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Sabiote has a long tradition of band music, and despite historical difficulties, it has managed to keep it alive among its residents. The town has a small bandstand where the band offers concerts to its residents on the hot Andalusian evenings in the Plaza de Santa Cruz. The Silverio Campos band is the main band, responsible for delighting the audience.

The wall, preserved in very good condition and still visible for many years to come, offers us the opportunity to walk around its perimeter, with stairs providing easy access to the different levels. In this section, we can appreciate the wall more directly.

Sabiote's historical debt to the architect Andrés de Vandelvira for the many works of art he left behind in the town prompted the Town Council to pay tribute to him in the form of a bust located in the town's main square.

In the same square as the Church of San Pedro, we find several palatial homes owned by important lineages of the city, which for many years were wealthy and well-off families. This grand palace dates back to the 16th century, although it was restored in the 20th century.

In the same square as the Church of San Pedro, we find several palatial homes owned by important lineages of the city, which for many years were wealthy and well-off families. This grand palace dates back to the 16th century, although it was restored in the 20th century.

This church was rebuilt in the 16th century, although construction began in 1500 on the site of a previous church that, like most, was demolished. The Gothic-Isabelline north portal was designed by Alonso Barba, a disciple of Andrés de Vandelvira, architect of Jaén Cathedral. His project was delayed due to a lack of funding and was not completed until the 17th century. This church was declared a National Monument in 1972.

What a spectacular structure we see today, it has survived the passage of time and the attacks of its inhabitants, not without a few historical vicissitudes. Most likely of Muslim origin, its history begins in the 13th century, until the withdrawal of the French in 1812 left the fortress almost destroyed. Due to numerous reconstructions, it can be visited today, although, understandably, only a small part of what it was in its day of greatest splendor remains.

Located on the Paseo del Prado is the bandstand, which housed the local band for their evening concerts. The bandstand lacks a roof to protect the struggling musicians from the harsh, relentless summer sun. The bandstand's design is also extraordinary, as it is not circular like most others, but oval to accommodate the band more comfortably. The lack of a roof also affects sound projection. The lack of a dome means the sound is dispersed in all directions and is not concentrated, not even for the performers themselves.