20의 캄포노가라가지 명소 & 주요 장소

Palladio's work, where one can note the perfect balance and harmony between the architecture and the surrounding landscape. In 1500, the site where the building stands belonged to the Valier family, while the management of the land had been entrusted by the owners to the procurators of San Marco. The procurators subsequently sold the plots of land to Federico Foscari, who died in 1527, leaving his assets to his sons Alvise, Giacomo, and Ferigo. The villa was commissioned by Nicolò and Alvise Foscari in 1555, as Giorgio Vasari also recalls in "The Lives of the Most Excellent Painters, Sculptors, and Architects," Florence 1568. Nicolò died before seeing it completed. An inscription in his memory was placed on the façade, under the tympanum: "Nicolaus et aloysius Foscari fratres Federici Filii." By the mid-17th century, the area surrounding the villa became a veritable hub, and by the 18th century, barchesse (outbuildings), stables, inns, and small houses were being built in the area. https://www.comune.mira.ve.it/vivere-il-comune/luoghi/villa-foscari-detta-la-malcontenta/

Villa Malcontenta is a splendid Venetian villa, well preserved and managed, with frescoed interiors and a visitable garden. The complete visit takes about 30-40 minutes, and at the entrance there is a guide with the history of the villa. It is recommended to park before the residents-only entrance.

Tergolandia takes its name from the Tergola river that flows near it. It is a beautiful embankment that can be explored on foot or by bicycle, with very beautiful and fun works for adults and children. Along the way you can also stop to rest. If you reach the place by car I recommend parking in the area in front of the church of Bronzola. There are no refreshment points, you bring your own snacks, taking care not to leave rubbish in the area. N.B: I didn't post all the photos, so that you would be curious to go for a walk.

... and all of a sudden this big system is there.' Nice to look at.

Villa Giovannelli Colonna is a rural palace in Noventa Padovana in the Veneto region near Padua, northern Italy, once famous for its sumptuous decorations. The villa was commissioned by the Giovanelli family to the architect Antonio Gaspari at the end of the 17th century. In 1738, on the occasion of Maria Amalia of Saxony, the daughter of the Polish King August II the Strong visited the villa, which was associated with King Charles of Naples and Sicily, the future Charles III. From Spain, Andrea Giovanelli and his brother Benedetto were married, decorated the facade of the villa with the festive portico and a precious entrance staircase by Giorgio Massari. On the balustrades are six allegorical statues representing the five senses: the Belvedere (sight/man), Il Odorato (smell/man), Il Tatto (touch/woman), L'Udire (hearing/woman), Il Gusto (Taste/Female) who are observed by La Ragione (top right). They were executed by Antonio Tarsia, Antonio Gai and the brothers Paolo and Giuseppe Groppelli.

Naviglio del Brenta or Brenta Vecchia is a minor branch (27.37 km) of the Brenta river that starts from Stra and flows into the Venetian lagoon at Fusina (in the municipality of Venice), crossing the municipalities of Fiesso d'Artico, Dolo and Mira. Through the Piovego canal, which connects the Brenta between Stra and Padua, the canal represents the river connection between the Venice lagoon and Padua. Brenta canal

The only villa among the villas designed by the genius of Andrea Palladio to be located along the Riviera del Brenta, in the final stretch, now close to the edge of the lagoon, it was commissioned in the mid-sixteenth century by the brothers Alvise and Nicolò Foscari, members of a powerful and wealthy family of the Venetian patriciate. Among the most majestic creations of the famous architect, the building, which belongs to the typology of the so-called 'villa-temple', has a monumental colonnaded pronaos and pediment on the front façade, which revises the ancient model of the Roman Pantheon, while the design of the rear elevation windowed, with a central system of large openings, it is inspired by the example of the Baths of Diocletian. In the internal hall, the frescoed mythological scenes, unfortunately badly damaged by time, are the work of Giovan Battista Zelotti. Although unsubstantiated, the legend that linked the villa to the memory of an unfortunate lady of the Foscari family has contributed to increasing

Extremely beautiful