마르크트 레텐바흐 주변 최고의 교통량 없는 자전거 라이딩 코스

A very well-utilized and very well-preserved area

Hall building with a ridge turret and a recessed choir as a round central building with a dome and lantern. Founded in 1654

A quiet, undulating county road between Binnings and Günzach. Good asphalt. The source of the eastern Günz River is well signposted along the roadside.

Well-paved cycle path between Ottobeuren and Westerheim on a former railway line

A nice, almost unused ramp to bypass the main road.

Very nice to look at!!!!

Basilica of St. Alexander and St. Theodore, Ottobeuren The magnificent basilica, dedicated to the two Roman martyrs Alexander (162) and Theodore (306), is certainly one of the most beautiful Baroque churches in southern Germany. With its two 82-meter-high onion domes, it stands on a gently rising ridge west of the market square, visible from afar above the valley of the western Günz River. Due to its dominant, free position within the entire building complex, the basilica plays an undeniable presiding role. This concept of placing the church in front of the monastery was not, however, an Ottobeuren invention. Rather, it can be traced back to the famous Swabian architectural theorist Joseph Furtenbach, who published it in 1628 in his work "Architectura Civilis" as the ideal form for a women's monastery. Other monasteries were also built according to this pattern: Kempten in 1651, Seedorf/CH in 1682, Obermarchtal in 1686, Holzen in 1696, Klosterwald in 1714, Sießen in 1716, and Fiecht/Tyrol in 1707. The foundation stone was laid on September 27, 1737, at the present main portal. During the reigns of Abbots Rupert Neß and Anselm Erb, it was built as a monastery church from 1737 to 1766 by Simpert Kraemer (until 1748) and Johann Michael Fischer. The very rich late-Bavarian furnishings include dome and ceiling frescoes and altarpieces by Johann Jakob and Franz Anton Zeiller from Tyrol, stucco figures by Johann Joseph Christian, and stucco work by Johann Michael Feuchtmayer the Younger. It boasts two widely renowned Baroque choir organs by Karl Joseph Riepp: the four-manual Trinity Organ with 47 stops and the two-manual Holy Spirit Organ with 27 stops, both with a French sound. The choir stalls are by Martin Hermann (carpentry) and Johann Joseph Christian (reliefs). The focal point of the church is the Romanesque crucifix (ca. 1220). The church's unusual north-south orientation is due to its location within the overall complex, whose floor plan is in the shape of a cross. In 1926, the monastery church was elevated to a Papal Basilica/Basilica Minor by Pope Pius XI. Text / Source: Benedictine Abbey of Ottobeuren, Sebastian-Kneipp-Str. 1, Ottobeuren https://www.abtei-ottobeuren.de/content/klosteranlage/die-basilika/

Basilica of St. Alexander and St. Theodore, Ottobeuren The magnificent basilica, dedicated to the two Roman martyrs Alexander (162) and Theodore (306), is certainly one of the most beautiful Baroque churches in southern Germany. With its two 82-meter-high onion domes, it stands on a gently rising ridge west of the market square, visible from afar above the valley of the western Günz River. Due to its dominant, free position within the entire building complex, the basilica plays an undeniable presiding role. This concept of placing the church in front of the monastery was not, however, an Ottobeuren invention. Rather, it can be traced back to the famous Swabian architectural theorist Joseph Furtenbach, who published it in 1628 in his work "Architectura Civilis" as the ideal form for a women's monastery. Other monasteries were also built according to this pattern: Kempten in 1651, Seedorf/CH in 1682, Obermarchtal in 1686, Holzen in 1696, Klosterwald in 1714, Sießen in 1716, and Fiecht/Tyrol in 1707. The foundation stone was laid on September 27, 1737, at the present main portal. During the reigns of Abbots Rupert Neß and Anselm Erb, it was built as a monastery church from 1737 to 1766 by Simpert Kraemer (until 1748) and Johann Michael Fischer. The very rich late-Bavarian furnishings include dome and ceiling frescoes and altarpieces by Johann Jakob and Franz Anton Zeiller from Tyrol, stucco figures by Johann Joseph Christian, and stucco work by Johann Michael Feuchtmayer the Younger. It boasts two widely renowned Baroque choir organs by Karl Joseph Riepp: the four-manual Trinity Organ with 47 stops and the two-manual Holy Spirit Organ with 27 stops, both with a French sound. The choir stalls are by Martin Hermann (carpentry) and Johann Joseph Christian (reliefs). The focal point of the church is the Romanesque crucifix (ca. 1220). The church's unusual north-south orientation is due to its location within the overall complex, whose floor plan is in the shape of a cross. In 1926, the monastery church was elevated to a Papal Basilica/Basilica Minor by Pope Pius XI. Text / Source: Benedictine Abbey of Ottobeuren, Sebastian-Kneipp-Str. 1, Ottobeuren https://www.abtei-ottobeuren.de/content/klosteranlage/die-basilika/