トイトブルガーの森周辺のおすすめシティハイキング＆ウォーキング

The Kurparksee (Spa Park Lake) forms the tranquil heart of the expansive spa park in Bad Salzuflen and is one of the most popular spots for walkers and spa guests. Created in the early 20th century along with the spa park itself, it continues to lend the park a relaxed atmosphere. Nestled among old trees, well-maintained paths, and in close proximity to the graduation towers, the lake reflects the quintessential combination that characterizes Bad Salzuflen: nature, recreation, and the tradition of the spa town. The Salze, the town's small river, flows through both the smaller and larger Kurparksee lakes, creating a vibrant, natural body of water right in the heart of the spa area. A stroll around the lake is worthwhile at any time of year: waterfowl, changing light, and the peaceful shoreline make the Kurparksee an ideal place for short breaks, photographs, or simply to breathe deeply. For many visitors, it is the most beautiful part of the spa park – a place where the special atmosphere of Bad Salzuflen can be experienced firsthand. https://www.teutoburgerwald.de/gesund/heilgarten/heilbaeder/bad-salzuflen

The old town of Bad Salzuflen is one of the most impressive half-timbered ensembles in East Westphalia-Lippe. Within a small area, one encounters a multitude of richly decorated houses from the 16th and 17th centuries – a time when salt production brought great prosperity to the town. This wealth is still evident today in the artistic carvings, inscriptions, and gable designs that adorn many facades. The houses on Lange Straße are particularly noteworthy, including buildings No. 33 (1612) and No. 35 (1618), whose detailed carvings are among the finest examples of Weser Renaissance architecture. The Backs House on Hafermarkt is also considered one of the last richly decorated half-timbered houses of its kind in the region. A stroll through the old town leads past former mayors' houses, the historic town hall, and numerous lovingly restored buildings that continue to shape the townscape. Nestled among narrow lanes, half-timbered facades, and the gentle murmur of the Salzuflen stream, the atmosphere of this old salt-producing town is particularly palpable. The half-timbered houses are an architectural highlight and simultaneously tell the story of a town whose cultural identity is inextricably linked to salt, craftsmanship, and trade. https://www.teutoburgerwald.de/gesund/heilgarten/heilbaeder/bad-salzuflen

At the far end of the accessible entrance to the side wings, two sculptures symbolize the cornerstones of the spa: water and health. The entire structure is 84 meters long. Both spatially and visually, the promenade hall forms the almost perfect northern (lower) end of the grand vista uphill to the Imperial Palace (Kurhaus) and simultaneously the smaller vista up to the Theater im Park. The view (in both directions) is breathtaking. Since the central axis of the promenade hall (i.e., its open side) faces southeast, the two colonnades and the semicircular inner courtyard are largely protected from the prevailing westerly winds. It's no wonder that this superbly designed space is one of the city's most popular spots: absolutely perfect for festivals, markets, and cultural events, held several times a year!

Radiantly white, like a temple to healing waters and health, the Wandelhalle (promenade hall) presents itself as perhaps the most beautiful and functional building in the Bad Oeynhausen spa gardens. Built in 1925/26 in the Neoclassical style, the Wandelhalle architecturally completes the historic spa garden buildings. Nearly 70 years after the late-classical Bathhouse I by Carl Ferdinand Busse (1857), the clear formal language of antiquity is once again embraced. The elevated central section, the so-called Trinkhalle (drinking hall), with its six freestanding Ionic columns on the front, resembles a Greek temple. Today, in addition to the traditional dispensing of healing waters, the magnificent hall serves as a venue for concerts, lectures, and panel discussions—a kind of spa town hall. The two side wings, each curved into a quarter circle, consist of a row of shops enclosed on the outside and a colonnade open to the inner courtyard, supported by Doric columns.

What is little known in this country is that Gorgolewski also worked outside of Prussia and left visible traces to this day, especially in southern Poland and western Ukraine (both regions together then belonged to Austria-Hungary as the Kingdom of Galicia and Lodomeria). During the last years of his life (1893-1903), he was director of the Technical University in Lviv. His most important work there is the magnificent neo-Baroque theater and opera house (1897-1900), today the largest and most prestigious in Ukraine.

The magnificent Bathhouse II, originally called Bathhouse IV, was built between 1883 and 1885 in the French Renaissance style. Similar to the late-classical Bathhouse I (by Carl Ferdinand Busse), it has an H-shaped floor plan and a high central dome with the grand main entrance in front of it. However, it differs in its four elevated corner pavilions and its considerably more opulent interior design. The architect was Siegmund (Zygmunt) Gorgolewski (1845–1903), one of the leading figures of Historicism at the time. As a Prussian government architect, Gorgolewski left behind numerous public buildings, primarily in the eastern provinces. He himself came from the then-province of Posen.

The Kurparksee (spa park lake) in Bad Salzuflen is the centerpiece of the expansive spa park and one of the town's most beautiful spots. Nestled among ancient trees, well-maintained walking paths, and the impressive graduation towers that have made Bad Salzuflen famous as a traditional spa town, the lake was created as part of the spa park's development in the early 20th century and lends the entire area a tranquil, almost fairytale-like atmosphere. With its reflective surface, waterfowl, and surrounding flowerbeds and greenery, it invites visitors to enjoy relaxing strolls, short breaks, or simply linger on its shores.

What is little known in this country is that Gorgolewski also worked outside of Prussia and left visible traces to this day, especially in southern Poland and western Ukraine (both regions together then belonged to Austria-Hungary as the Kingdom of Galicia and Lodomeria). During the last years of his life (1893-1903), he was director of the Technical University in Lviv. His most important work there is the magnificent neo-Baroque theater and opera house (1897-1900), today the largest and most prestigious in Ukraine.