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In a document dated October 15, 967, the Palatine Chapel is described as "completely dilapidated." At that time, the name "Old Chapel" first appeared, probably in reference to its former status as a royal palatine chapel. A millennium has passed since the Bavarian Duke Henry IV, later German Emperor Henry II, took possession of the Old Chapel in Regensburg, restored it, and elevated it to his palatine chapel. The Old Chapel, a splendid Marian shrine, is one of the most important Christian sites in Bavaria. The entire interior of the church depicts the life of Emperor Henry II and his wife Kunigunde in the frescoes of the nave and transept, as well as in the numerous sculptures. The artistic designs reflect the Baroque and Rococo spirit.

Attention: The road is closed and not accessible by road bike. The asphalt surface is being replaced. 06.07.25

Not far from Regensburg's St. Peter's Cathedral is the Old Chapel. As inconspicuous as the name of this church may sound, it conceals nothing less than the first church in Bavaria. It was built in 875 by Louis the German. Particularly noteworthy is the miraculous image depicting the Virgin Mary with the Christ Child. It was a gift from Pope Benedict VIII to Emperor Henry II. Anyone entering the church today is greeted by the splendor of the 18th century. Upon closer inspection, the original structure of the three-aisled pillar basilica with its east transept can still be seen beneath the white and gold of the Rococo period. A place steeped in history, gilded by the splendor of the 18th century. Source: https://www.regensburg-bayern.de/erleben/sehenswuerdigkeiten-regensburg/alte-kapelle/

Parish Church of St. Laurentius The parish was first mentioned in 1320, and in 1422 the parish of "Eglofsheim" was incorporated into the episcopal church in Regensburg. After the construction of the flanking tower in 1446, the demolition of the old parish church began on April 15, 1720 to lay the foundation stone for the baroque hall building that still stands today and was completed after almost two years of work. Extensive renovations took place in 1846/47 and 1886/87. In 1905, after another renovation, a golden cross was placed on the church tower. After the end of the Second World War, the church was renovated again inside in 1952/53, with the formerly colorful glass windows being replaced with white glass. The nave is divided by pilasters, at the end of which is the recessed choir room, closed on three sides. The ceiling frescoes on the nave vault were originally painted by Joseph Offenhuber and show Saint Lawrence in glory as well as God the Father and Jesus Christ as kings with the globe in their hands, and above them the Holy Spirit in the form of a dove. The coats of arms of the lords of the castle of Alteglofsheim, including the coat of arms of the von Königsfeld family, are painted in a stucco cartouche on the choir arch. The ceiling painting on the choir vault shows Saint Lawrence being executed by Emperor Valerian. The high altar from 1755 has four smooth and two twisted columns. The altarpiece shows the patron saint of the church, Lawrence, in glory above the church and the neighboring houses of Alteglofsheim. He is surrounded by angels with musical instruments, a palm branch as a symbol of the martyrs, the iron grate - his attribute on which the martyr was executed - and an angel with an open book from which the Revelation can be read. The image is framed by Saint Wolfgang on the left and Saint Nicholas on the right of the altar. The excerpt above the altarpiece shows the symbol of the Holy Trinity in a halo. The left side altar shows Saint Mary in a blue robe with the baby Jesus, standing on a green ball. The altarpiece is flanked by two stilted, round columns made of stucco marble. The right side altar shows Saint Sebastian tied to a tree with arrows piercing his chest. The altarpiece is also framed by two stilted, round columns made of stucco marble. Source: Excerpts from www.wikipedia.de

Köfering Castle The first moated castle on the Pfatter was probably built in the 12th century. The Köfering family was first mentioned in the middle of the 12th century. Around 1300, the castle was owned by Eckprecht von Haidau, who gave it to the Bishopric of Regensburg in 1307 in order to receive it as a fief from the bishop. Other owners of the castle were Otto Zenger, Albrecht von Abensberg, Heinrich Nothaft von Mangolding and Scheuer. In 1427, Dietrich von Stauf took over the castle in Köfering by exchange. On December 26, 1491, the Köfering fortress was besieged and destroyed by the Bavarian Duke Albrecht IV with 1,000 soldiers during the Löwler League uprising, in which the castle owner Hieronymus von Stauf took part. The Counts of Lerchenfeld have owned the moated castle since 1569. The castle was damaged in the Thirty Years' War and rebuilt in its current form from 1680 to 1720. Renovation began in 1980/81. The moated castle is an irregular, baroque, three-storey three-wing complex with mansard hipped roofs, an entrance projection with portal, ground floor arcades and a staircase with a mansard hipped roof. The White Hall with inlaid parquet and the chapel are worth seeing. The castle complex consists of a central projection, to which only a north wing is connected. To the west there is another wing with protruding corner projections, and to the south the one-storey former stable building is attached. A three-arched stone bridge leads over the walled moat, which is still preserved, and is the only access to the castle. Source: Excerpts from www.wikipedia.de

The Carmelite monastery was founded in 1641 and the church was built between 1660 and 1673 in the Italian Baroque style. The church is characterized by its magnificent west façade with Ionic columns and a rood pediment. Inside there are Baroque altars taken from other churches. The church has been renovated several times, most recently after World War II when it was damaged by bombing.

The oldest church building in the city, dating from 875. Built as a Carolingian basilica with a transept, the floor plan was extended in the shape of a cross in the late Gothic style in the middle of the 15th century. In the 18th century, the interior was remodeled in the Rococo style.

Very worth seeing, you have to see it