4.5
(241)
833
등산객
145
하이킹
정확한 경로를 찾는 것이 때로는 어렵지만 볼페글리노에서 하이킹을 하면 다양한 경치를 마음껏 감상할 수 있답니다. 볼페글리노에서 가장 멋진 하이킹과 워킹 중에서 마음에 드는 활동을 시작해보세요.
마지막 업데이트: 2월 17, 2026
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4.2
(5)
22
등산객
9.77km
02:51
250m
250m
5.0
(3)
19
등산객
7.36km
02:08
190m
190m
무료 회원 가입
3
등산객
4.49km
01:11
40m
40m
초급용 하이킹. 모든 체력 수준에 적합. 실력과 관계없이 누구나 쉽게 갈 수 있는 길.
4.3
(3)
5
등산객
7.58km
02:01
80m
90m
보통 하이킹. 좋은 체력 필요. 실력과 관계없이 누구나 쉽게 갈 수 있는 길.
5
등산객
5.91km
01:43
140m
140m
초급용 하이킹. 모든 체력 수준에 적합. 실력과 관계없이 누구나 쉽게 갈 수 있는 길.
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이미 komoot 계정이 있나요?
투어 추천은 다른 사람들이 komoot에서 완료한 수천 개의 활동을 바탕으로 구성되어 있습니다.
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I know this photo from the film "1900" by Bertolucci
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Piazza Castello (or Piazza del Palazzo, but also Piazza Malaspina in the popular version accepted by Pellizza himself, today Piazza Quarto Stato), is the place where the painter, between 1891 and 1901, places the advance of the workers. The square was born towards the middle of the 19th century with the renovation of the stately building, commissioned by the new owners Malaspina, who created a new access on the western side. Giuseppe Pellizza painted The Fourth Estate between 1898 and 1901; the work was the fruit of a long creative journey inspired by the protest of a group of workers, for which he had farmers and artisans chosen from among his fellow villagers from Volpedo pose.
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In Volpedo, the nineteenth-century physiognomy is easily recognizable and allows the visitor to follow an itinerary between art and landscape on the Pelzzino places. We therefore start from the Studio built by Pellizza in 1888, after having decided to live and work in his native country, while remaining in contact with the great international artistic currents. The atelier, which was for the artist a place of work but also of study and meeting with friends, when it was not possible for him to paint en plein air, is open to the public and presents itself as a precious container of Pellizza's memories. The painter's places come to life through the large-format reproductions of ten works scattered throughout the village and placed in selected points, in direct comparison with the landscape glimpses that inspired them. In this open-air museum, the continuous comparison between today and yesterday prompts recourse to the power of art, which gradually manifests itself along the way.
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The name The toponym derives from the Latin vicus (village) and is attested in the X century. as vicopicolo, i.e. a small village, and in the sec. XII as Vicus Pecudis, village of herds (from dapecus, sheep, cattle).
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Beautiful very quiet village to visit.
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