20의 르 그리폰가지 명소 & 주요 장소

Its origins date back to the 6th century, when the future Saint Leonard worked in the region. In 1087, William the Conqueror granted the fief of Vains to the Abbey of Saint-Étienne in Caen, which subsequently founded the priory. The building dates back to the 11th century and has been restored several times over the centuries. Today, the priory serves as a holiday accommodation.

Beautiful village with an equally beautiful church. Really worth walking through.

Chapel is open to the public. The entrance is on the north side.

The old Notre-Dame des Champs church was located, as its name suggests, outside the city, to the south. This very simple church, known from a photo and a few engravings, dates from the end of the 17th century. Having become too small and work becoming necessary, the idea was accepted, around 1855, of constructing a new building, especially after the collapse of the Saint-André cathedral. Plans and an estimate were drawn up by the architect Nicolas Théberge, architect from La Manche and “child of the parish”. We also owe the latter other buildings in the neo-Gothic style such as Saint-Patrice du Teilleul in 1851, Saint-Hilaire-du-Harcouët in 1855, Saint-Pair de Sartilly or Sainte-Croix de Saint-Lô in 1860. However, it was not until April 12, 1863 to witness the laying of the first stone. The "neo-Gothic" style decided on by the architect involves the construction of a building with bold proportions that completely break with those of the modest church that we wish to replace. The means of the city and the parish were insufficient, especially since the reconstruction of Saint-Gervais had been very expensive, and in 1865 the mayor of Avranches and the archpriest traveled to Paris to seek help state finance. This long-requested aid was not finally granted until 1876 and the consecration of the church by Bishop Germain took place on November 13, 1892. The slow construction of the building was marred by many sometimes tragic events such as, in 1868, the death of a twenty-seven-year-old mason who fell from the height of the rose window where he was working. The architect Théberge, who died in 1866, was replaced by Cheftel. Delayed by the First World War, which mobilized all the workforce, the two towers of the facade were completed between 1926 and 1937; at this time, the large organs were also installed, the wind tunnel of which immediately benefited from electricity. In June 1944, the church was seriously damaged by a fire following the bombardment of the city. Restoration work lasted several years and the reopening to worship only took place in February 1962. The church is in the form of a nave with a façade with two towers (unfinished arrows), a projecting transept, and an ambulatory choir with an axial chapel (never built)1. The church had been provided with a set of windows signed Duhamel-Marette, destroyed by the bombings of 1944

The robust, granite Eglise Notre-Dame (12th-14th century) is preceded by a beautiful, paneled portal (16th century). Inside, the celebration makes a particularly powerful impression. It rests on four square, granite pillars, the capitals of which are decorated with animal and leaf motifs. The main altar is topped by an 18th-century canopy resting on four columns that are slightly thickened in the middle. The apse has a beautiful stained glass window, some of which date from the 13th century.

This priory dates from the 2nd century but the building you see was built in the 11th century by the monks residing there. During the French Revolution, like many other religious buildings, the priory was sold to a private individual and remains a private residence to this day. What an amazing building to live in, don't you think?

This former fortified castle was built in the 10th century to protect the city from Breton attacks. Located on a rock, it offers beautiful views over the bay of Mont-Saint-Michel and the Sée valley.

This town not only houses a Maison de la Baie, there are also numerous guide associations. The robust, granite Eglise Notre-Dame (12th-14th century) is preceded by a beautiful, paneled portal (16th century). Inside, the celebration makes a particularly powerful impression. It rests on four square, granite pillars, the capitals of which are decorated with animal and leaf motifs. The main altar is topped by an 18th-century canopy resting on four columns that are slightly thickened in the middle. The apse has a beautiful stained glass window, some of which date from the 13th century.