20의 생페레올트랑트파스가지 명소 & 주요 장소

길가에 있는 물 공급원은 매우 유용합니다

강가에 거의 찌그러질 듯한 작은 마을...

One of the almost obligatory attractions of Nyons, with a beautiful view.

There is also a shop here selling olives and olive products, also open on Thursdays.

Beautiful old bridge🥰

A unique heritage site in France, this site reveals two old oil mills from the 18th and 19th centuries, as well as an 18th-century soap factory. You must descend a stone staircase to reach, in the basement of an old building, a museum space where you will discover the traditional gestures of the miller and the secrets of oil production, from harvesting to pressing and bottling. The building houses the starting point of an old underground...

Nyons의 로마네스크 양식 다리라고 불리는 이 다리는 Eygues 강을 가로지르며 1399년에서 1400년 사이에 건설되었습니다. 1409년 Vaison의 주교에 의해 완공되었습니다. 이 다리의 두 주요 건축가는 Romans 출신의 목수 Guillaume de Pays와 Saint-Robert de Cornillon 출신의 석공 Jean Felisson입니다. 건설은 비교적 빠르게 진행되었지만 자금 조달에는 수십 년이 걸렸습니다. 1341년에 이미 '다리 건설 위원회(oeuvre du pont)'가 설립되었습니다. 1361년 Thibaut de Noyx에게 첫 번째 계약이 주어졌으나 그가 실제로 건설을 보지는 못한 것으로 보입니다. 14세기 말까지도 Eygues 강은 나룻배를 이용해 건너야 했습니다. 그 단일 아치는 프랑스에서 가장 큰 아치 중 하나로, 폭 40.50m, 높이 19m에 달합니다. 이 다리는 Jean Felisson이 1405년경에 건설한 Castellane(Alpes-de-Haute-Provence)의 Pont du Roc이나 15세기 초로 추정되는 Mollans-sur-Ouvèze(Drôme)의 다리와 비교될 수 있습니다. 1925년부터 역사적 기념물로 지정된 이 다리는 (Ceret의 다리 다음으로) 프랑스에서 두 번째로 순수한 양식을 간직한 다리입니다.

It was Father François who initiated the construction of the upper part of the monument, and the architect Adrien Boisson who designed the pedestal. It is composed of two pyramidal walls arranged diagonally and forming three floors. The first floor (the lower one) has blind arches, but the two upper floors have Neo-Gothic arcades. At the intersection of the two walls is a central shaft supporting the pedestal of the Virgin. The pedestal is very richly decorated: small columns, rose windows, trefoil arches, and small towers. Statues are placed at the edges of the different floors: 1st floor: the Saints: Saint Joseph, Saint John, Saint Bernard, and Saint Vincent; 2nd floor: the Saints: Saint Anne, Saint Elizabeth, Saint Madeleine, and Saint Theresa. On the third floor, angels have been sculpted. The architect Boisson thus intended to symbolize the prayer that springs from the earth to heaven, then is transmitted by the saints, men and women, and finally by the angels to the Virgin Mary. The statue of the Virgin Mary at the summit is 3.50 m high. It is said that she watches over the serenity and tranquility of the city. Once the construction of the pedestal was completed, the building was inaugurated on May 3, 1863 (six months after its purchase) by the Bishop of Valence, in the presence of Father Gabriel of the Abbey of Notre-Dame d'Aiguebelle, forty priests, and 15,000 faithful. The first mass at the Notre-Dame de Bon Secours chapel was held on August 14, 1864, but its consecration took place on the Feast of the Assumption on August 15, 1864. It was on that day, in the presence of a jubilant crowd, that the statue of the Virgin, the one currently inside the chapel, was placed on the altar and blessed by Father Gabriel of Aiguebelle Abbey. Inside the chapel, on the south side, is a small gilded wooden altar dating from the late 17th century. It is surmounted by the statue of the Virgin, which was placed there on August 15, 1864. Two wooden staircases, on either side of the altar, lead to the gallery, whose three tiers of seats are arranged in an amphitheater around the tower. The altar, steps, altarpiece, and tabernacle are listed as historical heritage by the Ministry of Culture, under the reference PM26000450. Numerous paintings adorn the walls, most of them the work of the painter Léon Alègre, originally from Bagnols-sur-Cèze (Gard). These paintings were created between 1867 and 1869. The paintings depict: along the east and west staircases: the Flight into Egypt and the Adoration of the Magi; on the faces of the vaulted arches: to the south, the Presentation of Mary in the Temple and Our Lady of Good Help; to the west: the Assumption and the Sorrowful Mother; to the north: the Holy Family and the Visitation; to the east: the Annunciation and the Marriage of the Virgin; On the edges of the vaulted arches, four portraits appear: to the east: Saint Mark and Saint Matthew; to the west: Saint John and Saint Luke; above the entrance door: between Saint Stephen and Saint Francis of Assisi, the Coronation of the Virgin.