20의 순칭가지 명소 & 주요 장소

Haindling Church is always worth a visit.

Nice place, would love to come back.

Beautifully designed castle park in Eglofsheim

Parish Church of St. Laurentius The parish was first mentioned in 1320, and in 1422 the parish of "Eglofsheim" was incorporated into the episcopal church in Regensburg. After the construction of the flanking tower in 1446, the demolition of the old parish church began on April 15, 1720 to lay the foundation stone for the baroque hall building that still stands today and was completed after almost two years of work. Extensive renovations took place in 1846/47 and 1886/87. In 1905, after another renovation, a golden cross was placed on the church tower. After the end of the Second World War, the church was renovated again inside in 1952/53, with the formerly colorful glass windows being replaced with white glass. The nave is divided by pilasters, at the end of which is the recessed choir room, closed on three sides. The ceiling frescoes on the nave vault were originally painted by Joseph Offenhuber and show Saint Lawrence in glory as well as God the Father and Jesus Christ as kings with the globe in their hands, and above them the Holy Spirit in the form of a dove. The coats of arms of the lords of the castle of Alteglofsheim, including the coat of arms of the von Königsfeld family, are painted in a stucco cartouche on the choir arch. The ceiling painting on the choir vault shows Saint Lawrence being executed by Emperor Valerian. The high altar from 1755 has four smooth and two twisted columns. The altarpiece shows the patron saint of the church, Lawrence, in glory above the church and the neighboring houses of Alteglofsheim. He is surrounded by angels with musical instruments, a palm branch as a symbol of the martyrs, the iron grate - his attribute on which the martyr was executed - and an angel with an open book from which the Revelation can be read. The image is framed by Saint Wolfgang on the left and Saint Nicholas on the right of the altar. The excerpt above the altarpiece shows the symbol of the Holy Trinity in a halo. The left side altar shows Saint Mary in a blue robe with the baby Jesus, standing on a green ball. The altarpiece is flanked by two stilted, round columns made of stucco marble. The right side altar shows Saint Sebastian tied to a tree with arrows piercing his chest. The altarpiece is also framed by two stilted, round columns made of stucco marble. Source: Excerpts from www.wikipedia.de

Alteglofsheim Castle The name comes from the Eglofsheim family. Since the 10th century there has been a moated castle here with an associated manor. The castle was rebuilt and expanded several times over the centuries. From 1480 to 1573 the Barons of Parsberg owned the castle and manor. In 1659 Johann Georg Baron von Königsfeld bought the Alteglofsheim estate. In 1685 he became an Imperial Count. In his will in 1694 he left the estate to his grandson Hans Georg Graf von Königsfeld. He was the Minister of State and Conference of Elector Karl Albrecht and First Minister during his time as Emperor. From 1728 to 1734 he had the castle significantly expanded and refurbished. His successor Count Christian Johann August von Königsfeld, Elector's ambassador in Vienna, added the north wing of the castle with the magnificent dining room in 1780. In 1810 the Königsfelder family died out. The Barons of Cetto followed as owners, and in 1835 Prince Maximilian Karl von Thurn und Taxis acquired the castle. The Princes of Thurn und Taxis sold it to a priest in 1939, and it later went to his housekeeper. The war and post-war period led to the castle being used for other purposes, and it fell into increasing disrepair. In 1973 the Free State of Bavaria acquired it and made it available to the University of Regensburg in 1980. In 1989 the castle was designated as the location for the third Bavarian Music Academy. Construction work began in 1992. The Music Academy began operations here in June 1999. After extensive renovations and refurbishments the castle was handed over to its new purpose in September 2000. The late Gothic core of the complex with the 35-meter-high keep in the west dates from the beginning of the 14th century. It towers over the high gable of a building with two round flanking towers from the early 17th century. Around 1680, a wing with a two-aisled chapel in the basement was leaning against it in the south. Around 1730, it was extended to the west after the south-north wing had been started at a right angle to it. Elaborate ceiling frescoes by the Asam brothers and elegant stucco ceilings created by Johann Baptist Zimmermann adorn the castle. Tours of the castle are only possible for groups by prior arrangement. Source: Excerpts from www.wikipedia.de

Thousand-year-old oak near Arnkofen The thousand-year-old oak stands just under 1 km northeast of the Arnkofen farm on the edge of the forest. It is isolated in a flat valley, surrounded by forest on three sides. Arnkofen belongs to Laberweinting, which is 3.5 km southeast. The oak is a registered natural monument of the Straubing-Bogen district. It has been under this special protection since 1941. The oak has a slightly inclined trunk. The monumental trunk is completely closed and extends far up. Measured at a height of 1 m, the trunk circumference is 6.60 m. Numerous branches that branch off in the lower part of the trunk broke off after a few meters. The crown only widens far up. In the upper crown area, the high-reaching crown is densely branched. The oak's vitality is still good. Tree species: English oak Age: around 300 years Chest height: 6.25 m Waist circumference: 5.91 m Height of the tree: 29 m Crown diameter: approx. 20 m Year of measurements: 2018 Source: www.monumentale-eichen.de

Beautifully restored farm directly on the Labertal cycle path.

The Catholic branch church of the Holy Cross in Haindling was renovated in 1621 with a Gothic core; the tower dates from 1629. In 1626, the high-rise, essentially late medieval cruciform church was given an arched gallery on a high base, to which a staircase with the symbolic number of 28 steps leads up and its middle arcade is designed as a pulpit for displaying relics. Important Renaissance altar by the Regensburg master Hans Wilhelm from 1621. Baroque Stations of the Cross from 1733. The church is open during the day.