20의 에스카세나 델 캄포가지 명소 & 주요 장소

The Parish Church of Santa María de la Purificación, due to its volumetric force and its location in an elevated part of the town, becomes the most representative architectural landmark. Despite being initially located away from the urban center, it is a remarkable example of a Sevillian church, in which the Mudejar and Baroque styles converge, following a very characteristic approach to 18th-century construction practice in the area. Built according to Mudejar principles in its original construction, which appears to date from the 15th century, it would later be practically rebuilt after the damage caused by the 1755 earthquake, conforming to the Baroque guidelines prevailing in the second half of the 17th century. A reconstruction in which Pedro de Silva, Antonio Matías de Figueroa, and José Álvarez participated. Among them, Antonio Matías de Figueroa stands out for the significance of his intervention in the complex. His work on the Manzanilla church can therefore be considered one of the last examples of this family's distinctive style—the so-called triumphal baroque—and one of the first signs of the change of direction demanded by the changing times, in their preference for the primacy of Rococo lines over Baroque masses. The appearance of neoclassical elements (the Gospel nave portal), derived from the presence of José Alvarez (1782–1783) as director of the works, also speaks to the formal evolution of the style toward the last quarter of the century. Finally, the tower (1760-1779) stands out, attributed to Lucas Cintora and Francisco Díaz Pinto, and one of the most beautiful examples in the province. It perfectly fits one of the two characteristic typologies of 18th-century Andalusia, originating from the Giralda in Seville. It forms part of a unique group of towers in Huelva, along with that of the Temple of San Pedro in Huelva and that of the Church of San Juan Bautista (La Palma del Condado), all of which follow a very similar model. This building represents another example of the intense religious construction activity that characterized 18th-century Huelva architecture, motivated by a fortunate combination of economic, demographic, and natural circumstances (earthquakes), and which has come to be known as its Golden Age.

Impressive images from the river.

This recreational area is located next to the Las Doblas bridge in the municipality of Sanlúcar la Mayor. In this place, an artificial lagoon has been created in what was an old gravel pit, whose surroundings can be explored through a wooden walkway.

Path that is close to the riverbed of the Río Guadiamar and where you can find animals and different species associated with the river! Quiet road to walk on!

The station belongs to the Rio Tinto railway and throughout its history it was used as a siding for the crossing of the mining trains that circulated between Rio Tinto and Huelva, with the aim of regulating traffic in this area. It is currently used as a stop for the tourist train that runs along the Talleres Mina-Los Frailes section.

One of the most visited elements of the Riotinto Mining Park. Along the way you can see the transformation of the landscape for mining, an activity that goes back centuries. You can also see the abandoned mining villages and at the end of the tour there is a stop next to the Tinto river, in a spectacular landscape. Train tours using a steam locomotive are offered during the colder months.

It is a church registered in an old Almohad fortress that was declared an Asset of Cultural Interest in 1931. It is undoubtedly the most outstanding monument in Villalba del Alcor.

A Church incomparable with none in the province and full of history. Its Mudejar style stands out, since in the 13th century it was formerly a fortress of the Taifa de Niebla Kingdom.