프레노몽체브뢰이 최고의 라이딩 경로

성채의 정확한 건축 날짜는 알려져 있지 않습니다. 그러나 1694년 교구 등록부에는 « 성채의 소유주인 클로드 세자르 드 콤브스의 아내인 마담 드 콤브스 드 리스의 하녀의 존재 »가 언급되어 있습니다. 이 기념물은 두 개의 날개로 둘러싸인 중앙 건물로 구성되어 있습니다. 건축물은 벽돌과 일부 몰딩 처리된 돌로 구성되어 있습니다. 입구 계단은 두 개의 테라코타 사자 조각상으로 지켜지고 있습니다. 1798년 성채에서 태어난 니콜라 샤를 미용은 작가 앙리 미용 드 몽테를랑의 증조부였습니다.

A charming village on the slopes of the Viosne with its castle and adjacent church.

A wall now traces its original layout onto the ground, offering visitors a glimpse into its religious and architectural past.

In the 11th century, a chapel was built by the prior of Bézu-le-Long, dependent on the abbey of Croix Saint-Leufroy, consisting of a nave of 5 bays lit by narrow lancets. A stone choir was added in the 12th century. Around 1335, the chapel became a parish church. Around 1780, it was enlarged by two bays and its direction was reversed. The entrance is now through the choir, itself installed in the western part. Large bays were opened at this time. The new choir is adorned with an altarpiece executed in 1760 by Jacques Carbonnier (from Gisors). The painting of the baptism of Christ is by Charles Jean Baptiste Duchêne, painter in Gisors

A military fortress with a defensive purpose, built in 1097, during the reign of William the Conqueror's second son, Gisors Castle marks a major page in the medieval history of Normandy. This fortification was intended to protect the Norman possessions of the King of England against the ambitions of the King of France. A true border place and eastern lock of Normandy, it was part of a vast campaign of fortifications in the Epte Valley, the natural boundary between the two kingdoms.

We know of Saints Gervais and Protais that they were Christian martyrs in the 2nd century in Milan. At the time, the Roman Empire forced all its subjects to worship the emperor, which was unacceptable to Christians. If they refused, they were crucified or sent to the arena to be devoured by lions between gladiatorial fights. Thus, Saint Ambrose, bishop of Milan, found them, in 386, buried side by side. This great bishop affirmed that they had been martyrs by fidelity to their baptism. He even added "They are of a prodigious size, such as one was in ancient times." Their cult reached Gaul where a large number of churches were dedicated to them.

The Bishop's Palace was built in the 16th century, partly on fortifications from the Gallo-Roman period.

The parish church of Saint-Gervais Saint-Protais was consecrated in 1119 by Pope Calixtus 11. This Romanesque church saw its nave ravaged by fire in 1123. It was rebuilt in 1160. Thanks to funding from Queen Blanche of Castile, the people of Gisors built a Gothic choir, consecrated in 1249. It was built according to the Chartres model, common at the time in Ile-de-France, with a three-level elevation: large arcades, triforium and high windows pierced with oculi. Thanks to funding from charitable brotherhoods and trade corporations, the church underwent multiple transformations from the end of the 15th century with the addition of radiating chapels and an ambulatory at choir level. Entrusted to the Grappins, a family of architects from Vexin, the work continued in the 15th century with the reconstruction of the nave and the chapels of the side aisles in flamboyant Gothic style, then of the façade decorated with Renaissance motifs.