아바노 테르메 주변 최고의 교통량 없는 자전거 라이딩 코스

베니토 다가 다리(Ponte Benito Daga)는 파도바 남서부 지역에 위치한 카노티에리 파도바(Canottieri Padova) 본부 근처의 전략적인 강변 구역에 있는 자전거 및 보행자 다리입니다. 이 구조물은 1991년에 사망한 베니토 다가(Benito Daga)의 이름을 따서 명명되었습니다. 그는 파도바와 이탈리아 스포츠계에서 존경받는 인물로, 패럴림픽 이탈리아 수영 국가대표팀의 코치이자 감독으로 활동한 것으로 알려져 있습니다. 물류적 관점에서 이 다리는 도시의 부드러운 이동성을 위한 중요한 연결 지점입니다. 브루세가나(Brusegana)와 바사넬로(Bassanello)의 강변 도로를 연결하며, 러너, 보행자, 자전거 여행객에게 필수적인 통로 역할을 합니다. 파도바의 유명한 강변 순환로를 이용하거나 에우가네오 언덕(Colli Euganei)으로 향하는 자전거 도로 및 브렌텔라 운하(Canale Brentella)를 따라가는 자전거 도로로 진입하는 사람들에게 핵심적인 지점입니다.

인상적이지만 오후에 하세요

쉬운 컴팩트한 비포장 도로, 평야와 에우가네오 언덕의 훌륭한 전망.

파도바와 에우가네오 언덕 방향의 베네토 평원에 대한 아름다운 파노라마.

https://ortobotanico1545.it/

Start of the beautiful Montrortone trail

Basilica of Saint Anthony of Padua / Basilica of Saint Anthony, Padua The Basilica of Saint Anthony, known as "the Saint," is the city's most important religious center and attracts thousands of pilgrims every year, especially on June 13, the saint's feast day. The basilica was built in 1232 to protect the tomb of the Franciscan friar Anthony, who died in Padua in 1231. The large building presents a complex structure with a fusion of styles: Romanesque elements in the façade, Gothic elements in the ambulatory, Byzantine elements in the eight domes covered with lead, and Moorish elements in two tiers. The Church of Saint Anthony holds numerous reminders of the Carrara Signoria. In 1350, Cardinal Guido de Boulogne came to the cathedral to acknowledge the saint's miracle and was greeted by Jacopo II da Carrara and Bishop Hildebrand. Members of the Carraresi family, such as the Lupi di Soragna and the Conti, chose the basilica as the site for their own mausoleums. The Chapel of the Black Madonna now stands on the site of the earlier church, dedicated to Santa Maria, Mother of the Lord. The polychrome Madonna is by Rinaldino di Francia and dates from 1396. Rinaldino is also likely the artist of the shield bearing the portrait of Stefano da Carrara, now in the city museums. A funerary monument to Raffaele Fulgioso, a renowned jurist from the University of Padua, is located to the left of the chapel. The Chapel of Blessed Luca reveals even closer ties to the Carraresi family: it was built between 1380 and 1382 by Naimerio and Manfredino Conti, executing the will of Fina Buzzaccarini. They commissioned Giusto de'Menabuoi, a painter from the Carraresi court, to create the frescoes. The stories of Saints Philip and James, arranged on the chapel walls, reveal a surprising new sense of spaciousness. In the center, within the lunette, are portraits of the patrons: Saint Anthony, Blessed Luke, Saint Francis, and Saint Louis of Toulouse, as they are presented to the Virgin. Text / Source: Turismo Padova https://www.padua.info/de/padua/was-zu-sehen-ist/details/basilica-di-santantonio

Prato della Valle, Padua The Prato della Valle, one of Padua's landmarks, is a large, monumental space distinguished by a central green island, Isola Memmia, named in honor of the city's governor who commissioned its creation. This island is surrounded by a canal adorned with a double pedestal featuring numbered statues of famous figures from the past. Since antiquity, this public space has served both economic and recreational functions. In Roman times, a large theater, the Zairo, stood here; remains of the theater's foundations have been found in the canal surrounding Isola Memmia, along with a circular racecourse for chariots. During the Middle Ages, fairs, tournaments, festivals, and competitions were held here; it was the site of large gatherings of "all the free men of Padua," and as early as 1077, it was a marketplace. Until 1767, it belonged to the Abbey of Santa Giustina. Then, the Senate of Veneto declared it municipal land and, together with Andrea Memmo, Provveditore della Serenissima (Governor of the Venetian Republic), implemented a radical redevelopment project. The aim was to create a new urban commercial center, a space suitable for fairs and events. Later, pavilions were erected on Isola Memmia to establish a market. Subsequently, trees were planted, giving the square a distinctly English feel, while the surrounding buildings made it unique, original, and memorable. The design is inspired by the great Venetian tradition of the patrician garden, which here, for the first time, is taken out of private use and proposed according to neoclassical concepts as an urban planning solution and ecological enhancement. Text / Source: Turismo Padova https://www.turismopadova.it/de/orte/prato-della-valle/