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Nice view

Nice views

Listed as a historical monument, the Château de Longecourt is built of brick and stone. Today it is a charming guest house with 5 bedrooms and a suite.

The Palais des Ducs et des États de Bourgogne is one of Dijon's most striking buildings and reflects the rich history of the Burgundian Dukes. The complex originated in the Middle Ages and was expanded in later centuries with elements of classical style, including the stately façade with columns and wrought-iron balconies. Strategically located on the Place de la Libération, the palace forms the historical and administrative heart of the city. Inside, you'll find the Musée des Beaux-Arts, with one of the oldest and most important art collections in France. The combination of architecture, culture, and historical significance makes this palace an essential visit when exploring Dijon.

simply beautiful. - Tip: enjoy Burgundian cuisine in one of the numerous restaurants.

Beautiful little street behind the Église Notre-Dame with some nice shops and restaurants.

In place of an old gate in the 12th-century city wall, the architect Jean-Philippe Maret had this monument built between 1786 and 1788 in homage to the Prince of Condé, governor of Burgundy. The building was then named Porte Condé. The monument was connected by walls to the ramparts that still existed, and its gate was closed by a gate, traces of which can still be seen. During the Revolution in 1791, the gate was named the Arc de la Liberté; in the 19th century, it became Porte Guillaume, in reference to Guillaume de Volpiano, abbot of the Abbey of Saint-Bénigne.

The 19th-century church (consecrated in 1853) has the unique feature of having two bell towers. Legend has it that the builders wanted to erect a single bell tower, which would have been taller than that of Saint-Bénigne Cathedral in Dijon. The diocese rejected this, so the builders opted for two bell towers, each 52 meters high. There are only seven other examples of this model left in France. Inside are some beautiful pieces of religious furniture, including the superbly carved pulpit. Another peculiarity is that there are no chairs, but rather numbered oak pews, which are undoubtedly original. If you have a good eye, you can see a statue in the keystone of the choir. (By Jean Michel Dhainaut; many thanks for this!)