7의 샤레이가지 명소 & 주요 장소

This old sanctuary in the Beauce region, on the edge of the Marchenoir forest, not far from the ruins of Cîteaux Abbey, has a glorious past and a certain artistic charm, which the 1963 restoration work brought to light. This church, along with the "Petit Cîteaux" (Little Cîteaux), was partially burned during the Hundred Years' War. The foundations of some walls reveal the Romanesque period. The bell tower dates from the 12th century, and the consecration crosses, themselves carved in stone, are very old. The portal opening, with its pointed arch, dates from the 15th century and was well-deserving of the beautiful wrought-iron door with hinges that has recently been installed. The altar is a magnificent 12th-century Touraine stone from an old cemetery chapel, supported by two ancient columns that are relics of Cîteaux Abbey. The cemetery once surrounded the church. The two stone benches on either side of the entrance are former tombstones. In the square in front of the post office, there once stood a huge barn: the tithe barn. Until 1989, the bell tower still housed one of the oldest bells in the region. It dated from 1522 and weighed 650 kilos, but unfortunately, a deep crack irreparably damaged its beautiful bronze casing. Named Sulpice, the inscription in Gothic script that once adorned it read: "In the year 1522, Sulpice was named by Sir Michel Berger, parish priest, and nobleman Guillaume de Frouville, squire, and Lady Katherine de Frouville." The new bell, named Catherine, weighs 310 kilos and is tuned to A sharp. It was christened on December 10, 1989, by Bishop Goupy of Blois. Madame Loridon is the godmother, and Mr Bernard Seigneuret is the godfather.

Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

Almost nothing is reliably known about the life of Saint George (Saint-GEORGES), to whom the church of Cloyes-sur-le-Loir was dedicated, but the veneration of his person goes back to early Christianity. A martyr identified with George is said to have lived in the third century. However, the legend of St. George as a dragon slayer is well known and widespread; he is usually depicted - in paintings or as a statue - as the conqueror of the monster, often as a knight on horseback. The memorial day of the very popular George - he is, among other things, patron of the English kingdom - in the calendar of saints is April 23rd.

This church in Romilly-sur-Aigre was dedicated to Saint Peter (Saint Pierre). Simon, nicknamed Peter (Rock), was a fisherman on the Sea of Galilee when he - together with his brother Andrew - was called by Jesus Christ to be "fishers of men". According to Catholic understanding, he is the supreme apostle, and the two millennia-long line of popes - currently Francis - are his successor. On statues and paintings, Peter is almost always depicted with two keys in his hand; this attribute refers to the biblical saying in Matthew: “I will give you the keys of the kingdom of heaven; Whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven” (Chapter 16, verse 19). Peter and Paul are also known as the “Princes of the Apostles”; their common feast day in the saints' calendar is June 29th.

The bridge that crosses the Loir at Montigny-le-Gannelon offers a beautiful viewpoint below the castle. The splendid facades of this Renaissance-style building are clearly visible. A feast for the eyes.

At the end of the 15th century, a first construction project made it possible to rebuild this church dedicated to Saint Peter. The current building consists of a nave, a choir bay and a three-sided apse. The bell tower was probably built at the beginning of the 20th century. The peculiarity of this building lies above all in the facade framed by two corner towers from the 18th century. Inside the porch, on the ground floor, you can still admire the old 16th-century gabled gate and two large western Gothic bay windows. Source: https://www.sauvegardeartfrancais.fr/projets/romilly-sur-aigre-eglise-saint-pierre/

In Romilly-sur-Aigre I thought for the first time that I was going to a castle. So I felt the stem. Then I was safe in the church. Everything was like a harvest thanksgiving. Very inviting.

The Saint-Georges church in Cloyes-sur-le-Loir is beautifully situated. And you look at everything. If you are not careful, you overlook the oversized scallop shell. The tip here will help you. Look at the photos!