부르크렌겐펠트 주변 최고의 교통량 없는 자전거 라이딩 코스

Filial Church of St. Giles Unfortunately, the exact date of the first church in Pottenstetten's construction cannot be determined. Like in most other medieval villages, it was probably a simple wooden structure that over time gave way to a stone building with thick walls. The church, which existed in this form until 1964, with its almost 1-meter-thick walls and tower, was probably built in the 12th or 13th century. The church is built in the Romanesque style, with a Baroque onion-shaped dome. On the high altar of the old church is a picture of St. Giles, framed by the two princely apostles Peter and Paul. In the fall of 2023, a statue of the Virgin Mary from Burglengenfeld was hung in the old St. Giles Church. The "new" St. Giles Church, with its octagonal floor plan and distinctive tent roof, was designed by the Parsberg architect Alfred Spitzner and completed in 1964, the ceremony taking place on November 8, 1964. The church was created as an octagon, which not only dominates and concentrates, but also gives a convincing expression to the connection between old and new in a diffuse blend of light and dark. The roof structure has a unique tent-like character. Also unusual is the fact that there is no depiction of the "Crucified Christ" anywhere in the entire church. The central cross in the middle of the altar wall is an eye-catcher for everyone entering the church. There is no depiction of the Crucified Christ anywhere in the entire church. Thus, the "Gemmenkreuz" (gemstone cross) represents a victory cross. The sculptor Peter Mayer from Schwandorf attempted to do justice to the new architecture of the church with elementary and conservative stone forms, which he achieved excellently. The individual stone groups, consisting of the altar, ambo, baptismal font, and column, were intended to speak to one another through their related forms, forming a family, as it were. The painter Erich Schickling from Ottobeuren was responsible for the design of the modern Stations of the Cross. It wasn't until 1970, five years after the new church was completed, that a new organ was installed. The Weise company from Plattling was commissioned to build it, and an organ was created that met the needs of the branch congregation. Source: www.stadtkirche-burglengenfeld.de/kirchen-gebaeude/st-aegidius-pottenstetten/

a nice idea, hang watering cans on the tree

Flat and good

We always enjoy eating here; I am very satisfied.

The "house without a roof", as it is officially called, is a cave dwelling that is still in use in the Upper Palatinate town of Kallmünz. The cave dwelling is located north of the Vils at the southern end of the Schlossberg, on which the Kallmünz castle ruins stand. The entrance is set back from Vilsgasse at the foot of a 20-meter-high limestone wall of the Schlossberg, and access leads between the listed residential buildings at Vilsgasse 26 and Vilsgasse 28. The house consists of a natural cave in the dolomite rock, the opening of which is closed off by a plastered wall with a door and windows. Inside there is a hallway, a living room, two storage rooms fitted into rock niches and a historic smokehouse. The oldest known mention of the cave dwelling can be found in a document kept in the land registry archive in Amberg with the year 1707. In the 19th century it was also known as the "house under the rock". In 1908 it was sold to the owner of the blacksmith's shop across the street, and it remains in his family's possession. The last permanent resident left the house in 1937 because he had developed rheumatism due to the damp cave air.

Since then, the new attraction has been standing just after the entrance to Schmidmühlen: a tree around 20 meters high, decorated with watering cans in bright colors. A total of around 250 of them hang from the branches. Mayor Peter Braun describes the tree as one of the most photographed motifs in Schmidmühlen. The tree is decorated every year before Easter - the watering cans then remain hanging until All Saints Day. However, to ensure that they can withstand heavy downpours, the building yard employees also had to take precautions. Among other things, the watering cans were drilled so that rainwater does not collect in them and the watering cans could become too heavy for the tree. Schmidmühlen's mayor Peter Braun simply calls this tree the "Kannenbaum". The name came about at an autumn festival organized by the Schmidmühlen senior citizens' group. The senior citizens there came up with something and turned the song "Oh Tannenbaum" into a humorous "Oh Kannenbaum" - a reference to the attraction at the entrance to the town. After the dreary winter - during Lent - the tree is decorated freshly every year. And in doing so it brings a bit of colour to the community - and perhaps currently to the whole time. https://www.otv.de/schmidmuehlen-giesskannenbaum-am-ortseingang-430939/

Filial Church of St. James the Elder Built on a rocky outcrop in Eich and visible from far away in the Naab Valley, there is a small church that looks back on a rich history. It is dedicated to St. James, the patron saint of pilgrims. It is assumed that one of the St. James pilgrimage routes in the Upper Palatinate passed through here. The Romanesque hall church was built in the middle of the 12th century. From the second half of the 16th century until around 1700 it was deconsecrated. It consists of a nave and a recessed, straight-ended choir in the east. An octagonal ridge turret rises from the gable roof of the nave in the west, which houses the tower clock and the bell cage and is covered with an onion dome. The interior of the nave, which has a gallery in the west, is covered with a flat ceiling, that of the choir with a barrel vault. The church furnishings include an altar erected around 1730. The church also has a small organ with 6 registers, which was built by a French organ builder, Franz Xaver Bouthillier, in 1839 and restored in 2003 by the organ building company Schädler. The church is usually closed. Source: http://www.gratis-webserver.de/pg-kall-dugg/1_4_1.html and www.wikipedia.de and www.wikipedia.de

Parish Church of St. Vitus The history of the Church of St. Vitus begins around 1315 with the construction of the building. The first documented mention as the benefice of St. Veith dates back to 1326. During the Thirty Years' War, the parish church of St. Vitus and the associated rectory fell into disrepair. Reconstruction only began between 1661 and 1665. In 1891, the existing bell house was raised under the then parish priest Dengler and the church portal was given its current neo-Romanesque appearance. In 1937 and 1938, the plans to expand the church that had been in the works since 1884 were implemented. For this purpose, the old church choir was demolished and a square building was added to the remaining choir arch, which rises up into a dome painted in 1954. Extensive renovations and changes were carried out under the leadership of parish priest Josef Bock in 1963/65. In addition to renovation work on the masonry and roof, the high altar and the choir were redesigned. The altar figures created by Bornschlegel (crucifix, Mary, John, St. Vitus and St. George) were moved to the right side of the choir. They were replaced at the altar by the crucifix by Brückl, which had previously hung under the choir arch, a Madonna from the branch church in Pottenstetten, and figures of Peter and Paul from the Kreuzberg Church in Burglengenfeld. The altar itself was widened with gilded acanthus leaf ornaments by the Helmer and Pledl workshop from Regensburg. The two side altars, around 1750, from the branch church in Pottenstetten now found their new home here. Two small, newly acquired Rococo altars with Saints Francis and Anthony, now on the gallery, flanked the choir arch in the old church. A gallery for a new organ was built on the left side of the choir. This organ was installed in 1965 by the Nenninger company from Munich and inaugurated in 1966. On the initiative of Rev. Willibald Baumgartner, the church painter Georg Hiltl from Regensburg carried out an extensive restoration of the ceiling paintings in 1985, with particular emphasis on restoring the original baroque version. From the 2020s onwards, serious damage to the substance of the church building became apparent, which is why the church bells were no longer allowed to ring and the nave had to be temporarily closed due to serious defects. Source: www.wikipedia.de and www.stadtkirche-burglengenfeld.de