4.6
(61)
1,003
자전거 타는 사람
204
라이딩
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마지막 업데이트: 2월 24, 2026
5.0
(3)
52
자전거 타는 사람
50.6km
02:00
230m
230m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
4.3
(3)
32
자전거 타는 사람
48.2km
01:51
130m
130m
초급용 로드 라이딩. 모든 체력 수준에 적합. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
무료 회원 가입
19
자전거 타는 사람
63.2km
02:27
180m
180m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
5.0
(1)
21
자전거 타는 사람
108km
04:22
480m
480m
보통 도로 자전거 타기. 좋은 체력 필요. 투어 중 라이딩하기 어려운 비포장 구간이 있을 수 있음.
3.9
(7)
21
자전거 타는 사람
44.4km
01:57
90m
90m
보통 도로 자전거 타기. 모든 체력 수준에 적합. 투어 중 라이딩하기 어려운 비포장 구간이 있을 수 있음.
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이미 komoot 계정이 있나요?
투어 추천은 다른 사람들이 komoot에서 완료한 수천 개의 활동을 바탕으로 구성되어 있습니다.
The Moulin de Mormoulins is a watermill located on the Eure River in the hamlet of Mormoulins. This mill dates back to the 18th and 19th centuries and is a listed historical monument. You can admire the old stone building, the wooden wheel, and the canal that diverts water from the river as you pass in front of the mill. The mill is surrounded by green fields and trees, creating a peaceful and relaxing atmosphere.
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According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.
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The construction could date back to the beginning of the 12th century. The nave ends with a chancel with a four-sided apse. A bell tower outside the work is located against the west wall. A seigneurial chapel was built to the north of the chancel. The study of the framework has made it possible to determine several construction phases: 1117-1190, 1274, 1487-1520. The interior walls retain a painted historiated decoration on the back of the west portal, probably representing a dance of death, which could date back to the 1500s. The large funeral chapel built between 1577 and 1585 probably goes back to the architect Métezeau. Its decoration is representative of the end of Mannerism and the Henri IV style. The stained glass windows were restored by the master glassmaker Raphaël Lardeur and were installed in 1947. Lardeur also created the mosaic Stations of the Cross.
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The cathedral is the seat of the bishop of the Roman Catholic diocese of Chartres
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1
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