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Castelnuovo Calcea, located in the heart of the Monferrato Astigiano, has ancient origins linked to the Ligurian Statielli, Celts, and Gauls, before Roman colonization (Castrum Novum ad Calcea). The medieval village, known for its castle, destroyed several times starting in 1155, was a fiefdom of the Marquises of Incisa, the Trotti family, and finally the Savoy family in 1735.
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With a plaque for the "Martyrs of Freedom": Ferrero Domenico Ferruccio from Castelnuovo was a partisan in the Giustizia & Liberta formations, killed in action on March 26, 1945, during the fighting in Agliano, not far from here. http://intranet.istoreto.it/partigianato/dettaglio.asp?id=35746 Bianco Luigi Loris was a farmer from Castelnuovo and a partisan in an autonomous unit. He was captured during a clearing operation on December 6, 1944, and deported to Germany. He died during the death march from Flossenbürg to Dachau. https://israt.it/banche-dati/deportati-politici-astigiani.html https://www.pietredellamemoria.it/pietre/monumento-ai-caduti-di-castelnuovo-calcea/
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It is also called the Tremlett church in honor of the British artist who repainted and embellished it taking inspiration from the colors of the Coazzolo hill. David Tremlett who also helped repaint the Barolo chapel in La Morra which attracts many tourists
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The road goes up and from the town leads to this hillside hamlet which dominates the surrounding area. At the crossroads you can choose: on the right you go towards the amphitheater and the dirt road to Santo Stefano Canetto while on the left towards Repergo.
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The castle, configured in a single and imposing square volume, reveals evident architectural stylistic differences, originating from the layout choices undertaken in the 17th century by the legitimate owners. Starting from 1625, the Asinari nobles shared the rank of "counts of Costigliole" with the noble Verasis family. This complex was therefore divided between two feudal lords, who, with autonomous determination, gave rise to transformations and embellishments on subjective bases. The northern part of the manor, pertaining to the Asinari, retains the appearance derived from the interventions of the second half of the eighteenth century, duly inspired by the architectural canons propagated by Benedetto Alfieri. At the same time, the external aspect of the southern part, pertaining to the Verasis, constitutes an interesting example of neo-medieval stylistic re-proposition, dating back to the first decades of the 19th century.
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At the end of a short stretch, if you leave Costigliole behind you, you reach the chapel of San Grato and a crossroads: on the right you go towards Santo Stefano Canetto by means of a road which at a certain point becomes a dirt road and passes into among the vineyards while if you go left you reach Repergo via the Lazzaretto road.
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The castle of Costigliole d'Asti, built in medieval times and subject to restoration over the centuries, is an important stage in the "Castelli Aperti" circuit of Lower Piedmont. In 1041, Arrigo III officially conferred possession on the Church of Asti. Subsequently, the castle passed under the authority of Bonifacio del Vasto. In 1198, it was Asti that took possession of the castle, establishing statutory regulations. Built on top of the Costigliole fortress, this mighty quadrangular castle, with a base of 60 meters on each side and a height of 25 meters, is one of the grandest in the Asti area.
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