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The Parish Church of Santa María de la Purificación, due to its volumetric force and its location in an elevated part of the town, becomes the most representative architectural landmark. Despite being initially located away from the urban center, it is a remarkable example of a Sevillian church, in which the Mudejar and Baroque styles converge, following a very characteristic approach to 18th-century construction practice in the area. Built according to Mudejar principles in its original construction, which appears to date from the 15th century, it would later be practically rebuilt after the damage caused by the 1755 earthquake, conforming to the Baroque guidelines prevailing in the second half of the 17th century. A reconstruction in which Pedro de Silva, Antonio Matías de Figueroa, and José Álvarez participated. Among them, Antonio Matías de Figueroa stands out for the significance of his intervention in the complex. His work on the Manzanilla church can therefore be considered one of the last examples of this family's distinctive style—the so-called triumphal baroque—and one of the first signs of the change of direction demanded by the changing times, in their preference for the primacy of Rococo lines over Baroque masses. The appearance of neoclassical elements (the Gospel nave portal), derived from the presence of José Alvarez (1782–1783) as director of the works, also speaks to the formal evolution of the style toward the last quarter of the century. Finally, the tower (1760-1779) stands out, attributed to Lucas Cintora and Francisco Díaz Pinto, and one of the most beautiful examples in the province. It perfectly fits one of the two characteristic typologies of 18th-century Andalusia, originating from the Giralda in Seville. It forms part of a unique group of towers in Huelva, along with that of the Temple of San Pedro in Huelva and that of the Church of San Juan Bautista (La Palma del Condado), all of which follow a very similar model. This building represents another example of the intense religious construction activity that characterized 18th-century Huelva architecture, motivated by a fortunate combination of economic, demographic, and natural circumstances (earthquakes), and which has come to be known as its Golden Age.

Large wetland park on the west side of the Guadalquivir river, crossed by a bikeable trail and a boardwalk.

This square offers a special space within the town of Almensilla. Basically because it is one of the focal points of the town where we find the town hall and the Iglesia Nuestra Señora la Antigua.

Beautiful lagoon located in the Dehesa de Abajo Concerted Natural Reserve, between the marshes of the Guadalquivir and rice fields of Isla Mayor. Perfect place to observe birds, for example flamingos.

Town located on the banks of the Guadiamar river. It has several buildings of interest such as the Church of San Pablo, the Casa Grande, the Arco de la Pescadería or the Old Fountain. Near the river bank is the Buitrago recreational area, where you can rest in the shade in the environment of the protected landscape Corredor Verde del Guadiamar.

Catholic church declared an Asset of Cultural Interest in 1931, built in the 13th century. Among the most outstanding elements of the interior are: the main altarpiece with the image of the Virgen del Rosario from the 17th century and the baptismal chapel presided over by the Christ of San Pedro.

Road in perfect condition that passes through the heart of the Pinares de Aznalcázar. It is one of the forest spaces of greatest ecological interest within the province of Seville. They are forests composed mainly of pinyon pine.

An obligatory stop for breakfast or lunch after the hiking or cycling route in the Pinar de Aznalcázar. Site surrounded by trees, very quiet. It is right next to Camping Dehesa Nueva.