가장 멋진 명소 20곳

As in many places a beautiful view

Google 번역•원문 보기

Fantastic views, in all seasons.

Google 번역•원문 보기

Beautiful area for cycling

Google 번역•원문 보기

Very nice place. Good coffee in the bar on the corner. And always a good wine.

Google 번역•원문 보기

The road that connects La Morra to Barolo passes through some splendid vineyards, making the panorama suggestive.

Google 번역•원문 보기

A stretch of road surrounded by vineyards. The panorama is wonderful and the asphalt is perfect.

Google 번역•원문 보기

Admire this beautiful sanctuary of Our Lady of the People. Let the light guide you inside and get to know the rich radiance

Google 번역•원문 보기

Splendor and splendor of a bygone era. Not in height but in dignity, the triumphal arch 'Arco del Belvedere' is the highlight of Chersaco. The construction of this arch was started in 1647 to mark the end of the plague (1630). The construction of the city symbol was completed only in 1688 year. The monument, in immaculate white marble, was made for and by ordinary citizens of Cherasco. Respect.

Google 번역•원문 보기

Spiral staircase impassable with e-bikes. Perhaps with a normal bike, but in any case be prepared for a grind... if you decide not to climb the ladder, it's better to go back and cross the bridge in via Mondovì. Continuing towards the Parco della Rossa means dragging your bike up the long and very steep tree trunk staircase that goes around the pillar of the bridge ... it's not worth it for the effort you have to do ...

Google 번역•원문 보기

It is also done by bike, but you have to get on the bike on the spiral staircase and get off on the opposite side, it gets right, just keep the handlebar turned.

Google 번역•원문 보기

La Torre Civica dominates the city. Undisturbed and uninhibited, visitors can look up to this status symbol that stands head and shoulders above the bustle of Cherasco.

Google 번역•원문 보기

Admire this beautiful Shrine of Our Lady of the People. Let the light guide you inside and get to know the lavish appearance

Google 번역•원문 보기

Splendor and splendor of a bygone era. Not in height but in dignity, the triumphal arch "Arco del Belvedere" is the highlight of Chersaco. The construction of this arch was started in 1647 to mark the end of the plague (1630). The construction of the city symbol was completed only in 1688 year. The monument, in immaculate white marble, was made for and by ordinary citizens of Cherasco. respect.

Google 번역•원문 보기

The Town Hall is located at the junction of via Vittorio Emanuele II and via Cavour and Garibaldi, orthogonal axes that divide the city into four districts. On the external façade of the Town Hall you can see significant examples of the ancient and profound culture of the city: Gothic arches, friezes and decorations from the fifteenth and sixteenth centuries, the fresco dating back to the century XVIII in which stands the coat of arms of Cherasco with a young man and a young woman - the Tanaro and Stura rivers - which confuse the feet in the confluence of the valley floor. The authentic coat of arms of the city is instead represented by a red cross on a white field. The Civic Tower, also cleaned of a rear plaster, shows on the facade a precious and very rare moon with a wooded scene on which, according to the phases, the moon rises and sets. On the south side, after the restoration works, an elegant Baroque sundial appeared.

Google 번역•원문 보기

Beautiful square, a must see

Google 번역•원문 보기

The sanctuary of the Madonna del Popolo stands on top of the Cherasco hill and overlooks the beautiful surrounding mountains. The construction of the church, designed by Sebastiano Taricco, with the collaboration of the architects Rocca and Crappa, began in 1693 and was completed in 1702. The building, with its imposing exposed brick façade, probably lacking the final plaster and adorned with two rows of columns, scenographically closes, like an architectural backdrop, via dell’Ospedale. The sanctuary is characterized by the complex polygonal plan on which the presbytery, the choir and the imposing dome are grafted. The interior, in which the use of light tones prevails, especially white and pink, is determined by the collaboration of Taricco, designer and also decorator of the decorations, of Domenico Beltramelli, executor of the stuccos, and of Giancarlo Aliberti who is responsible for the frescoes of the Augustinian saints, the Glory of Saint Augustine and the Assumption, dating back to the early eighteenth century. On the sides of the presbytery are the wooden statues depicting Saint Joseph and Saint John the Evangelist and two canvases by Pietro Metey from the Camaldolese Hermitage, while the choir is decorated with the Madonna with the saints Solutore, Avventore and Ottavio by Taricco and the Madonna and Saint Clare of Montefalco by Pietro Paolo Operti. Among the side chapels, profoundly remodeled during the nineteenth century by order of the Somaschi fathers, the Rosary chapel stands out, in which the wooden statue of the Madonna is located surrounded by the representation of the Mysteries of the Rosary. With the abandonment of the Somaschi, the church was included among the diocesan sanctuaries in 1988 and more recently it has been the subject of a complete restoration.

Google 번역•원문 보기

The arch was built between 1647 and 1688 based on a design by Giovenale Boetto from Fossano, as an ex-voto for the city for having been exempt from the plague of 1630-1631. It is crowned by the statues of the Madonna del Rosario, a marble work by Saverio Franzi from 1832, and by the saints who promoted the Marian cult: Sant'Iffredo, San Domenico, Beato Alano de Rupe and San Nicola da Tolentino, works in terracotta that came to replace those original in wood deteriorated over time. In the lateral niches there are the images of the patron saints of Cherasco: S.Virginio and S.ta Euflamia.

Google 번역•원문 보기

The arch was built between 1647 and 1688 based on a design by Giovenale Boetto from Fossano, as an ex-voto for the city for having been exempt from the plague of 1630-1631. It is crowned by the statues of the Madonna del Rosario, a marble work by Saverio Franzi from 1832, and by the saints who promoted the Marian cult: Sant'Iffredo, San Domenico, Beato Alano de Rupe and San Nicola da Tolentino, works in terracotta that came to replace those original in wood deteriorated over time. In the lateral niches there are the images of the patron saints of Cherasco: S.Virginio and S.ta Euflamia.

Google 번역•원문 보기

Civic tower annexed to the municipal building of Cherasco

Google 번역•원문 보기

Triumphal arch of the seventeenth century.

Google 번역•원문 보기