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Monza Cathedral, officially known as the Basilica Minore di San Giovanni Battista, is located in the city's historic center. It is a religious building built between the 14th and 17th centuries. It houses the Iron Crown of Queen Theodelinda, one of the most significant jewels in Western history. The complex is known for its evocative pictorial decorations and historical charm.

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Further information can be found at the following link: https://de.wikipedia.org/wiki/Dom_von_Monza

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A history spanning more than 1,400 years, a complex and monumental structure, a rich array of decorations and furnishings, a priceless treasure, and a dense network of international relations throughout its history make Monza Cathedral one of the most important ecclesiastical institutions in Italy and Europe. This importance seems to have been destined for the basilica from its very beginnings, dating back to the difficult years of the initial organization of the Lombard kingdom in Italy and linked to the figure of Queen Theodolinda (c. 570–627), a Bavarian princess of Catholic faith, who married, in succession, two Lombard kings: Authari (in 589–90) and Agilulf (from 590 to 616).

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The Cathedral and its square were the center of Monza's religious and political life: the ancient town developed around its original nucleus, likely the 6th-century "oraculum" of Queen Teodolinda. Dedicated to St. John the Baptist, it is the city's most important monument. The current building stands on the site where Queen Teodolinda built a basilica around 595. According to a medieval legend, Queen Teodolinda chose this spot because it was indicated to her in a dream by a dove: the union of the words Modo (here) and Etiam (yes), pronounced respectively by the dove and Teodolinda, gave rise to the city's name, Modoetia.

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Pavia Cathedral, dedicated to Saint Stephen the First Martyr and to Our Lady of the Assumption, is the most imposing church in Pavia and an important Renaissance building, a synthesis of a central and longitudinal plan that anticipates the typological research surrounding St. Peter's Basilica in Rome. The cathedral's dome, 97 meters high, is the fourth tallest and largest in Italy, surpassed only by St. Peter's Basilica, the Pantheon (shorter but wider) in Rome, and the Basilica of Santa Maria del Fiore in Florence.

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The Cathedral of Pavia, dedicated to Saint Stephen the First Martyr and to Santa Maria Assunta, is the most imposing church in Pavia and an important Renaissance building, a synthesis of a central and longitudinal plan that anticipates the typological research around the Basilica of St. Peter in Rome. The dome of the cathedral, 97 meters high, is the fourth in Italy in height and size, surpassed only by the Basilica of St. Peter, the Pantheon (of smaller height but wider) in Rome and the Basilica of Santa Maria del Fiore in Florence[1]

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Pavia Cathedral, dedicated to Saint Stephen the First Martyr and to Our Lady of the Assumption, is the most imposing church in Pavia and an important Renaissance building, a synthesis of a central and longitudinal plan that anticipates the typological research surrounding St. Peter's Basilica in Rome. The cathedral's dome, 97 meters high, is the fourth tallest and largest in Italy, surpassed only by St. Peter's Basilica, the Pantheon (shorter but wider) in Rome, and the Basilica of Santa Maria del Fiore in Florence.

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