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Notre Dame de Nazareth Middle School is a private Catholic school under a state partnership agreement...and on a human scale, with 142 students and seven classes (two sixth-form, two fifth-form, one fourth-form, and two ninth-form), whose main focuses are student support and monitoring, valuing all achievements, and welcoming all. Depending on the families' schedules and needs, two statuses exist at Notre Dame de Nazareth Middle School: - Status 1: Children enter and exit NDN according to the school's hours: 8:55 a.m. - 5:10 p.m. They cannot enter later or leave earlier. - Status 2: Children can enter and leave the school at the first and last class times on their schedule. They have the option of entering later and leaving earlier than the school's hours, particularly in the event of a teacher's absence during the first and/or last class times of the day. 1865 The school was founded by three nuns from the Congregation of the Holy Family of Bordeaux at the "Château" in Sorlut. 1873 The sisters purchased land on the Route de Talmont in the hope of constructing a building there. 1875 The Château de Sorlut was put up for sale, and the school was relocated near the church on Rue Traversière. 1878 The building on the Route de Talmont was constructed, and the school was relocated there. 1902-1905 Despite the new secularization laws, the sisters continued their mission. 1914 The Red Cross flag flew over the school. 1923 The house was put up for sale by the estates. With some friends of the school, Father du Boulet placed a bid of 100 francs; no one else came forward, and the school was saved! 1940 The Red Cross flag flies over the house again, and the sisters carry out charitable works there. 1958 The school welcomes 70 children. 1959 The school is named "Our Lady of Nazareth." 1960 First expansion, installation of prefabricated classrooms, and opening of a complementary course. The school has 120 students. 1965 With 180 students, the school expands its enrollment to the surrounding towns: Cravans, Tesson, Montpellier, Corme Ecluse, Saint André de Lidon, etc. The classrooms and dormitories are modernized, and a refectory and a covered playground are built. 1983 The nuns hand over management to lay people while retaining supervision. 1987 A new building replacing the prefabricated buildings was constructed for the middle school students, with classrooms, a science laboratory, a technology room, and a computer room. The old building was completely renovated: the administrative area and a primary classroom were housed on the ground floor; the primary classrooms were housed on the first floor; and the library and chapel were located on the second floor. The entire school building, including the classrooms, courtyards, and grounds, underwent a complete renovation. 1989 Construction and development of the dining area: kitchen and refectories. 2008 Expansion of the middle school: new restrooms, 3 classrooms, and 1 study room. 2010 Creation of a nap and motor skills room for kindergarten students. 2012 Expansion of the refectory and construction of 3 additional classrooms at the middle school. 2015-2016 Nazareth celebrates its 150th anniversary! 2020 Opening of the flexible timetable (CHA) football classes, in partnership with the Cozes club. 2021 Interior renovation of the administrative building 2022 Opening of the CHA dance and table tennis classes Summer 2023 Renovation of the chapel and meeting room. Attic insulation. March 2025 Restoration underway

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This vast building was originally owned by the Augustinian Abbey of Saint-Étienne de Mortagne (now defunct). Built beginning in the 13th century, the current church was supplemented with a flat chevet pierced by a triplet in the following century. The bell tower, set on a powerful square stump, extends into an octagonal floor, built in the 15th century. At that time, it housed seven bells. As in many parishes in the region, the bells of Cozes were taken down and taken to Royan Castle in 1548 as punishment for ringing the alarm bells of revolt during the Pitauds Jacquerie. The nave vaults collapsed in 1756 and were economically rebuilt in the 19th century. The five bays of the nave are covered with a very simple basket-handle ceiling, while the side chapels, on either side of the choir, are covered with groin vaults. The church has retained its 13th-century capitals with plant or historiated motifs, and part of its exterior ornamentation (cords, frieze, small columns, and an allusion to Aesop's fable, The Fox and the Stork). The façade contrasts sharply with the rest of the building. Neoclassical in inspiration, with its triangular pediment, it was redone in the 19th century. The furnishings include elements from all periods. The church nevertheless retains an 18th-century pulpit. Assembled by a cabinetmaker from Burie, it was intended for the Sainte-Colombe church in Saintes. It was later sold to the parish priest of Cozes. In 2000, the stained-glass windows were restored. An access ramp was installed for the disabled. Until the winter of 1862-1863, the church was surrounded by a cemetery. It was moved to La Grande Herbaude, and the square surrounding the church was then The area was leveled and planted with trees. In 1877, five bells were reinstalled. The bell tower houses a peal of five swinging bells, cast in 1877 by the Guillaume d'Angers foundry: Claire-Louise: F3 - approximately 950 kilos, Marie-Thérèse: A3 - approximately 450 kilos, Marie-Louise: C4 - approximately 250 kilos, Louise-Georgette: F4 - approximately 100 kilos, Marie-Madelaine: A4 - approximately 50 kilos. This peal is exceptional for several reasons. Peals composed of five bells are very rare in the Charente-Maritime department: there are fewer than five. It is rare for four or more bells to be cast simultaneously. Often, over time, one bell is recast, another is added, and often the different bells do not come from the same foundry. In Cozes, the five bells were cast together by a single founder. This is the only case in Charente-Maritime. Since these bells were cast at the same time, this guarantees the same homogeneity of the metal and therefore a much better sound when the five bells chime together. They form the perfect chord of F major.

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The project: Save the medieval church of Cozes Support this restoration project for the Saint-Pierre church in Cozes, built from the 12th century onwards. Listed as a historic monument, this building is in a worrying state of preservation. In 2018, the building, which was suffering from a sagging roof and water infiltration, was closed; the rehabilitation work, estimated at €2.5 million, will have to be spread over several years. In 2020, the church was one of twelve sites in Nouvelle-Aquitaine selected to benefit from the Heritage Lottery and will receive €140,000 from Stéphane Bern's Heritage Mission. A first round of urgent work on the south aisle took place in 2020-2021. Thanks to donations, this initial preservation work has raised over €61,000. A second phase of work will begin in September 2024 for the restoration of the bell tower and staircase turret. "I am delighted to welcome you back for our sponsorship campaign for the restoration of the Saint-Pierre de Cozes church. Since 2020, your generosity has enabled significant progress in the preservation of this historic monument. Thanks to the support of over 200 donors (individuals, local and national businesses, foundations, etc.), we have achieved exceptional work together. After the first urgent phase of work carried out in 2020-2021 on the south aisle, we must now focus our efforts on the second and third phases of work relating to the exterior restoration of the bell tower and staircase turret." This work, estimated to last approximately 18 months, starting in September 2024, requires a total budget of €1,017,500. Our goal is to raise €100,000 in donations to supplement local government grants and ensure the completion of this crucial work. I would also like to acknowledge the ephemeral works of art that have marked our sponsorship campaign: beach art by Jben, the Elise Bachour concert, the ice sculpture by the Lopez confectionery, and many other initiatives have attracted an ever-growing audience. The 7th grade students from Les Vielles Vignes middle school in Cozes also joined our cause: each of them created a drawing inspired by the fable of the Fox and the Stork to illustrate our fundraising campaign, and they created a large collective mural on the wall of their middle school, thus demonstrating their commitment to our heritage. As a local business, your participation is of paramount importance. By supporting our project, you strengthen your corporate social responsibility (CSR) and your civic image while developing a meaningful partnership with the municipality of Cozes. Join us in this noble adventure that contributes to the preservation of our heritage, the local economy, and the attractiveness of our region! With my sincere thanks. Grazielle Bordage Mayor of Cozes

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The current church replaces a Romanesque church that occupied the same site. Poorly maintained and dilapidated over the centuries, it was in danger of falling into ruin when the Count of Sénectère, Lord of Didonne and Semussac, proposed to the parish community that a new building be built. The issue was clearly not a priority for the inhabitants, who, meeting in assembly in February 1771, were barely more than ten people deliberating, and agreed that a simple repair of the old sanctuary would be just as suitable. A chapter assembly, held on Sunday, April 2 of the same year, resolved the situation, and it was ultimately decided to rebuild the parish church, on the condition that as many materials as possible be reused to limit costs. Work began quickly, and just three years later, on November 22, 1774, the church was blessed and opened for worship during a solemn ceremony attended by Mr. Étienne de la Sale, Prior of Semussac, Mr. Vanson, Archpriest-Parish Priest of Arvert, and the Count of Sénectère, Lord of Didonne. However, signs of weakness quickly appeared in the bell tower, which the parish trustee, Jacques Guillot, proposed be demolished in 1788 and replaced with a simple pinnacle. The growth of the Catholic population during the 19th century necessitated an expansion of the church, and a campaign of renovations began in 1877 under the direction of the architect Eustase Rullier, also the master builder of the Church of Our Lady of the Angels in Pontaillac, in Royan. The nave was extended and the current bell tower-porch was built, giving the church the appearance it retains today. The interior, very simple, consists of a single nave flanked by two small transepts and a choir covered with lowered barrel vaults. The rear of the façade houses a neo-Gothic gallery. The former presbytery, built in 1729 and which became the town hall in 1980, retains a carved stone on its façade from the old Romanesque church, which appears to date from the 11th century.

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February 1771: Count de Senecterre, owner of the Château de Didonne, proposed to the people of Semussac the reconstruction of the church. Few people showed interest, and the ten who remained to deliberate thought it would be better to repair the parish church while keeping it as it was. However, they agreed to demolish it entirely, along with the bell tower, and rebuild everything from scratch according to a plan to be agreed upon. Entremondit, Lord Count de Senecterre, the said prior, and four notables from Bemuses, to whom they gave full powers for this purpose, provided that it be within the boundaries of the old church and the adjoining cemetery and that the said church could accommodate the same number of people as the current church... and that, furthermore,...usable materials from the old one would be used first. (Departmental Archives of Charente-Maritime) The Count of Senecterre considered that a decision taken by such a small number of people was unacceptable. The inhabitants gathered in a chapter assembly on Sunday, April 2, 1771, agreed that the church be demolished and replaced by a new building, which would be completed in 1774. Etienne la Sale notes in the parish registers: Today, November 22, 1774, the blessing of the new church of Saint Etienne de Semussac was held, built with the care and expense of Mr. Etienne de la Sale, Prior of Semussac, the Count of Senecterre, and the inhabitants and tenants of the said parish. This blessing was performed by Mr. Vanson, parish priest and archpriest of Arvers, and the ecclesiastical curates, who attended and signed. for a mission, having been granted by the Bishop of Saintes on November 14, 1774. (Excerpt from Frédéric Chasseboeuf's book, Le Château de Didonne)

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The church of Notre-Dame in Rioux was built in the second half of the 12th century (around 1160) on the foundations of an older and smaller sanctuary, of which some traces remain in the antechoir. The church of Saint-Eutrope in Saintes (consecrated in 1096) served as a model for the builders of Rioux. It underwent numerous and significant modifications over the following centuries, particularly in the 13th and 15th centuries. The nave, the western portal, and the apse date from the early and second half of the 12th century. The south side chapel and its portal date from the second half of the 12th century. The church originally had a bell tower above the fourth bay of the nave. Strong columns attached to pilasters attest to this original purpose. The north side chapels, former seigneurial chapels, and the north exterior door date from the late 15th and early 16th centuries. They were built by Baron de Rioux. The gable of the western façade was pierced with a round opening and topped by a square bell tower with faces adorned with twin trefoiled windows in the 15th century. The 1583 bell was replaced in 1867 by a 611 kg bell cast by Master Amédée Bollée. The nave has a lowered barrel vault in 1860. It has three bays separated by strong half-columns backed by slightly projecting pilasters. Their transoms receive the projections of large pointed arches, each framing a small, very narrow Romanesque window. The first bay houses a small gallery surmounting a porch and built between the two large masonry blocks supporting the bell tower. This bay has a ribbed vault with a large bell hole in the center. Two double chapels, to the left and right, form the transept. They connect to the nave and the choir through large pointed bays; ribbed vaults cover them. On the south arm of the transept, a second Romanesque doorway opens, on the west side, with arches decorated with stringcourses. The semicircular apse, separated from the choir by an arch resting on two columns with capitals, has a half-dome ceiling and is lit by five semicircular windows. Columns rising from the ground separate them. The upper part of the columns is broken in a zigzag pattern and they seem to buckle under a weight that overwhelms them. The columns are topped with capitals carved with acanthus leaves, on which lowered arches rest. Each corner of the windows is adorned with a small column. Two stringcourses decorated with small opposing triangles run around the apse. One runs at the height of the capitals' abacuses, the other highlights the base of the windows. In the nave and the south chapel, there are funerary urns from the 16th, 17th, and 18th centuries with coats of arms, bearing the arms of the Beaumont family and the Marquis de Monconseil, Lord of Rioux and Tesson. There once existed a crypt beneath the church. It was the object of special veneration, giving rise to an annual pilgrimage to Saint Venant (Abbot of Tours in the 5th century), venerated as a healer of the crippled. Miraculous cures were performed there. Following disturbances, this crypt was reportedly walled up around 1787. Legend has it that a considerable number of crutches were suspended from the ceiling. Excavations carried out in 1939 led to the discovery beneath the south chapel of an ossuary extensively remodeled in the 16th century, but there is no evidence that this ossuary was the pilgrimage crypt. The Notre-Dame de Rioux church has been listed as a historic monument since May 22, 1903.

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The original church was built on the site of an earlier early Christian church in the 11th century by local craftsmen and financed by the Counts of Provence. The Church of Saint-André is a high-quality Romanesque-style building. It is characterized by its Latin cross plan, its single nave with five bays, its transept, and its chevet with three apses. The main façade is adorned with a sculpted portal, with richly decorated columns and capitals. The portal is surmounted by a rose window and is flanked by two towers. The interior of the church is also remarkable. The nave is covered with a barrel vault, and the apses are decorated with 12th-century frescoes. It originally had a single nave without a transept and ended in a semicircular apse. In the 12th century, the south transept was added. The portal consists of three arches decorated with archaic foliate capitals. In 1562, the Protestants destroyed the church, and only the south wall of the original nave remains. A breach was made to access the crypt vault, which was completely demolished, and the paintings of the seigneurial arcade were scraped off. The battlements were removed either during this period or when Richelieu ordered the dismantling of all the fortresses. During the 17th century restorations, the south and north walls of the upper church were lowered, and the apse and façade walls were hewn into gables to support a gabled roof without a roof frame. Two battlements were preserved, and a small archway was erected to house the bell in 1669. The crypt vault was replaced with a simple plank beam, and a Renaissance door was installed to open the church.

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The Saint-Symphorien church in Grézac, which depended on the Abbey of Saint-Eutrope, was built in the 12th century. Unfortunately, only the north apse remains from the Romanesque period. The rest of the building dates from the 14th century. The decoration of this Romanesque apse is remarkable: one can admire in particular the beautiful capitals of interlacing and foliage. Despite its simple plan, the church is original in both its design and decoration. Under the right apse, a vast crypt-ossuary is preserved, its vaults resting on benches arranged along the walls of the room and rising five meters high, resting in the center on a column. The latter bears a capital sculpted with monster heads and grimacing faces. At the base of the ribbed vaults, beautiful corbels and corner columns are sculpted with human faces or floral motifs. The façade, whose iconographic arrangement is not original, is composed of plaster reliefs. One of them depicts four figures evoking the condemnation of Saint Symphorien to martyrdom. The latter was beheaded. Another depicts a Sagittarius brandishing his bow and chasing a deer. A third depicts two episodes from the well-known fable of the Fox and the Stork, which can be found on two capitals on the south façade of the church of Cozes. The interior of the building is striking, particularly the northwest corner, which houses a plaster high relief likely dating from the 19th century. All the figures taking part in the scene of Christ's baptism are depicted almost life-size.

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