테라딜로스 주변 최고의 교통량 없는 자전거 라이딩 코스

모든 최상급에 덧붙일 것이 없습니다, 장엄합니다!

스페인에서 가장 높은 대성당 중 하나이며, 섬세한 플라테레스코 양식의 외관, 풍부한 내부 장식, 그리고 북쪽 외벽의 유명하고 흥미로운 "우주 비행사"로 유명합니다. 우주 비행사 또는 외계인은 시간의 무상함 또는 - 보이는 것이 전부가 아니다 - 라는 믿음을 보여줍니다.

그의 아내에 대한 사랑의 상징으로 365개의 조개껍질을 가진 많은 역사적인 건물 중 하나입니다.

아름다운 다리와 전망

The bell tower of Salamanca Cathedral is one of the most emblematic elements of its architecture. It forms part of the New Cathedral, although it is integrated into the complex that includes the Old Cathedral. Baroque style predominates, although the base is Renaissance, reflecting the transition between the two cathedrals. Height: Approximately 92 meters, making it one of the tallest points in the city.

The history of Salamanca's Roman bridge is intertwined with that of the city itself, and it has been one of its defining features for centuries. Located in a position that facilitated human settlement and the development of economic activity, its proximity to the three hills and the Tormes River made it a strategic location. It is a solid bridge, resistant to the passage of time. For centuries it served as the main access point to the city, until a new bridge was completed over the Tormes River in 1913, allowing the passage of vehicles.

great view back over Salamanca

The New Cathedral of Salamanca, dedicated to the Assumption of the Virgin, began construction in 1513, although construction lasted until 1733. Great architects such as Juan and Rodrigo Gil de Hontañón, Juan de Álava, and the Churriguera brothers, among others, worked there. The initial style was late Gothic, and despite the extensive work, this stylistic unity assigned by the Chapter has been maintained. On the exterior, we can see impressive facades with highly elaborate and unique decorative details, such as those on the three doors of the main façade, an interesting iconographic ensemble with reliefs of scenes from the Nativity and the Epiphany, and, above the large central ogee arch, a beautiful Calvary. The Palm Doorway depicts the sculptural group of the Entry of Jesus into Jerusalem. On this façade there are sculpted figures that do not correspond to the period, since we can see, to mention the most well-known, a monster eating ice cream or a curious astronaut (author's licenses in a 1992 restoration to justify the historical moment of its incorporation).