마르크트 레텐바흐 최고의 라이딩 경로

This Catholic church is stunning because of its subtle use of gold decorations. Besides the church in Nesselwang, it's one of the most beautiful in the Allgäu region. Go inside; it's well worth it. You should really look at my pictures, as I'm not sure how else to describe the church.

It's great to see well-preserved historical buildings like this. Worth stopping to see it if you enjoy architecture.

Hall church from 1480. Tower already built 1451-1456 as a choir tower with a gable roof

Well-paved cycle path along the road between Günzach and Rohr

A quiet, undulating county road between Binnings and Günzach. Good asphalt. The source of the eastern Günz River is well signposted along the roadside.

Well-paved cycle path between Ottobeuren and Westerheim on a former railway line

A nice, almost unused ramp to bypass the main road.

Basilica of St. Alexander and St. Theodore, Ottobeuren The magnificent basilica, dedicated to the two Roman martyrs Alexander (162) and Theodore (306), is certainly one of the most beautiful Baroque churches in southern Germany. With its two 82-meter-high onion domes, it stands on a gently rising ridge west of the market square, visible from afar above the valley of the western Günz River. Due to its dominant, free position within the entire building complex, the basilica plays an undeniable presiding role. This concept of placing the church in front of the monastery was not, however, an Ottobeuren invention. Rather, it can be traced back to the famous Swabian architectural theorist Joseph Furtenbach, who published it in 1628 in his work "Architectura Civilis" as the ideal form for a women's monastery. Other monasteries were also built according to this pattern: Kempten in 1651, Seedorf/CH in 1682, Obermarchtal in 1686, Holzen in 1696, Klosterwald in 1714, Sießen in 1716, and Fiecht/Tyrol in 1707. The foundation stone was laid on September 27, 1737, at the present main portal. During the reigns of Abbots Rupert Neß and Anselm Erb, it was built as a monastery church from 1737 to 1766 by Simpert Kraemer (until 1748) and Johann Michael Fischer. The very rich late-Bavarian furnishings include dome and ceiling frescoes and altarpieces by Johann Jakob and Franz Anton Zeiller from Tyrol, stucco figures by Johann Joseph Christian, and stucco work by Johann Michael Feuchtmayer the Younger. It boasts two widely renowned Baroque choir organs by Karl Joseph Riepp: the four-manual Trinity Organ with 47 stops and the two-manual Holy Spirit Organ with 27 stops, both with a French sound. The choir stalls are by Martin Hermann (carpentry) and Johann Joseph Christian (reliefs). The focal point of the church is the Romanesque crucifix (ca. 1220). The church's unusual north-south orientation is due to its location within the overall complex, whose floor plan is in the shape of a cross. In 1926, the monastery church was elevated to a Papal Basilica/Basilica Minor by Pope Pius XI. Text / Source: Benedictine Abbey of Ottobeuren, Sebastian-Kneipp-Str. 1, Ottobeuren https://www.abtei-ottobeuren.de/content/klosteranlage/die-basilika/