シュトルレンドルフの絶景の山頂・トップ12

Next to the tower is a small, abandoned, and rotten wooden shelter. It protected me from the rain after 12 km and provided the only place to sit so far.

Catholic City Church of St. Martin. Located on the Green Market, the church, built in 1686, is one of the highlights in the heart of the city.

Here you can enjoy delicious food with the best view.

Unfortunately, the stone no longer stands as beautifully free as in the title photo. Still find him impressive, enthroned lonely on the summit. The Heidenstein is also easy to climb, so you can at least catch a glimpse of the horizon.

On the Marienaltar to the right of the choir there is a Pietà, which comes from the Liebfrauenkapelle in Widdern and came to Bamberg in 1617. The statue was already the destination of pilgrimages in Widdern and was venerated from 1625 in the predecessor of today's Martinskirche, the old St. Martin's Church.

Even if you don't think so, the Heidenstein at 577 meters is just as high as the Hohe Metze and thus the highest mountain in the Scheßlitz municipality. Unlike from the Hohe Metze, however, you have no view at all. A hike is still worthwhile because of the surrounding trails.

The Friesener Warte is always worth a hike, if only because of the breathtaking view that the high plateau offers.

The organ was built in 1894 by G. F. Steinmeyer (Oettingen) with 38 stops on mechanical cone chests (with Barker machines) and pneumatic stop action. In 1934, the organ building company replaced the tracker actions with electropneumatic ones and added a swell mechanism to the instrument. The disposition was slightly redesigned in the sense of the organ movement. In 1938 the instrument was expanded again by the organ building company Hindelang, Ebenhofen. In the years 1999 to 2000 the instrument was extensively restored by the organ building company Hermann Eule (Bautzen) and restored to its 1894 condition. The historical pipe material is largely available. Only six registers had to be reconstructed. The cone chests are played mechanically. The tone actions are supported by reconstructed Barker machines. The free-standing console based on Steinmeyer's model and the organ case were also reconstructed. The instrument is now equipped with an electronic typesetting system Source: Wikipedia