ハイキングの途中で偶然見つけた場合でも、ガイドブックに沿ってたどり着いた場合でも、いつも特別な体験をもたらしてくれる城。バートツヴィッシェナーンには訪れるべき 10
の美しい城があります。一覧から行きたい城を見つけて、次の冒険では歴史にも触れてみましょう。
最終更新日: 5月 27, 2026
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バートツヴィッシェナーン周辺で人気
北マーランドの関書がない Ammerland の Jade トラール
平和、空間、新鮮な空気 - エムス・フンテ・ヴェグをハイキング
East Frisiaのインドルドルの見水がだ、青測のインドルルのインス
The 15 most beautiful themed bike Tours in Germany’s Ammerland
晴れの週末にperfektな33の湖
The best swimming lakes in Lower Saxony
Spazierwanderwege in der Parklandschaft Ammerland
バートツヴィッシェナーンでのサイクリング
バートツヴィッシェナーンでのハイキング
バートツヴィッシェナーンのランニングコース
The castle in Rastede was the residence of the counts and grand dukes of the House of Oldenburg for a long time and is still owned by the family today. The building is an example of Oldenburg classicism and the most important secular building in the Ammerland region. The castle, which is not open to the public, is located in the middle of an English-style park landscape, which is a wonderful place to cycle through.
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As inconspicuous as the castle may be from the outside, it is all the more impressive from the inside. A visit is absolutely worthwhile and even teaches the locals something about "our" history. There are many interesting exhibits to discover. Tip: Drinks are not allowed in the museum. However, we were offered to keep our drinks behind the cashier. Very friendly staff!
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The museum also shows changing exhibitions and has two other locations: the Augusteum houses the Old Masters Gallery, and the Prinzenpalais houses the New Masters Gallery with paintings from the 19th century onwards.
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Historic representative rooms Some of the historic representative rooms in the castle have been largely preserved to this day. These include the Antiquarium, the oval reception room, the tower room, the blue, red and green salon, the Strack Hall, the throne room, the white hall, the marble hall, the idyllic room and the castle hall. The large castle hall was built in the neo-Renaissance style and decorated with ceiling paintings by the Delmenhorst-born painter Arthur Fitger (1840–1909). The oval reception room was designed under Grand Duke Paul Friedrich August in 1836. The room was to be completed the following year for the wedding of his daughter Amalie to the Greek King Otto I. The lavish plan approved by the Grand Duke included a "boiserie" (paneling) made of light satin wood and 48 mirrored panes for the doors. However, to the great annoyance of the Grand Duke, the work was not completed on time.
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History The castle is based on a medieval lowland castle, which was built around 1100 by the Counts of Oldenburg to control a long-distance trade route from Westphalia to East Frisia. It was first explicitly mentioned in 1275, and a keep appears in a document in 1313. At that time, the individual buildings had to be founded on oak piles. Around 1400, the complex, which was laid out in a circle, was given a moat with an outer wall under Count Dietrich the Lucky, and thus became a moated castle. Numerous residential and commercial buildings were gathered in a small area, which housed a court of around 350 people around 1600. In 1573, the castle was considered dilapidated and was therefore renovated piece by piece. The keep in the middle of the courtyard had already become slanted by 1599 due to the marshy ground and was therefore demolished in 1608.
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Exhibitions The museum also presents changing exhibitions and maintains two additional locations: the Augusteum houses the Old Masters Gallery, and the Prince's Palace houses the New Masters Gallery, featuring paintings from the 19th century onward. The palace gardens, which Duke Peter Friedrich Ludwig had laid out as an English-style landscape garden at the beginning of the 19th century, are inextricably linked to the palace. Old solitary trees, streams, flowerbeds, and historic buildings such as the Tea Pavilion and the Court Gardener's House continue to characterize the landscape to this day.
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The Interiors The late neoclassical oval reception room at the current museum entrance and the Idyll Room, with all 43 paintings from the Idyll Cycle by Johann Heinrich Wilhelm Tischbein, the court painter to Duke Peter Friedrich Ludwig, are considered outstanding. Even though not all of the historical furnishings have survived the years, rooms like these convey the splendor and beauty in which the rulers of Oldenburg once lived.
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