가장 멋진 명소 20곳

Beautiful baroque cathedral with a separate bell tower.

Google 번역•원문 보기

In 1857, Giovanni Spano published an article that included a graphic overview of the monument. The Canon describes and interprets the sacred well in a rather convoluted way: he classifies it as a nuragic structure but is unable to discern its true function, mistaking it for a prison due to its similarity to other finds. In 1860, La Marmora, in his Itinéraire, praised the monument and compared it "to the Treasury of Atreus in Mycenae, Greece, described and illustrated by James Stuart." In the early years of the 20th century, other sacred wells in Sardinia were investigated: Antonio Taramelli, an archaeologist of the first half of the 20th century, finally surmised their function. His work is complemented by Raffaele Pettazzoni, who, in his book on the beliefs of the ancient Proto-Sardinians, describes the cult of water, also drawing on comparisons from outside the island.

Google 번역•원문 보기

«The country church of St. Christina, located in the territory of Paùli-Latìno, a quarter (4 km) from this town, also belongs to this priory (of Bonarcado), while it is two hours from Bonarcado. Nearby there are some casipole for the novenanti who compete there on the first of May. The main festival falls with great frequency on the 10th of the same and a pious procession to the fountain named after the saint, which has a peculiar shape and structure. On July 24th there is a memorial day on which the glorious death of the same is commemorated.»

Google 번역•원문 보기

In 1860, La Marmora, in his Itinéraire, praised the monument, comparing it "to the Treasury of Atreus at Mycenae, Greece, described and illustrated by James Stuart". In the early years of the 20th century, other sacred wells were investigated in Sardinia: Antonio Taramelli, an archaeologist of the first half of the 20th century, finally guessed their function. His work is completed by Raffaele Pettazzoni, who, in his book on the beliefs of the ancient proto-Sardinians, describes the cult of water, also referring to comparisons outside the island. Despite the importance of the monument and its excellent state of preservation, it was necessary to wait until 1953 for the first excavations and restorations, which then continued with the Athnitzi campaigns of 1967-73 and 1977-83. [9] The last excavation campaigns were carried out by Bernardini in 1989-90 and by Arnold Lebeuf between 2005 and 2010. Further research is planned, focusing mainly on the area of the Nuragic village (which, however, had not yet been carried out as of 2012).

Google 번역•원문 보기

In 1860, La Marmora, in his Itinéraire, praised the monument, comparing it "to the Treasury of Atreus at Mycenae, Greece, described and illustrated by James Stuart". [4] In the early years of the 20th century, other sacred wells were investigated in Sardinia: Antonio Taramelli, an archaeologist of the first half of the 20th century, finally guessed their function. [5][6][7] His work is completed by Raffaele Pettazzoni, who, in his book on the beliefs of the ancient proto-Sardinians[8], describes the cult of water, also referring to comparisons outside the island. Despite the importance of the monument and its excellent state of preservation, it was necessary to wait until 1953 for the first excavations and restorations, which then continued with the Athnitzi campaigns of 1967-73 and 1977-83. [9] The last excavation campaigns were carried out by Bernardini in 1989-90 and by Arnold Lebeuf[10] between 2005 and 2010. Further research is planned, focusing mainly on the area of the Nuragic village[1] (which, however, had not yet been carried out as of 2012).

Google 번역•원문 보기

In 1841, Angius published a first summary description of the monumental complex in the Angius-Casalis dictionary:[2] «The country church of St. Christina, located in the territory of Paùli-Latìno, a quarter (4 km) from this town, also belongs to this priory (of Bonarcado), while it is two hours from Bonarcado. Nearby there are some casipole for the novenanti who compete there on the first of May. The main festival falls with great frequency on the 10th of the same and a pious procession to the fountain named after the saint, which has a peculiar shape and structure. On July 24th there is a memorial day on which the glorious death of the same is commemorated."

Google 번역•원문 보기

The site is essentially composed of two parts: the first, the best known and best studied, consists of the Well Temple, a sacred well of the nuragic period, to which are attached structures: a meeting hut, a perimeter enclosure and other smaller huts. The second part of the complex, about two hundred meters to the southwest, consists of a single-tower nuraghe, some elongated stone huts of unknown date and a nuragic village that has yet to be excavated and of which few illuminating elements are visible[1]. Although of limited archaeological interest, the Christian devotional area of the Church and Novenum of St. Christina integrates the complex, intended as a place where the novena is celebrated in honor of the saint.

Google 번역•원문 보기

The Nuragic Sanctuary of Santa Cristina is an archaeological area located in the municipality of Paulilatino, in the province of Oristano, in central-western Sardinia and in the southern part of the Abbasanta plateau. The site takes its name from the country church of Santa Cristina, which is located nearby.

Google 번역•원문 보기

The Nuragic Sanctuary of Santa Cristina is an archaeological area located in the municipality of Paulilatino, in the province of Oristano, in central-western Sardinia and in the southern part of the Abbasanta plateau. The site takes its name from the country church of Santa Cristina, which is located nearby.

Google 번역•원문 보기

The Nuragic Sanctuary of Santa Cristina is an archaeological area located in the municipality of Paulilatino, in the province of Oristano, in central-western Sardinia and in the southern part of the Abbasanta plateau. The site takes its name from the country church of Santa Cristina, which is located nearby.

Google 번역•원문 보기

A cathedral, so for Hamburgers: no carousels and beer, just church and stuff. Beautifully colorful inside.

Google 번역•원문 보기

nice square outside a pleasant baroque cathedral with a couple of gothic vestiges

The Franciscan Order has been present in Sardinia since 1230, and the monastery of San Francesco was founded in Oristano as early as 1253. There is no documentary evidence of the Gothic construction of the church. By the early 19th century, it was in serious disrepair, so Archbishop Giovanni Maria Bua decided to rebuild it from scratch rather than restore it. Thus, it was destroyed in 1835, and on February 17 of the following year, the foundation stone of the new church was blessed. It was designed by the Sassari friar Antonio Cano, a royal protégé who had studied at the Accademia di San Luca in Rome. The building collapsed on September 18, 1838, before the dome was completed. From the surviving survey of the church-monastery complex and its surroundings, it can be deduced that the dome had an elliptical shape, as is typical for Cano's works. Shortly thereafter, the task was assigned to the most important Sardinian architect of the 19th century, Gaetano Cima of Cagliari. The project, submitted on September 18, 1841, was approved on April 22, 1842, and work then began. The building, rebuilt according to the forms of purist classicism, reopened for worship in October 1847. The current building has a central plan with two chapels on each side and a deep semicircular apse. From the left chapel, a small room leads to the sacristy. The façade, accessible via a wide staircase with eight steps, is preceded by a tympanum-pronaos supported by four columns and two pilasters. All supports are surmounted by Ionic capitals. The façade features a large central portal and two smaller symmetrical side portals. The central body of the building is covered by a large hemispherical dome, standing on a cylindrical drum and surmounted by a polygonal lantern. Source and further information: http://www.sardegnacultura.it/j/v/253?v=2&c=2488&t=1&s=18322

Google 번역•원문 보기

The first document that testifies to the existence of the church dedicated to Santa Maria dates from February 20, 1192. In 1195 the cathedral and the entire city were set on fire and sacked by the troops of the magistrate of Cagliari Guglielmo de Lacon-Massa. The cathedral was badly damaged during the military occupation of the city and in 1228 reconstruction began. The pointed arch building, written documents and two bronze knockers on the portal bear witness to this. In the first half of the 14th century, the Romanesque structure of the Duomo was modified... The transept and the first bell tower were part of the 1300 extension, whose colored majolica dome was only added in the 18th century. In the will of King Hugh II of Arborea of April 4, 1335, the ruler mentions the place where he wanted to be buried: in the Church of the Virgin Mary of Oristano and precisely in the Chapel of San Bartolomeo, which still needs to be completed . Further extensions may have taken place between 1336 and 1349, as the grave of the legal adviser Filippo Mameli, who died in 1349, suggests. During an invasion of French militias that took place on February 25, 1637, the city of Oristano, the churches and especially the cathedral were looted and badly damaged. With the arrival of Sardinian troops from Cagliari and Sassari, the French soldiers decided to leave the city on February 28th to embark again. Pursued by the Sardinian military, the French left behind two pieces of artillery, eleven boats, thirty-six prisoners and eight banners, four of which are preserved on the wall of the main entrance of Oristano Cathedral. The current cathedral, built in the years 1729-1745 to an elegant Piedmontese Baroque design, houses the chapel with the relics of Sant'Archelao, patron saint of the city and the diocese. Source and more information: https://www.comune.oristano.it/it/amministrazione/luoghi/luogo/Cattedrale-di-Santa-Maria-Assunta/

Google 번역•원문 보기

Portixedda (literally "little door") is one of the smaller structures of the city walls, built between 1290 and 1293 by order of Judge Mariano II de' Bas-Serra d'Arborea. The defensive building controlled the important eastern access point that led to the Villa of Silì, continuing along the ancient Roman path of the Forum Traiani and finally to the Barbagie in the northeast of the island. The 13th-century structure was constructed as a square tower using mixed stone and mortar masonry techniques and was finished with an outer layer of sandstone blocks… In the second half of the 16th century, fears of an invasion of Sardinia by the Ottoman Empire necessitated an operation to modernize the defensive structures. For this purpose, the upper part of the medieval tower was demolished, while the lower part was built into a new massive tower with a circular base. The cut stone of the previous structure was reused, along with other elements such as B. the Machikoles and loopholes, which have been adapted for the use of firearms. Key elements of military development included the creation of a decorative outer bank layer built just around the base to support offensive artillery attacks. Puerta de Levante was the name given to the new solid due to its role of patrolling the road leading east. However, it was more commonly known as Portixedda to distinguish it from the largest doors such as Porta Ponti by its small size… Source: https://www.museooristano.it/view/s/b44c7b15ef994e9ca59e60fc73147784

Google 번역•원문 보기

"It is the epitome of the architectural high point of the water temples. Its proportions are so balanced (...), its geometric composition is so well thought out (...), so rational (...) that one would not believe it possible (...) that this building was built around 1000 BC." This is how the "father" of Sardinian archaeology, Giovanni Lilliu, describes the well sanctuary of Santa Cristina, the holy nuragic site par excellence, which is located on a basalt plateau in the area of nearby Paulilatino. Its name goes back to the nearby small field church of Santa Cristina, which dates back to the 11th century... The archaeological excavation site is just a few dozen meters from the Christian-medieval site, which is immersed in the green of centuries-old olive trees. It is divided into two main areas: the first contains a fountain temple from the late Bronze Age (12th century BC), which is surrounded by a sacred enclosure (themenos) in the shape of a “keyhole”. The temple was built with finely worked basalt blocks and exquisite techniques and is a jewel with perfect geometric shapes. The interior consists of a vestibule, a staircase and a room with a tholos-like vault (false dome) laid out in concentric circles. The staircase has a trapezoidal cross-section with 7 m cantilevered walls. The 25 steps become increasingly narrower towards the fountain cell and are covered by architraves placed in mirror images: this creates the effect of an “upside down staircase”. Descending the stairs is a little scary, but one is impressed nonetheless. The place of worship represents the water cult, which attracted people from all parts of the island. The water comes from never-ending groundwater into the basin carved out of the rock: the water level is always the same. It is assumed that the temple was originally covered and the higher part was similar to the sacred well Su Tempiesu of Orune. Outside the enclosure you can find the remains of the Nuragic settlement. Worth seeing are the round "meeting hut" with a diameter of 10 m, a floor covered with pebbles and a round seat, as well as about 10 other rooms... Source: https://www.sardegnaturismo.it/de/entdecken/gebiet-von-santa-cristina

Google 번역•원문 보기

The Nuraghe Santa Cristina stands here beautifully surrounded by trees. In addition to the nuraghe, there is a house about 14 meters long, the purpose of which is unknown. The whole complex with nuraghe, church, village and the fountain sanctuary is well worth seeing.

Google 번역•원문 보기

Oristano Cathedral, dedicated to the Assumption of the Virgin Mary, is the Roman Catholic cathedral of Oristano, Sardinia, Italy. It is the seat of the Archbishop of Oristano. It is built in Baroque style and is located in the historical center of the city. Source: https://en.wikipedia.org/wiki/Oristano_Cathedral

Google 번역•원문 보기

Santa Cristina is a Sardinian well temple (Italian Pozzo sacro) in the form of a step well from the time of the Nuragic culture (1800 to regionally around 235 BC). Source: https://de.wikipedia.org/wiki/Santa_Cristina_(Brunnenheiligtum)

Google 번역•원문 보기

The Church of San Francesco in Oristano stands next to the Cathedral of Santa Maria Assunta and the Archbishop's Seminary. Inside is also the Convent of San Francesco, built in 1335 but completely remodeled and completed in the 19th century along with the church. The Church of San Francesco in Oristano has a neoclassical façade, but originally (i.e. when the Franciscans arrived in Oristano in 1253) the church was Gothic in style. The facade of the Church of San Francesco has three portals and consists of two pillars and four columns supporting the tympanum. A hemispherical dome with an octagonal lantern crowns the building. The interior, with a central plan, has two chapels on each side. The coffered dome is supported by pillars and semi-columns with Ionic capitals. The first chapel on the left houses the Christ of Nicodemus, a remarkable 14th-century wooden sculpture of the Spanish school, prototype of a series of crucifixes, including the wooden crucifix of Ollolai, preserved in various churches in Sardinia. In the sacristy there are other valuable works, such as the panel (1533), once part of an altarpiece, depicting St. Francis receiving the stigmata, the work of Pietro Cavaro and the marble statue (1368) possibly representing St. Basil Magnificent, attributed to Nino Pisano [3]. Source: oristanoturismo.it

Google 번역•원문 보기