4.2
(36)
428
ライダー
139
ライド
クルスィー・ヴィラージュ周辺のロードバイクルートをお探しですか?ここでは、komootが提供するクルスィー・ヴィラージュでのロードバイクライドのコレクション全体を評価して選び抜いた人気ルートをご紹介します。各ライドの詳細をぜひご覧ください。
最終更新日: 2月 24, 2026
2
ライダー
46.6km
01:51
210m
210m
初級者向けロードバイクライド. あらゆるフィットネスレベルに適しています。 全般的に舗装状態が良好で走行しやすい道です。
1
ライダー
53.3km
02:08
290m
290m
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3.0
(1)
10
ライダー
70.2km
02:51
420m
420m
中程度のロードライド. ある程度のフィットネスレベルが必要です。 全般的に舗装状態が良好で走行しやすい道です。
5.0
(2)
7
ライダー
41.1km
01:41
270m
270m
初級者向けロードバイクライド. あらゆるフィットネスレベルに適しています。 全般的に舗装状態が良好で走行しやすい道です。
4
ライダー
52.9km
02:08
300m
300m
中程度のロードライド. ある程度のフィットネスレベルが必要です。 全般的に舗装状態が良好で走行しやすい道です。
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Placed under the patronage of Saint-Lubin, bishop of Chartres in the 6th century, the church of Prudemanche has experienced many vicissitudes over the centuries. Ruined during the English invasions and then devastated by the Protestants, the current building is said to be the third construction, undertaken at the dawn of the 17th century. Its style, very simple, is even said to have been deliberate so as not to offend the austerity of a part of the population who remained Calvinist. Rectangular in plan, the nave is extended by a choir with a flat chevet of the same width. To the northeast of the church, a sacristy has been added, accessible by a side door of the choir. The nave is pierced with semicircular bays probably coming from the original Romanesque building. The raftered nave frame supporting the truss is paneled. The walls are made up of a wooden frame with flint masonry infill mounted with lime mortar. The façades and the chevet are supported by powerful buttresses of grison. According to a drawing from 1852, the initial portal to the west had a double bay occupying the width of this arch. The roof is made of old flat tiles, while the bell tower with a quadrangular base is covered in slate. The furniture consists of a single altar, a bench, a pulpit, a glory beam and two statues remaining from the old altarpiece of the 15th century. On the north side of the nave, wall paintings appear under the 19th century rendering. For the consolidation of the masonry of the choir, the repair of the roof and the framework, the Sauvegarde de l’Art Français granted, in 1997, a grant of 15,000 F.
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The parish of La Saucelle probably developed in the second half of the 12th century, thanks to its barns and mills. In the commune, the places called Le Temple and La Commanderie still today preserve the memory that these places belonged to the Knights who worked on the clearing of the land. The construction of the essential part dates back to the Romanesque period, the choir and its semi-circular chevet were built in the 12th century. The Sainte-Anne church is located in the village of La Saucelle, whose territory is located on the edge of the Perche Regional Natural Park.
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The castle of Senonches. You will find an information point inside.
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Possibility of taking a walk in the park adjoining this beautiful ruin.
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Beautiful little village, typical of the region.
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CHURCH SAINT NICOLAS (17th century) The town of La Ferté-Vidame takes its name from the Latin Firmitas Castrum which means the fortified villa belonging to the vidame'. Its primitive church existed from the 12th century. We find it mentioned in a charter dated 1136 under the name “Ecclesia Sancti Nicolai de Firmitate”. Under the Ancien Régime, the rectory which was at the disposal of the abbot of Saint-Vincent-des-Bois became an annex of the parish of Lamblore. This particular situation of a chief town of a castellany belonging to a rural parish is explained by the detachment of the original parish from the territory around the castle. Successor to the Huguenot heirs, Claude de Rouvroy de Saint-Simon, proclaimed by the grace of Louis XIII duke and peer of France, acquired the La Ferté estate in 1632. In order to erase all traces of Protestantism, of which the church had become over the centuries a very active platform, the Duke of Saint-Simon ordered in 1658 the demolition of the original church to replace it on the same site with the current building. The work was carried out promptly. On November 1, 1659, the Saint-Nicolas church was blessed by Messire Louis Oudard de Germens, canon priest of Chartres. Classic in style with its homogeneous and ordered composition, the church was built according to a plan in the shape of a Latin cross. Its construction was inspired by the drawings of the famous Italian architect, Andrea di Pietro Palladio, whose sketches Duke Saint-Simon had brought back from Spain. The architecture remains faithful to the marriage of stone and brick while giving this alternation a fanciful touch. Very majestic, the facade is built according to the Italian pattern (bossed pilasters, superposition of orders, pediment, volutes), a style also in vogue in France since 1630. The arms of the Saint-Simon family were engraved on a stone at the pediment of the portal and on two others on either side of the portal. They were burned during the Revolution. Today, only the date engraved on the frieze remains: 1659. 16 59 Square in plan, the bell tower, which adjoins the church in the northern part, is topped with a dome surmounted by a lantern. Two bells are housed in the bell tower: one dates from 1762, the second from 1813. The history of the church is closely intertwined with that of the lords of the parish, including the families Saint-Simon, Laborde, Bourbon-Penthievre and Bourbon-Orléans remain the most famous. Grandstands accessible from the outside and opening onto the side chapels recall their presence. In 1743, at the request of Louis de Saint-Simon, a great memoirist, the family vault was built in the Chapel of the Resurrection. A slab on the ground marks the location of the grave. Unfortunately, during the Revolution, the tombs were desecrated, the bones of the benefactors were extracted from the vault and scattered in a common grave dug at the apse of the church. The church was the subject of significant restorations at the end of the 18th century and the beginning of the 19th century, including the interior ornamentation of the building which is a manifestation of the neo-classical style.
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