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A whole row of statues along the Marne, although they are slowly due for a new coat of paint

The abbey served as the guardian of the Holy Ampulla (Sainte Ampoule) used in the coronation ceremonies of French kings, and Reims was known as Durocortorum when it served as the capital of the Roman province of Belgica.

The Saint-Remi Museum in Reims is housed in a former Benedictine abbey that was classified as a UNESCO World Heritage Site in 1991 and officially became a museum in 1978. The museum covers the period from Prehistory to the Renaissance (around 1530) and features regional archaeology collections, classical antiquities, and an extensive military history section

Some of the buildings are monumental and an expression of capital - but even the small winemakers have very good champagnes to offer that are in no way inferior to the big houses!

The wine press shows the work of years long gone - the champagne corks on the road are skillfully avoided by sober drivers.

A very beautiful metal installation that shows the activities of the winemaker.

In 2011[9], the idea for the current Museum of Champagne and Regional Archaeology was born. The project was approved by the French Ministry of Culture in 2014, and in 2016 the renovation work was entrusted to the architectural firm Frenak + Jullien. Work began in 2018, under the supervision of the chief architect of historical monuments Lionel Dubois. Château Perrier has now been restored and contains one of the most important archaeological exhibits in France, with some 80,000 regional artefacts (dating from the Paleolithic to the Early Middle Period) and 4,000 artefacts relating to the history of Champagne wine (since 1960).[10]

The Château Perrier, at number 13, was built from 1852 to 1857[9] by the architect Pierre-Eugène Cordier, in an eclectic Louis XIII style. In 1854[10], the couple Pierre-Nicolas Perrier, a cork manufacturer, and Adèle Jouët (the founders of the Perrier-Jouët champagne house), who had married in 1811, commissioned the construction of this castle. The four facades are inspired by the architecture of the French Renaissance, to the Parisian image of the Palais du Luxembourg, the Palais des Tuileries or the Lescot of the Louvre. The facades are a play of colours with materials such as brick, natural stone, slate and glass.