부리앙벡신 최고의 라이딩 경로

자전거 여행객인 저희에게 이곳은 완벽합니다. 역사적인 건물과 절대적인 고요함이 어우러진 주변 환경이 정말 훌륭할 뿐만 아니라, 자전거 여행객의 요구에 완벽하게 맞춰진 따뜻한 환대도 받을 수 있습니다. 하루 종일 페달을 밟은 후 전용 공간에 자전거를 안전하게 보관할 수 있다는 점은 매우 좋습니다. 객실의 편안함, 장소의 진정한 매력, 아침 식사의 질 덕분에 다음 날 최적의 에너지로 출발할 수 있습니다. 도시의 번잡함에서 벗어나 주변의 루트를 탐험하기에 이상적인 위치입니다. 휴식과 개성을 추구하는 모든 "작은 여왕" 애호가들에게 강력히 추천하는, 저희의 마음을 사로잡은 장소입니다. Vernon 또는 Gisors 지역을 지나신다면 꼭 들러야 할 곳입니다!

Very nice..

GOOD …

excellent greenway, well maintained.

Beautiful Drakkar as decoration

A military fortress with a defensive purpose, built in 1097, during the reign of William the Conqueror's second son, Gisors Castle marks a major page in the medieval history of Normandy. This fortification was intended to protect the Norman possessions of the King of England against the ambitions of the King of France. A true border place and eastern lock of Normandy, it was part of a vast campaign of fortifications in the Epte Valley, the natural boundary between the two kingdoms.

We know of Saints Gervais and Protais that they were Christian martyrs in the 2nd century in Milan. At the time, the Roman Empire forced all its subjects to worship the emperor, which was unacceptable to Christians. If they refused, they were crucified or sent to the arena to be devoured by lions between gladiatorial fights. Thus, Saint Ambrose, bishop of Milan, found them, in 386, buried side by side. This great bishop affirmed that they had been martyrs by fidelity to their baptism. He even added "They are of a prodigious size, such as one was in ancient times." Their cult reached Gaul where a large number of churches were dedicated to them.

The parish church of Saint-Gervais Saint-Protais was consecrated in 1119 by Pope Calixtus 11. This Romanesque church saw its nave ravaged by fire in 1123. It was rebuilt in 1160. Thanks to funding from Queen Blanche of Castile, the people of Gisors built a Gothic choir, consecrated in 1249. It was built according to the Chartres model, common at the time in Ile-de-France, with a three-level elevation: large arcades, triforium and high windows pierced with oculi. Thanks to funding from charitable brotherhoods and trade corporations, the church underwent multiple transformations from the end of the 15th century with the addition of radiating chapels and an ambulatory at choir level. Entrusted to the Grappins, a family of architects from Vexin, the work continued in the 15th century with the reconstruction of the nave and the chapels of the side aisles in flamboyant Gothic style, then of the façade decorated with Renaissance motifs.