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Spectacular view of the city of Arona and Lake Maggiore
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Once you arrive in Arona, walk along the lakeside and have an ice cream, go up to visit the statue of S. Carlone but... don't forget to visit the Rocca too! Founded in a period shortly before the year 1000 under the control of the Lombards, for four centuries the Rocca remained in the hands of the Borromeo family, giving birth to Cardinal San Carlo Borromeo in 1538; the history of the Rocca di Arona ends in 1800 when the Napoleonic army received the order to destroy some fortifications occupied by the Austrians; from that moment on only a few ruins of the Rocca di Arona remain. From above you can also enjoy a spectacular view of Arona below, of Angera opposite and of this entire stretch of lake!
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The Church of the Purification of the Virgin Mary is the parish church of Massino Visconti in the Province and Diocese of Novara. It is part of the Vergante pastoral unit. The first mention of a Catholic church in Massino dates back to 887. The new church was built in the second half of the 16th century with three naves and was given the title of parish church during the same period, after the Church of San Michele was severely damaged by a landslide. In the first half of the 19th century, the old Romanesque bell tower was demolished and replaced with a new tower. The church's striking, west-facing façade consists of three volumes interrupted by pilasters: the main body, characterized by the main portal, is preceded by a small portico opening into a serliana in the center, while the two side wings have secondary entrances. Attached to the parish church is the stone bell tower with a square floor plan. Its cell has a single-lancet window on each side, protected by a balustrade, and is crowned by a pyramidal spire resting on a drum with an octagonal base. The interior of the building is divided into three naves, overlooking which the side chapels face. Pillars and columns support round arches, above which runs the molded and projecting entablature, upon which the vaults rest. At the end of the hall is the presbytery, raised a few steps, bordered by balustrades and housing the main altar. Several valuable works have been preserved here, including the 16th-century frescoes depicting Saint Mary of the Assumption and the Coronation of Mary, as well as the paintings on the vaults depicting the Doctors of the Church and the symbols of the Evangelists. it.wikipedia.org/wiki/Chiesa_della_Purificazione_di_Maria_Vergine_(Massino_Visconti)
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The hamlet of Lortallo was a very pleasant surprise for me. Leaving Ameno, I was attracted by the sight of the mighty tower, which I later discovered was built in the 13th century. It is in excellent condition. Next to the tower, there is the Church of San Grato, which dates back to the 18th century (the bell tower is dated 1758). To the side of the tower and the church (which unfortunately I found closed and which is rarely open), closing the pretty little square, there is one of the entrances to Palazzo Decio, which I could only see from the outside because it is privately owned. However, the palace is used as a location for weddings and other celebrations, so online it is possible to see the interior, which develops around a large garden with a splendid view of Lake Orta. But the surprises offered by Lortallo do not stop there. In fact, I read that archaeological research conducted in Lortallo between 1915 and 1938, brought to light one of the most important necropolises of the early First Iron Age. The necropolis complex features tombs dating from the 9th to the 5th century BC and the findings can be placed within the Golasecca Culture, a common expression of various Celtic tribal groups that lived in the early Iron Age in western Lombardy, the Novara area and the Canton of Ticino. In short, it seems that Lortallo has been inhabited since the dawn of time.
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From the town, a somewhat steep footpath leads upwards. It is marked at the entrance with a red Rocco sign. At the top, in La Corte della Rocchetta, there is the opportunity to eat and drink.
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