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01:23
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04:27
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The boys' orphanage was part of the Friedrichs-Waisenhaus Rummelsburg (Friedrich's Orphanage Rummelsburg). It was designed in 1853 and built between 1854 and 1859. It served as a home for orphaned boys and girls found in Berlin and the surrounding area. It was commissioned by the Berlin Magistrate. Orphans continued to be housed there until 1949. Later, it was used as a convalescent home. Only the two boys' houses remain and are listed as historical monuments. https://de.wikipedia.org/wiki/Friedrichs-Waisenhaus_Rummelsburg
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The boys' orphanage was part of the Friedrichs-Worbishaus Rummelsburg. It was designed in 1853 and built between 1854 and 1859. It served as a home for orphaned boys and girls found in Berlin and the surrounding area. It was commissioned by the Berlin Magistrate. Orphans continued to be housed there until 1949.
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What many don't know, however, is that the Stralau church tower is said to have already been leaning in 1934. Be that as it may, today it leans 1.1 degrees more than its Italian "colleague," without having achieved the same notoriety.
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The Molecule Man is a series of monumental artworks by the American sculptor Jonathan Borofsky. He created versions of this sculpture with three and four people.
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There are places where the city suddenly becomes very quiet—not still, but quiet. The Osthafen is one of them. Here, where the rattling of cranes and the clinking of bottles once set the pace, today only the light dances on the Spree. The waterfront promenade is wide and surprisingly empty. No cars, no jostling. Just footsteps on pavement, voices in the wind, and the shimmering water that draws your gaze out—right onto him: the Molecule Man. Three hole-ridden giants wrestling with each other in the middle of the Spree—or embracing, depending on how you started your day. They stand there like a thought that has taken on a life of its own. Like a metal sketch that someone in the middle of the city wanted to finish dreaming. And as you look at them, their shattered image is reflected in the water—a play of light, hole, and line. To the right, the cool clarity of the Treptower Towers; to the left, old Berlin, still reeks of warehouses and workers' canteens, even though media companies now reside here. The place is a balancing act between yesterday and tomorrow. Between the romantic harbor and glossy glass. In between, you sit on a bench and let the wind tell you stories. And sometimes – when the clouds hang low or the sun is slanting – you almost think the three aluminum figures have a secret. As if they know more about this city than they're letting on.
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It's always a lovely walk. You'll meet people for a quick chat, and there are always places to sit and take a break or enjoy a coffee, such as the Eierhäuschen (egg house). The Zenner serves hot meals, ice cream, and drinks. You can sit by the water and enjoy the view and the activity around you. You can rent pedal boats or kayaks in front of the Abbey Bridge.
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