라벤슈타이너 발트 최고의 라이딩 경로

문화 수도 기간 동안 이곳에서는 야외 문화 행사도 열렸습니다.

이제 자전거 도로가 뷔스텐브란트까지 연결됩니다. 완벽합니다.

More about the history: https://www.sachses-ruh.de/wir-über-uns/stadtpark/

More about the history: https://www.sachses-ruh.de/wir-über-uns/stadtpark/

Completely new and really very interestingly designed

Former Ursprung Railway Station. Information: The station opened for passenger and baggage service on October 1, 1885. It had a 50-meter-long platform, two lampposts, and a simple disc signal. On November 23, 1910, a small station building was inaugurated, which is lovingly preserved and maintained by the local association. From 1912 to 1971, the station held the status of a railway station.

The 🟣 PURPLE PATH 🟣 is a sculpture trail connecting Chemnitz, the 2025 Capital of Culture, with 38 towns and cities in the region. Numerous artists have contributed works of various kinds, telling a untold story of the region. More information at https://chemnitz2025.de/purple-path/ Various artists "Annaberg Impulse I: Wood" in Lugau City Park Material: Wood "Wood and Stone: Artistic Creation in the Ore Mountains and Central Saxony The crème de la crème of artists from the Ore Mountains and their Czech friends have known each other for decades. They work in an interdisciplinary manner, using different media and materials. As the Annaberg Network, they are now curating sculptures for two exhibitions. Works made of traditional materials, wood, and stone can be seen. Participants include: Milan Bezaniuk, Paul Brockhage, Rolf Büttner, Roland Buschmann, Kurt Gebauer, Steffi Getzlaff, Petr Hladky, Marcel Kabisch, Jitka Kusova, Sebastian Mvller, Christoph Roßner, Wilfried Runst, Adam Rybka, Uwe Schwarz, Jörg Seifert, Thomas Suchomel, Josef Swancar, and Silvio Ukat." The "Annaberger Impuls II: Stone" can be found in the wild plant park in the former "Drei Schwanen" inn in Oederan.

The 🟣 PURPLE PATH 🟣 is a sculpture trail that connects Chemnitz, the 2025 Capital of Culture, with 38 towns and cities in the region. Numerous artists have contributed works of various kinds, telling an unknown history of the region. More information at https://chemnitz2025.de/purple-path/ Jan Kummer "Heimat Ensemble" (not on the official Purple Path list) at the tram stop at the Garagencampus, Chemnitz (another group entitled "Heimat Ensemble II" is located in the center of Gersdorf) Material: fiber-reinforced resin, steel "The group Heimat Ensemble II by the painter, object, and conceptual artist Jan Kummer consists of equally sized, round elements reminiscent of enlarged bottle caps. The models for Kummer's sculptures seem to originate from the aimless tinkering in the private sphere of a GDR household, where anonymous everyday materials were transformed into individual objects. The vertically or horizontally assembled or centrally folded elements with inward-curved edges and 21 prongs in black, red, blue, and green are reminiscent of Mickey Mouse, arguably the most famous fictional character in the world, in this arrangement. In the 1930s, this set the tone for what would later become the "Heimat Ensemble" (Heimat Ensemble). The world-renowned American illustrator and media entrepreneur Walt Disney composed the famous silhouette from just three black circles. Kummer transfers the famous silhouette to the form of patented, DIN-standardized everyday objects. Through playful and ironic exaggeration, allusion, and scaling, disposable products made of thin sheet metal, actually designed for single use, are elevated to permanent works of art. Jan Kummer, born in Weimar in 1965, now lives and works in Chemnitz. In his imagery, he incorporates narrative elements that create connections between a world of memory consisting of presumably fragmented set pieces and the present he observes. With the sculptural group Heimat Ensemble II, the artist cites the notion of home-grown crafts and handicrafts, as well as regional customs. With the motif of remembered self-perception, he also creates a retrospective on the GDR's scarcity society: Everything was tested for its usability, cleverly utilized in a second production cycle, and today, memory becomes art. (Text: Alexander Ochs / Ulrike Pennewitz)