쇤바흐 최고의 라이딩 경로

오버외스터라이히 주의 최고 고갯길은 리베나우에 있습니다

아르베스바흐 성은 꼭 방문해야 할 최고의 명소입니다. 멀리서도 '발트비르텔의 송곳니'라고 불리는 것을 볼 수 있습니다. 현장에 도착하면 126개의 계단을 올라 입구까지 가야 하며, 입장료(현재 2026년 €2.50)는 동전이나 카드로 지불해야 합니다. 그런 다음 내부로 계속 올라가면 멋진 전망을 제공하는 전망대까지 갈 수 있습니다. 탑 주위를 도는 순환로도 있지만, 발걸음이 안정적이고 적합한 신발이 필요합니다.

The local authorities succeeded in persuading the master artist Hundertwasser to design and construct a fountain in the main square. The presentation of the fountain model met with both widespread approval and vehement opposition from the residents of Zwettl. In 1994, the fountain, consisting of three main elements—the two fountain columns with basins and the pavilion—was unveiled to the public. Since then, it has been a popular meeting place in the heart of the town. Friedensreich Hundertwasser died in February 2000 at the age of 71.

Until the end of the 19th century, a monumental fountain stood in the middle of the main square, the terminus of Zwettl's oldest water supply system, dating back to the early 17th century; a place where the population gathered, not just to fetch water. A war memorial was erected here in 1925, and from the mid-20th century onward, the square in the heart of the town was primarily used as a park. In the early 1990s, the municipality of Zwettl decided to redesign the main square. The aim was to give the town an attractive central point once again and thus preserve the tradition of the old Zwettl main square for the present and future. Friedensreich Hundertwasser, born Friedrich Stowasser in 1928, had owned an old mill on the banks of the Kamp River above Zwettl since the 1970s.

Originally, after the town's founding, Trinity Square was part of Zwettl's main square, which at that time stretched as an extensive triangular plaza from the townhouses behind the Hundertwasser Fountain to the level of the Hausleitner house above the "Zur Goldenen Rose" inn. The construction of houses along the lower Landstraße, the so-called "Grätzl," significantly narrowed the main square, and the addition of the cross street eventually divided it into two squares.

During the Baroque period, people everywhere were eager to express their gratitude for overcoming the plague years and the Turkish Wars by erecting plague or Trinity columns. In 1727, the pillory in the upper square was replaced by the richly sculpted sandstone column created by Kaspar Högl of Eggenburg. During the last renovation in 1998, extensive environmental damage to the figures was repaired, and the entire column was painted a light yellow. The four life-size statues are, in the center at the front, the Immaculate Conception; to her left, St. Sebastian (pierced by five arrows); to her right, St. Roch (pointing to the plague boil on his thigh); and St. Florian (holding a flag in one hand and a bucket of water in the other). The iron fountain in the immediate vicinity of the Trinity Column is a gift from the then-mayor, Eugen Beck, of the twin town of Plochingen near Stuttgart.

A remarkable stone located right next to the road. Access is easy and possible at any time.

The village was first mentioned in 1246 and was originally owned by the Kuenring line of Weitra-Rappottenstein. In 1282, the estate passed to the Lords of Falkenberg, and in 1291 to Ulrich von Kapelln. In the 14th century, Arbesbach is mentioned as a freehold property. From 1326 to 1348, it was owned by the Lords of Klingenberg, who in 1347 mortgaged "the castle and the house at Arbesbach" to Weikart and Katharina von Winkl. From 1348, Arbesbach was owned by the Lords of Dachsberg, and from 1423 by the Lords of Starhemberg. In 1480, the castle was destroyed by a Bohemian raiding party and was not rebuilt. In 1600, the estate passed to the Lords of Tschernembl, and in 1604 to Georg Fenzl von... Grueb and as early as 1605 to Georg Kaspar von Neuhaus. From 1614 owned by the Lords von Hackelberg, from 1675 to 1862 by the Countess Dietrichstein. Afterwards, it passed to the Herberstein, Geusau, and Baron Holtz families, and from 1877 onwards to the Altzinger family, who still own the estate today and reside in part of the castle complex. Text by G.R., K.Ki.