포조 다다 주변 최고의 교통량 없는 자전거 라이딩 코스

A beautiful stretch of the Martesana; it's a pleasure to stop for a coffee at the various cafés along the route.

The building, older than the current church of Saints Protaso and Gervaso of Gorgonzola (early 19th century, designed by Simone Cantoni), occupies a picturesque location between the sacred and the landscape. To the north, it overlooks the churchyard, while to the south, it follows the elegant bend of the Martesana Canal. Completely restored in 2006, it today retains its historical and architectural value.

Be careful on the steps when the ground is wet! This passage allows you to cross the right bank of the Muzza.

The church's current structure is largely the result of 20th-century reconstructions and expansions, although its origins date back to older religious buildings. It is the hub of the town's religious and community life. The building stands out for its modern architectural lines, typical of the reworking of traditional 20th-century styles, and for its imposing bell tower that marks its presence in the urban landscape.

In the center of town, on the right bank of the Martesana Canal, stands an imposing waterwheel (popularly known as a rudun) said to have been designed by Leonardo da Vinci himself. Despite appearances, the wheel is not a mill, but a noria. Its function, in fact, was never to grind grain or power machinery, but rather to lift water from the canal to channel it into an irrigation system.

Great ride

A large neoclassical building, basilica-like in shape, with side chapels, dominated by a massive octagonal lantern tower and a large octagonal lantern. The façade, raised above the churchyard, features a large portico that extends beyond both sides of the church. It consists of a large central pronaos with an entablature supported by four large Corinthian columns in Baveno travertine. Short side porticoes with two pier-supported arches connect it to the large niche of the Serbelloni tomb and the arch in front of the entrance to the Oratory of the Holy Trinity. These side sections are surmounted by a tympanum whose base is broken by the entrance arch. These arches are also highlighted by a large niche beneath the large central tympanum above the pronaos. The plastered wall facing is enlivened by the presence of incised horizontal lines, niches to the sides of the arches, cornices, moldings, and stone piers. (source Superintendency)

always to be travelled with caution