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Built during the second half of the 18th century, this mill ceased operation at the end of the 19th century. It served as an observation post for occupying troops from 1940 to 1941, and as a fire detection watchtower from 1973. While its ground floor provides welcome shelter from the weather, its viewpoint is only open to the west, and for a short time, its northern view being blocked by the new fir shoots, which will inevitably surround it completely.

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Château de La Léotardie in Nonac, in Charente, not in Dordogne. Listed as a Historic Monument, Château de la Léotardie in Nonac was originally the property of Hélie Léotard, then Archdeacon of Bourges. Part country house, part monastery, this former fortified castle was largely rebuilt in the 14th century and then renovated in the 15th. Visitors can discover a vaulted room and an ogival doorway on the ground floor. It is also possible to admire a medieval triple-nave barn a few hundred meters away. https://www.france-voyage.com/villes-villages/nonac-2918/chateau-leotardie-12663.htm

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Saint-Étienne Church in Courgeac, in Charente, is a 12th-century Romanesque church composed of a single nave made of small cubic rubble (early 12th century), with a barrel vault, a square ribbed vault topped by a rectangular bell tower, and a semicircular Romanesque apse with a cul-de-four vault. In the 15th and 16th centuries, a porch was built in front of the nave and covered with frescoes. Above the apse, an upper chamber was built, probably during the Wars of Religion, for defensive purposes, including a battlement and gun ports. The church displays the architecture typical of modest churches of the early Romanesque period. You must enter the cemetery to get a full view. http://chapiteaux.free.fr/TXT_COURGEAC_16.html https://www.tripadvisor.fr/Attraction_Review-g1932328-d27157425-Reviews-Eglise_Saint_Etienne_a_Courgeac-Montmoreau_Saint_Cybard_Charente_Nouvelle_Aquit.html

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The Church of Our Lady of the Navitiy was built in the 12th century. This Romanesque-style monument was considerably altered with age, so much so that only the foundations are original today. The walls, for example, were raised shortly after the Hundred Years' War to allow refuge rooms to be built under the roof. The Romanesque façade, for its part, was remodeled during the Gothic period. The use of grison, a local grey stone very common in this area of Charente, limited the sculpted decoration to its strictest expression; this stone was unsuitable for sculpture. On the other hand, the church has a painted fresco, rediscovered in the sanctuary during restoration work. Like all medieval churches, Notre-Dame de Brossac was once surrounded by its cemetery, abandoned in 1843. Outside, in the north wall of the nave, there remain two funerary recesses intended to shelter the burial of high-ranking figures. https://www.sauvegardeartfrancais.fr/projets/brossac-eglise-notre-dame-de-la-nativite

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Artificial natural site formed by the exploitation of a clay quarry

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Why Visit Château de la Léotardie? For its enchanting setting: Nestled in the heart of the Périgord countryside, the château is a haven of peace where you can recharge your batteries while admiring a magnificent example of Renaissance architecture. For its history: This place full of history allows you to discover a part of the rich past of the Périgord, with architecture that reflects the art of living and elegance of yesteryear. For its role in social and event life: The château offers a perfect setting for private events or receptions, with beautifully designed indoor and outdoor spaces. Château de la Léotardie is a hidden gem in the Dordogne, combining history, elegance and nature. It is a place to discover for those looking to explore an authentic corner of Périgord heritage.

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Park and Gardens: Exceptional Natural Setting: Surrounded by vast meadows, woods and gardens, the château offers an idyllic natural setting. Visitors can enjoy quiet strolls in the shaded paths, among century-old trees, or relax while observing the local wildlife. French Gardens: Some of the château's gardens are laid out in a classic "à la française" style, with geometric flowerbeds and boxwood-lined paths, adding to the charm of the place. Intimate and Historical Atmosphere: Venue for Receptions and Events: The Château de la Léotardie is often used for private receptions, weddings and other events, making it a choice venue for those wishing to celebrate in a historic and romantic setting. Authentic Atmosphere: Despite its prestigious past, the château retains an intimate and tranquil atmosphere, offering visitors a true immersion in the history of the Périgord. Proximity to Tourist Sites: Périgord Noir Region: Located close to the famous tourist sites of the Dordogne, such as Sarlat, the caves of Lascaux and the castles of Beynac and Castelnaud, the Château de la Léotardie is an ideal base for exploring the region. Cultural and Natural Heritage: The castle is surrounded by magnificent landscapes, dense forests and rivers, typical of the Dordogne, offering many opportunities for nature lovers, whether it be hiking, canoeing or visiting picturesque villages.

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Château de la Léotardie is a magnificent château located in the Dordogne region of Nouvelle-Aquitaine. Nestled in the heart of the Périgord countryside, it embodies the elegance and history of the region, while offering a peaceful and green setting. Although it is less well-known than some of the great châteaux of the Dordogne, it has a particular charm, particularly due to its architecture and its environment. Points of Interest at Château de la Léotardie: Renaissance Architecture: Périgourdine Elegance: Château de la Léotardie, dating from the Renaissance, is distinguished by its refined architecture. It has features typical of manor houses of this period, with stone facades, sloping roofs covered with tiles and beautiful stone fireplaces. Historical Details: Certain architectural elements bear witness to the history of the château, such as mullioned windows and circular towers which give the whole an appearance that is both defensive and elegant.

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