슈피겔발트 주변 최고의 폭포 하이킹 & 워킹 코스

재건된 바트슐레마 쿠어파크에 있는 영국 세계적인 예술가 토니 크래그의 조각품 '스택'은 자연과 인간의 개입 사이의 연결을 구현합니다. 풍부한 광산 역사는 갈라진 땅을 연상시키는 추상적인 청동을 통해 이야기됩니다. 조각가는 1949년 영국 리버풀에서 태어났으며 현재 부퍼탈에 거주하고 있습니다. https://www.sachsen-tourismus.de/poi/purple-path-stack-von-tony-cragg 크기: 380 x 263 x 202cm

2014년 3월 중순부터 Huthaus는 우리의 식당과 연금 숙소를 운영해 왔습니다. 우리의 식당에서는 에르츠게비르크의 환대와 가정식, 지역 요리로 여러분을 대접합니다. 개성 있게 꾸며진 두 개의 아름다운 연금 숙소 객실은 머물고 싶게 만들며 쿠어바트 슐레마와 주변 에르츠게비르크에서 편안한 시간을 약속합니다. 영업시간 월요일 + 화요일: 휴무일 수요일 + 목요일: 11:30 - 20:00 금요일 + 토요일: 11:30 - 22:00 일요일 + 공휴일 11:30 - 20:00 http://www.zumhuthaus.de/wir.htm

유명한 국제, 국내 및 작센 예술가들의 작품을 통해 공공 공간에서 독특한 전시회인 Kunst- und Skulpturenweg PURPLE PATH가 탄생하여 Chemnitz와 그 주변 38개 도시 및 지역을 연결합니다. 이는 Chemnitz 2025 유럽 문화 수도의 가장 큰 프로젝트이며, 이 지역으로 확장됩니다. 설치물과 조각품은 중요한 장소에 자리 잡고 있으며 사람, 장인 정신, 산업에 대해 이야기합니다. 방문객들은 이 이야기(들)를 발견하도록 초대됩니다. "모든 것은 산에서 온다"는 Kunst- und Skulpturenweg PURPLE PATH의 서사이며, 850년의 광산 역사는 Chemnitz 주변의 풍경 - Erzgebirge, Mittelsachsen, Zwickauer Land - 을 깊이 형성했습니다. 은, 주석, 코발트, 철, 카올린, 우라늄의 채굴은 삶을 결정했습니다. 2019년부터 Erzgebirge/Krušnohoří 광산 지역은 유네스코 세계 문화 유산입니다.

historically valuable and with a miners' restaurant

A wonderful sight in winter when it's nicely frosty.

The Gleesberg (593 m), also known as Bad Schlema's local mountain, offers hikers a beautiful view of St. Wolfgang's Church in Schneeberg. At 593 meters, it is the highest mountain in the immediate vicinity. In the last century, the Neustädtel branch of the Ore Mountains Association built an observation tower and a mountain inn on the summit. The inn is currently open: Sat. from 12:00 PM Sun. from 11:00 AM Fri. by appointment

Directly adjacent to the Communstolln, panel 4 points to the Schnitzerheim (Carver's Home), the home of the oldest carving and mining club in the Ore Mountains. Founded in 1879 as the "Bergverein" (Mining Club), the club is one of the oldest of its kind in the western Ore Mountains and became known for its artistically designed Christmas mountains. The first documented woodcarver was Karl Friedrich Schorler (1755-1839). The first woodcarving school in the Ore Mountains was founded in 1904 under the direction of Ernst Büttner in Lößnitz. https://www.stadt-loessnitz.de/de/wandern/innerstaedtischer-lehrpfad.html

The 🟣 PURPLE PATH 🟣 is a sculpture trail that connects Chemnitz, the 2025 Capital of Culture, with 38 towns and cities in the region. Numerous artists have contributed works of various kinds, telling an unknown story of the region. More information at https://chemnitz2025.de/purple-path/ Tony Cragg "Stack" Bad Schlema Spa Park in Aue-Bad Schlema Material: Bronze "The patinated bronze of the abstract sculpture Stack by sculptor Tony Cragg, born in Liverpool, UK in 1949 and living in Wuppertal, evokes natural phenomena such as weathered rocks, polished wood, or volcanic smoke columns. Its layered geometric bodies and forms, repeated, rotated, and expanded into dynamic structures, also evoke ideas of geological models, digital data visualizations, or images from a scanning electron microscope. The iconic stacks, which Cragg has repeatedly modified in his work since the 1970s, have their artistic origins in geometrically stacked relics of industrial society, which are "keys to a bygone era that is our present" (Tony Cragg, 1987). The sculptures of the Turner Prize winner and multiple documenta participant evoke a state between nature and artificiality in a world of "semi-finished products" (Vilém Flusser). Placed in the Bad Schlema spa park, reconstructed after 1990, the 2019 sculpture Stack stands in direct proximity to the former Wismut Shaft 7b, from which uranium ore was mined at a depth of up to 278 meters since 1947. The Soviet-German Wismut AG extracted around 60% of its uranium ore requirements for its bomb production and nuclear power plants such as Chernobyl in the Ore Mountains and Thuringia, and destroyed spa houses, villages, and nature in Bad Schlema itself. Thus, Cragg's "Stack" also recalls this and simultaneously evokes the depiction of the earth's stratification in the Annaberg Mining Altar, created by Hans Hesse in the 16th century. (Text: Alexander Ochs / Ulrike Pennewitz)