에서 출발하는 "벨르가르드" 하이킹 코스는 성 발치로 지나가게 됩니다. 추가 역사 기념물 목록에 등재됨.

아주 좋은 수제 맥주, 친절한 환대와 아름다운 환경

The church dedicated to Saint Christopher was under the patronage of the Abbey of Saint-Père de Chartres in the 12th century. Of Romanesque origin, the building was extensively enlarged and remodeled during the 16th and 19th centuries; it is currently undergoing a general restoration. This church owes its fame to the automobile pilgrimage held on the last Sunday in July. The single-aisled building, preceded by a porch, consists of a nave and a choir with a recessed flat chevet. To the south are the bell tower and a chapel. The use of traditional materials in this part of Normandy—flint and grison, a locally quarried ferruginous stone—indicates that the oldest parts of the building are of medieval origin. The nave is built of rubble masonry (grison and flint) set in mortar. In dressed stone, Grison was used to form, on one side, the corners of the exposed gable of the nave and, on the other, the corner buttresses, to frame the small arched openings, since walled up but still visible on the north and south walls, as well as the pointed arch of the portal. The same approach is found in the choir. The elevations are finished with a quarter-round cornice, part of which is also made of Grison stone. The use of brick corresponds to the 19th-century interventions, in two phases of work whose completion date is unknown. An examination of the construction reveals a first phase of repairs to the openings, particularly in the choir and nave, where large rectangular openings with curved lintels were created, the bricks of which are light in color. This was followed by further interventions with pointed arched openings framed in purplish brick, some of which replaced the rectangular openings of the previous phase. The porch features an ornate gable of light-colored, rendered brickwork, flanked by brick and chipped flint pilasters, and pierced by a central bay framed in brick and topped with a niche; the side sections are timber-framed on a masonry base. The southern flank of the building was added during the 16th century to a vast chapel and a bell tower, made of rubble blockwork, in which bays are pierced, framed in limestone, with curved profiles in the case of the bell tower. Restoration work has revealed several molded courses on the south face of the chapel, corresponding to a bay removed during later restorations, which confirm the dating of this part of the building. This chapel opens onto the nave through a large arcade adorned with several rows of moldings, resting on simple square piers devoid of decoration, with animal figures (reused?) at their bases, unearthed during the restoration work. The interior is remarkably simple, with whitewashed walls and geometric stained-glass windows. Only the choir is more ornate; its entrance is marked by a stone arch resting on hexagonal piers with historiated capitals, where a sculpted frieze of foliate ornaments, figures, and a coat of arms unfolds. The church has a painted faux-marble altarpiece, above which are visible traces of incomplete wall paintings depicting draperies. The rafter frame forming a truss was straightened and reinforced by restoring the removed or weakened kingposts and tie beams. According to tradition, the carpenters left the mark of their work by sculpting a scalloped ... The bell tower's belfry has also undergone a complete restoration. For this restoration, designed to strengthen the church and enhance its architecture, the Sauvegarde de l'Art Français (French Art Protection Agency) granted €10,000 in 2005.

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