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そして反対側には、ドナウ川の景色

St. Martin's Cemetery Church The St. Martin's Church is the former parish church of Münster, one of whose canons was always the pastor of St. Martin's. Today, the church is used as a subsidiary and cemetery church. The political municipality of Steinach bears the cost of construction. The church was to be demolished in 1803 as superfluous, after the St. Tiburtius Church was appointed parish church through secularization and the resulting expropriation of the collegiate chapter in Straubing. However, the citizens of Münster vehemently advocated for the preservation of the building. The demolition intention was then abandoned, but the state obliged the municipality to take care of the structural maintenance in the future. The church is a Romanesque building from the end of the 12th century, which was altered in the 18th century by redesigning the ceilings and windows. The tower on the south side has coupled round arched sound openings and a gable roof with original late Gothic stepped gables. On the west side of the nave, a Mount of Olives relief from the late Gothic period (1487) is embedded in the wall. In the right corner kneels the donor, Canon Johannes Atzinger, with coat of arms. In the vestibule is a Roman tombstone, which was brought to Münster by the canons during the Renaissance as an antiquity. The tombstone was created for the officer Aurelius Amandus, from the 2nd Italian Legion. The high altar is Baroque and dates from around 1720; the altarpiece shows the sharing of St. Martin's cloak. On the sides are the figures of St. Joseph with the Christ Child (left) and St. Anne with the Child Mary (right), and an antependium with the Christmas story. The northern side altar probably dates from the late Renaissance with the coat of arms of the Straubing patrician family Preu. Instead of an altarpiece, the figure of St. Stephen can be seen. The southern side altar is in the Baroque style around 1720. Instead of an altarpiece, there is a figure of the Mother of God with Child. In the upper section are angels and a wooden figure of St. Wolfgang, late Gothic around 1480. The frescoes above the high altar show the death of St. Martin and, in the nave, the ascension of St. Martin into heaven by Joseph Anton Merz, who also painted the Oberalteich Church. Source: www.heimatgeschichte-steinach.de/pfarreien/

Pfarrkirche St. Tiburtius The late Romanesque basilica was remodelled in Baroque style between 1736 and 1738. It consists of the nave with a central aisle and two side aisles, the square choir with a semi-circular apse to the east, and the church tower on a square base in front of the west wall of the nave, which was extended in 1738 and covered with a pointed helmet in 1865; four bells hang in the tower. The church's nave is spanned by a flat ceiling; in the crossing in front of the choir, it is a cloister vault. Five arcades each separate the nave from the side aisles. The twelve apostles are depicted in paintings above the arcades. The high altar, erected around 1740, is flanked by sculptures of St. Roch of Montpellier and St. Wendelin. The altar panel, also painted by Johann Adam Schöpf, 1.50 meters wide and 2.25 meters high at the apex, depicts the martyrdom of Saint Tiburtius. The painter signed his work in an unusual way, writing the name J.A.Schöpf on the collar of a dog depicted in the lower left of the picture. In the upper part of the high altar, the eye of God is depicted in a triangle within a radiant halo and surrounded by angels. The side altars at the chancel arch were probably created, like the high altar, around 1740. The northern altar contains a carved figure of the Mother of God from the late 15th century, the right altar a statue of St. Sebastian. The altars in the side aisles from around 1765 are works by Mathias Obermayr. The right altar contains an older crucifix, a grieving Mary, and a John, from the first half of the 15th century. On the altar in the left side aisle, on a richly decorated base, stands a Pietà made by Mathias Obermayr from a single piece of lime wood. It is assumed that the Madonna with Child and "Christ at Rest" in the front arcades to the left and right are also works by Mathias Obermayr. The frescoes are by Johann Adam Schöpf; in two ceiling paintings and two wall paintings, they show scenes from the life of Saint Tiburtius, who died a martyr's death in Rome on August 11, 286. Source: Excerpts from www.wikipedia.de

クロスタードルフ・ミュンスターは、8世紀にローマの殉教者ティブルティウスの遺物が保管されていたベネディクト会修道院が設立された際に誕生しました。修道院の創設者としては、公爵タシロ3世とその父オディロが挙げられています。この最初の修道院は、10世紀のハンガリー人の襲撃で失われたと考えられています。その後、1157年にメッテン修道院の聖職者たちがここにコレギアル修道院を設立しました。彼らは聖ティブルティウス修道院教会と、村の住民のために聖マルティン教区教会を建設しました。

1157年の聖ティブルティウス教会は、メッテン修道院の10人の聖職者のためのカレッジ教区教会でしたが、ほぼ同時期に、村の住民のために聖マルティン教区教会が建てられました。これも基本的にロマネスク様式の建物ですが、18世紀にバロック様式に改築されました。天井画は、ヨーゼフ・アントン・メルツが1750年頃に制作しました。

カトリック教区教会聖ティブルティウスは、12世紀の後期ロマネスク様式のバシリカであり、1736年から1738年にかけてバロック様式に改築されました。特に見どころは、聖ティブルティウス・オブ・ロームの生涯の場面を描いたヨハン・アダム・シェプフによる印象的なフレスコ画です。祭壇画に描かれた犬の首輪にある画家シェプフの署名はユニークです。

今日は「アルテ・ドナウ」が何を意味するのか分かりません。以前は（古き良き時代）には、ヴンダーミューレのある古い川床が夢のようでした。

また何か書く？ この視線の方向が示している：Herrmannsdorfのすぐ手前：「Zur Pause」Schnaitterは手の届く範囲にいます ;-)