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마지막 업데이트: 2월 24, 2026
하이라이트 • 정착지
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하이라이트 • 다리
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하이라이트 • 종교적 장소
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The route that passes through the Puente de los Trillos is known for its natural landscapes and traditional black architecture. It is an excellent option for hiking lovers looking to explore the Sierra Norte of Guadalajara.
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Beautiful and touristy Black Town in the North of Guadalajara. Spectacular houses and good hospitality establishments.
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A place of prayer and also for recreation and rest, it is a good place to start or end routes.
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The Hermitage of Nuestra Señora de Los Enebrales, in addition to its important religious connotation, is a recreation area with a large number of possible walks through its Prehistoric Caves and Shelters, as well as its "Enchanted City" Rocks, in some of which practice roof climbing teaching and training. It has a very large parking lot and trees and shades for the summer. Tamajón, the nearby town, in addition to being very beautiful and with a Romanesque Church, has good hospitality.
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There are actually three bridges at this location: 1st.- The current wooden bridge over which the Jarama River is crossed. 2nd,. Below, is the old Los Trillos Bridge. To see it you have to move a little away from the river or the Madera bridge. 3º.- A little further down the bridge are the Lateral supports of the old Matallana Bridge. On this bridge, the span to cross it was much longer and the wooden beams quickly deteriorated. For this reason, they made the Puente de los Trillos as short as possible, bringing the two new lateral supports very close.
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Sheltered by the Jaramilla Valley, in the Sierra de Ayllón, and closely watched by the Ocejón peak, Campillo de Ranas behind its blackboard looks like a unique piece of Black Architecture in the area. Popular architecture is shown to us as an emblem of the landscape and a perfect match with it. Wooden frames and slate slabs open between the stone, the bushes and the valley, as if the land, the architecture and its people were a whole assembled in the symbolism of the Sierra Negra. The slate wafers impose themselves on the eye, covering tiled walls and delimiting the fields with their dark fences of piles of flakes.
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