마지막 업데이트: 2월 19, 2026
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Worth it! Beautiful place, currently hosting an exciting exhibition about lost places!
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Charles XV was known to be a lover of various women and neglected his own wife. This caused serious damage to the reputation of the crown. In the 19th century, royal affairs were no longer overlooked or tolerated by the public in the same way as in the previous century.
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During his reign, the old Riksdag was transformed into a bicameral parliament in 1865/66.[3] Charles was considered a fun-loving and extravagant character with artistic talent. His political assertiveness was limited, not least because he pursued rapidly changing interests. The defining figure in Swedish politics during this period was the first Prime Minister, Louis De Geer.
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Charles was a supporter of Scandinavianism, the idea of a united Scandinavia.[2] Therefore, he advocated supporting the Kingdom of Denmark when it came into conflict with the German Confederation in 1863/64 over the constitutional status and affiliation of the united duchies of Schleswig and Holstein. The Danish November Constitution of 1863 provided for the inclusion of Schleswig, which until then had only been linked to the German Confederation in personal union, into the German Confederation. Since this would have meant the separation of Holstein and a breach of the London Protocol of 1852, it led to the federal execution by Prussia and Austria and ultimately to the German-Danish War. However, the king's request was overruled by parliament.
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Charles XV was the eldest son of Oscar I of Sweden and his wife Joséphine de Beauharnais Jr. In 1856 he became Viceroy of Norway.
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Erected in 1873 in honor of King Charles XV, the hunting stone houses a copper casket containing three coins minted during his reign. The coins are a testament to the king's history and influence on the region.
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The original castle developed into a fortified palace with several wings under John III in the Renaissance. In the 17th century, the architect Nicodemus Tessin the Elder, commissioned by Charles X Gustav, redesigned the palace into a significant Baroque complex. The previously isolated parts of the building were expanded into four large wings and placed under a shared, imposing roof, with the corner towers capped with dome-like domes. These extensions, however, were not fully completed; the east and south wings were roofed but not expanded. The defensive tower was demolished during the renovation work, and its outline is now embedded in the ground within the palace courtyard.
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