パドヴァ周辺のおすすめシティハイキング＆ウォーキング

ラ・スペコラ（ガリレオの塔としても知られる）は、パドヴァで最も重要な歴史的および科学的シンボルの一つです。 14世紀のカララシ城の防御塔として生まれたこの建造物は、1767年から1777年の間にパドヴァ大学によって天文台に改造されました。名前はラテン語の「specula」（観察場所を意味する）に由来しています。 ピサの科学者はこの塔で働いたことはありませんが（ガリレオは1592年から1610年までパドヴァで教鞭をとりましたが、これは塔の建設前です）、ラ・スペコラには彼の革命的な天文学的発見の記憶が保存されています。 現在、この建物はINAF（国立天体物理学研究所）のパドヴァ部門の本部であり、ラ・スペコラ博物館が併設されています。内部には、印象的な図版の間と、18世紀と19世紀の天文学的機器の素晴らしいコレクションがあります。

Caffè Pedrocchi、イタリアで最も有名なコーヒーハウス（歴史的、建築的、社会的に最も重要。かつては昼夜を問わず営業していたため、「caffè senza porte = ドアのない」と呼ばれていました）。パドヴァ訪問の説明を参照してください（Komoot 2026年3月25日）。

フェラーラ メルカート広場 (ピッツァ・デッレ・エルベ)

https://ortobotanico1545.it/

Piazza dei Signori, Padua For the people of Padua, a stroll to the squares of the historic center, such as Piazza della Frutta, Piazza delle Erbe, and Piazza dei Signori, means immersing oneself in the markets that traditionally enliven the city every morning. Shopping is simultaneously a pleasure, a social occasion, a kind of daily ritual. But it's also worthwhile to look up and admire the architecture of the houses, balconies, and historic buildings that frame them. Piazza dei Signori is surrounded on its two main sides by two wings with colonnades, elegantly enhanced by terraces with antique wrought-iron balconies. The two shorter sides are bordered by the Church of San Clemente and the Palazzo del Capitanio with its clock tower, whose colonnade leads to the Corte Capitaniato and the nearby square of the same name. Here once stood the Castello dei Carraresi, which today houses the University of Padua with its Faculty of Literature and Philosophy and the rooms painted by Altichiero. On the south side of the square stands the elegant Loggia del Consiglio, or Gran Guardia, the 16th-century building where the city's Maggior Consiglio (Great Council) used to meet. The wide staircase leading to the loggia and the council chamber on the main floor are particularly worth seeing. Text / Source: Turismo Padova https://www.turismopadova.it/de/orte/piazza-dei-signori/

Palazzo della Ragione, Padua The Salòn, or Palazzo della Ragione, the former seat of Padua's municipal courts, is one of the largest column-free halls in Europe. Considered one of the most famous civic monuments in Europe from the time of the Communes, the building was begun in 1218. Between 1306 and 1308, Fra Giovanni degli Eremitani transformed the three large rooms into a single hall and designed a roof in the shape of an inverted ship's hull. Giotto and his workshop were commissioned to paint the walls with frescoes; however, the cycle was destroyed by fire in 1420. The frescoes were restored by the Paduan Nicolo’ Miretto in collaboration with Stefano da Ferrara and other painters, based on the studies of Pietro d’Abano, a wealthy scholar of his time. The fresco cycle is one of the very few medieval astrological cycles to have survived to this day. The connection between the paintings and the function of the place explains the presence of animal figures representing the insignia of the courts, whose function is also linked to the allegories of Justice, Law, the Community in Rule, and the frescoes depicting the Judgment of Solomon and the court scene. In the great hall is the "Pietra del Vituperio," or Stone of Shame, upon which insolvent debtors, clad only in a shirt, had to sit three times (the custom is the origin of the expression "to stay in one's shirt"), while repeating the Latin phrase "cedo bonis" (roughly translated as "I will pay the bill"). Also located there is the large wooden horse, crafted by Annibale Capodilista for a tournament and donated to the city by the family. Today, the great hall serves as a venue for exhibitions and cultural events. Not to mention that "Sotto il salone" is the oldest cooperative in the world, dating back 700 years. Text / Source: Turismo Padova https://www.turismopadova.it/en/the-palazzo-della-ragione/

Basilica of Saint Anthony of Padua / Basilica of Saint Anthony, Padua The Basilica of Saint Anthony, known as "the Saint," is the city's most important religious center and attracts thousands of pilgrims every year, especially on June 13, the saint's feast day. The basilica was built in 1232 to protect the tomb of the Franciscan friar Anthony, who died in Padua in 1231. The large building presents a complex structure with a fusion of styles: Romanesque elements in the façade, Gothic elements in the ambulatory, Byzantine elements in the eight domes covered with lead, and Moorish elements in two tiers. The Church of Saint Anthony holds numerous reminders of the Carrara Signoria. In 1350, Cardinal Guido de Boulogne came to the cathedral to acknowledge the saint's miracle and was greeted by Jacopo II da Carrara and Bishop Hildebrand. Members of the Carraresi family, such as the Lupi di Soragna and the Conti, chose the basilica as the site for their own mausoleums. The Chapel of the Black Madonna now stands on the site of the earlier church, dedicated to Santa Maria, Mother of the Lord. The polychrome Madonna is by Rinaldino di Francia and dates from 1396. Rinaldino is also likely the artist of the shield bearing the portrait of Stefano da Carrara, now in the city museums. A funerary monument to Raffaele Fulgioso, a renowned jurist from the University of Padua, is located to the left of the chapel. The Chapel of Blessed Luca reveals even closer ties to the Carraresi family: it was built between 1380 and 1382 by Naimerio and Manfredino Conti, executing the will of Fina Buzzaccarini. They commissioned Giusto de'Menabuoi, a painter from the Carraresi court, to create the frescoes. The stories of Saints Philip and James, arranged on the chapel walls, reveal a surprising new sense of spaciousness. In the center, within the lunette, are portraits of the patrons: Saint Anthony, Blessed Luke, Saint Francis, and Saint Louis of Toulouse, as they are presented to the Virgin. Text / Source: Turismo Padova https://www.padua.info/de/padua/was-zu-sehen-ist/details/basilica-di-santantonio

Prato della Valle, Padua The Prato della Valle, one of Padua's landmarks, is a large, monumental space distinguished by a central green island, Isola Memmia, named in honor of the city's governor who commissioned its creation. This island is surrounded by a canal adorned with a double pedestal featuring numbered statues of famous figures from the past. Since antiquity, this public space has served both economic and recreational functions. In Roman times, a large theater, the Zairo, stood here; remains of the theater's foundations have been found in the canal surrounding Isola Memmia, along with a circular racecourse for chariots. During the Middle Ages, fairs, tournaments, festivals, and competitions were held here; it was the site of large gatherings of "all the free men of Padua," and as early as 1077, it was a marketplace. Until 1767, it belonged to the Abbey of Santa Giustina. Then, the Senate of Veneto declared it municipal land and, together with Andrea Memmo, Provveditore della Serenissima (Governor of the Venetian Republic), implemented a radical redevelopment project. The aim was to create a new urban commercial center, a space suitable for fairs and events. Later, pavilions were erected on Isola Memmia to establish a market. Subsequently, trees were planted, giving the square a distinctly English feel, while the surrounding buildings made it unique, original, and memorable. The design is inspired by the great Venetian tradition of the patrician garden, which here, for the first time, is taken out of private use and proposed according to neoclassical concepts as an urban planning solution and ecological enhancement. Text / Source: Turismo Padova https://www.turismopadova.it/de/orte/prato-della-valle/